> I've retitled this from WHYBL as there were no comments, and I think the
> subject needs the observations of others.
>
> > The Mahler 4 on Exton with Manfred Honeck and the Pittsburgh SO. The
> > first three movements are about as good as I've ever heard. Honeck's
> > command of every detail of the score, his orchestra's response to his
> > direction, and the recording quality (either CD or SA-CD, which I've
> > only heard in 2-channel form) combine to stunning effect. The fourth
> > movement is equally wonderful orchestrally, but I'm disappointed with
> > the diction of Sunhae Im; the text is difficult if not impossible to
> > understand too much of the time.
< Bob Harper
I have a download mp3 of the live performance of Mahler 3 from which
the Exton recording was made. I really, really liked it. The first
movement is sprawling and feels endless unless the conductor keeps the
musical argument flowing and **going** somewhere. Honeck definitely
does. I like the well characterized woodwind playing throughout, and
the strings are fine. The sound on the mp3 download I have is quite
good, and I'm sure the Exton is much better. This performance is among
my favorite Mahler 3 performances (which include the 1982 or 1983
Kerstmatinee live performance by Haitink/Amsterdam, the Chailly
recording, Zander, and Maazel/Vienna Phil).
I liked Honeck's Mahler 4, and I agree with you about the soprano's
mushy diction. I have a Honeck Mahler 2 download, but the sound is
very rough. Bob, I also heard the Mahler 5 performance that Honeck
conducted in Berlin last month (it's on youtube). I thought it was
worthy, but I didn't get anything new or unusual from listening to it.
My favorite M5's are Solti/Chicago (despite the multi-mics), Bernstein/
NY, Chailly, and the Haitink live performance from the Kerstmatinee
box set.