On Dec 8, 1:23 pm, "T. Esteban Ayala" <
testebanay...@gmail.com> wrote:
> On Dec 8, 10:11 am, M forever <
ms1...@gmail.com> wrote:
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> > On Dec 8, 12:59 pm, "T. Esteban Ayala" <
testebanay...@gmail.com>
> > wrote:
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> > > On Dec 8, 6:54 am, Polluter Politika <
polluterpolit...@gmail.com>
> > > wrote:
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> > > > I like the - in this order
> > > > 1 MSO- Dutoit
> > > > 2 BSO - Litton
> > > > 3 HO - Barbirolli
> > > > 4.LSO - Boult
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> > > > What is your favorite?
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> > > 5.) London Philharmonic Orchestra/Sir Adrian Boult (EMI; 1970)
> > > 4.) London Symphony Orchestra/Pierre Monteux (Decca)
> > > 3.) London Symphony Orchestra/Sir Edward Elgar (Naxos, EMI; 1926)
> > > 2.) Halle Orchestra/Sir John Barbirolli (Dutton, 1956?)
> > > 1.) Vienna Philharmonic Orchestra/John Eliot Gardiner (DG)
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> > Gardiner?
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> Yeah. I bought it on a whim in 2002, even though I was by no means an
> Elgar fan then (bore me to tears actually). But I found it used at a
> very reasonable price and decided to try it. I was bowled over--it was
> superb; made me a convert to Elgar's music right there and then. Just
> hearing that luscious, plump VPO sound was enough for me. Even today I
> find myself liking that recording best.
Interesting. I, too, enjoy the rich and deep sound of the orchestra in
this recording, but at the same time also the enormous refinedness and
detailedness of the playing which brings out a lot of the very fine
detail in the score.
There is also a recording with the WP and Solti which I think is very
good. Do you know it? If you know his CSO recording in which he and
the orchestra, as usual hack and slash and blare through the piece,
that may be hard to picture, but his highly energetic, sometimes
frenetic conducting, when tempered by an orchestra with a more
horizontal and sustained playing style could actually lead to quite
impressive results.