Due to my luck in the used stores lately, I have become
a Nielsen fanatic. I'm looking to add to my collection which
right now includes:
Symphonies 1-6, 2-3, 4-5/ Leaper on Naxos
Symphony 2 & Addladin Sutie/Myung-Whun Chung on BIS
Symphonies 4 & 5/ Saraste on Finlandia
Misc. Orchestral works (EMI double)/Blomstedt
String Quartets on Naxos
Wind Quintet on Naxos
I know I should get the Blomstedt on Decca and look for the
EMI's used, but are there any sleepers? For right now, is the
Blomstedt EMI double sufficient for the concertos? Also, looking
for recommendation for other music, like piano music, violin sonatas,
choral and opera . I've heard bad things about the Naxos piano
issues ( it was in Gramophone, so I'm skeptical) and have found only
one version of the violin sonatas 1/2 on Chandos. Any and all
help/opinions/rants appreciated.
Will
Primarily for the orchestral playing, I'm very fond of the recording of the
Violin Concerto by Kim Sjøgren, the Danish National Radio SO and Michael
Schønwandt on Chandos, coupled with good if not outstanding Flute and
Clarinet concerti.
How's the Naxos account of the Wind Quintet? I've heard two recordings,
both of which strike me as pretty unsatisfactory - the Bergen on BIS's
complete set of the wind chamber music, and the Athena Ensemble (can't
remember the label, possibly Hyperion). I'm also on the look out for a
Serenata in Vano that isn't played too fast (as with the shallow and
unsympathetic performance on the BIS disk). Any suggestions>
John Carter <jrca...@marcopolo26.freeserve.co.uk> wrote in message
news:7os6ea$5nk$1...@news4.svr.pol.co.uk...
>I don't think the Markevitch Fourth and violin concerto ever made it to
>CD.DGG are probably saving them for DVD but they are worth remembering if
>they ever turn up.The Bernstein recordings and the two by Ormandy ought to
>be in every collection as well..
I was sort of waiting on Sony to put out the Nielsens symphony in the
Bernstein Century series - if they are going to - anyone know for
sure?
>I bought the Naxos and it isn't bad at all,
>maybe not the last word but Nielsen is not a composer one thinks of first in
>relation to the piano so you have to get used to it..No reservations at all
>about the first volume of the quartets on Naxos, a great disc.
Maybe I'll try the Vol. I - there's a Vol.II just out too. And yes,
the Quartets are great on Naxos.
>Blomstedt seems to be about it for the concertos if you don't buy the Sony box set
>which is still the set I return to most. Interesting that you bought the
>Leaper which is under rated and maybe the equal of the later Blomstedt.
>Somehow each version of Blomstedts Nielsen and Sibelius seems worse than his
>first sets.I don't know if it is the orchestras or what or if he has done
>them so often he has lost interest.
I wish I could say I picked the Leaper because of my trained ear,
endless research and weighing my options, but they were $3 each
at a used CD store - that's what got me going. Again, Gramophone
raves about the later Blomstedts, but I'm slowly learning that they
really are off the mark sometimes.
I've been crusing Berkshire's on-line catalogue - any comments
about Horenstein's coupling of the 3rd and 6th symphonies?
Will
>I think Blomstedt's San Francisco Third is superb (I have reservations about
>the others, which strike me as tending toward the bland); I haven't heard
>his earlier set. For the symphonies I still have a lot of respect for the
>LSO / Ole Schmidt recording, rough as it sometimes is - the Sixth and the
>outer movements of the Second in particular point up all that's missing in
>suave San Francisco.
I haven't seen the Schmidt recordings - I'll keep a look out for them.
*concerto recs. snipped*
>How's the Naxos account of the Wind Quintet? I've heard two recordings,
>both of which strike me as pretty unsatisfactory - the Bergen on BIS's
>complete set of the wind chamber music, and the Athena Ensemble (can't
>remember the label, possibly Hyperion). I'm also on the look out for a
>Serenata in Vano that isn't played too fast (as with the shallow and
>unsympathetic performance on the BIS disk). Any suggestions>
I really like the whole Naxos disc with the Nielsen/Fernstrom/Kvandal
wind quintets (Scandinavian wind quintets). Then again, I don't have
the discriminant ear that some of the other posters here have. They
all sound very interesting to me, so much so I played the CD 3 times
through when I brought it home. As far as I can tell, its recorded
very well too. Actually, when I get the Nielsen bug out of my system,
I'm planning on looking for more from Fernstrom and Kvandal.
Will
These 1940's - 1950's performances have a special muscularity and intense
orchestral sonorities, accompanied by perfect balancing and understanding
of Nielsen's tempi and the relationships between these tempi, qualities
that have never been equalled in any subsequent recordings. You soon
forget the mono sound as you are carried away by the performances and
confront Nielsen as he himself conducted his own music (I believe that two
of the three conductors actually played under Nielsen's baton; Jensen was
said to be especially accurate in reconstructing Nielsen's own
performances).
If you can find these discs - all mid-price - you will never regret
acquiring them.
Regards,
David.
Will wrote:
(Snipped)
>On Wed, 11 Aug 1999 17:40:50 +0100, "Jeremy Dimmick"
><jnd...@cam.ac.uk> wrote:
>
>>I think Blomstedt's San Francisco Third is superb (I have reservations about
>>the others, which strike me as tending toward the bland); I haven't heard
>>his earlier set. For the symphonies I still have a lot of respect for the
>>LSO / Ole Schmidt recording, rough as it sometimes is - the Sixth and the
>>outer movements of the Second in particular point up all that's missing in
>>suave San Francisco.
>
>I haven't seen the Schmidt recordings - I'll keep a look out for them.
Better try the used CD shops, as these have been out of circulation
for awhile (i.e. deleted by Unicorn-Kanchana, not a label that is very
active lately, is it?). Unless it ever shows up at Berkshire Record
Outlet.
About the piano music, definitely try Leif Ove-Andsnes's single disc
on Virgin Classics, which includes the greatest of the piano works.
It's really wonderful stuff.
For the concertos, I've been very satisfied with the offerings on BIS
(I have them paired with the symphonies conducted by Chung, however I
believe they've been released separately, all three on one disc, like
the Chandos set, which I haven't heard).
Adam
Bob Harper
Hat NYC 62 wrote:
> I would suggest seeking out the Martinon 4th and the Gould 2nd, both on RCA.
> Superbly played and recorded. The Martinon is a real classic which has been MIA
> for a long time.
Bob Harper
Marc Perman wrote:
> No one has mentioned the Berglund/Royal Danish Sym. on RCA set from
> the late 1980s, which is a bit more interesting than Blomstedt's set.
> The Danacord historic set of the symphonies was recently at Berkshire,
> but probably no longer.
>
> Marc Perman
Regards,
Ray Hall, Sydney
Regards,
Ray Hall, Sydney
>Sonically, Blomstedt/SFSO on Decca is a fine set for the symphonies, and
>interpretatively Blomstedt does nothing wrong (far from it) - it is
>highly commendable. With a bit more "fire and brimstone", the Ole
>Schmidt/LSO set is excellent (on Unicorn). Myung-Whun Chung, Bryden
>Thomson, and Bernstein all have their admirers for the symphonies, not
>forgetting the older classic accounts by Tuxen, etc. Lenny will always
>find that 'something' that distinguishes all his recordings, and he is
>an excellent "persuader". Haven't heard any Naxos recordings yet.
>Two works, that you might like to investigate, are the Clarinet Concerto
>and Flute Concerto, and the Chandos disc with Thomsen (clarinet) and
>Christiansen (flute) with the Danish RSO under Schonwandt is excellent.
>In fact the clarinet concerto is a very fortunate work on record, with
>many fine performances. This work, IMHO, is one of Nielsen's
>masterworks.
>
>I've been crusing Berkshire's on-line catalogue - any comments
>about Horenstein's coupling of the 3rd and 6th symphonies?
Buy. The 3rd is in lousy sound but the interpretation is superb - its a white
hot performance which seems to more satisfying than Bernstein's well known
version.
6th is in much better sound - decent BBC stereo.
Neil
I have some other recordings with Jensen & Tuxen from the period, ex-Tono: Grieg
& Stravinsky Firebird inter alia. They are superb interpretations, played
superbly. What an orchestra that was in those days! Frtiz Busch had an important
hand in training & bringing it to that peak of perfection.
Regards,
David.
Raymond Hall wrote:
> (Snip)
Lawrence Kasimow
Bob Harper wrote in message <37B23979...@pacifier.com>...
>The Martinon 4th, together with the Previn 1st, is available very cheaply
(around
>$4 US) on the RCA 'Navigator' series, not available in the US but easily
>obtainable from AB Sound. You may have to wait a bit, but the performance
is
>definitely worth it. I'm hopeful this performance will receive the HP
treatment,
>along with some other Martinon/CSO.
>
>Bob Harper
>
>Hat NYC 62 wrote:
>
I heartily second that comment, both Dutton discs feature
excellent performances!
At the risk of repeating everyone else's recommendations, I would
also go for Bernstein's 3/5 (the 5th is superb, but the 3rd a
little cooler, IMO). I don't own any Blomstedt, but what I've
heard never has particularly impressed me. My surprise
recommendation would probably be Jarvi on DG for 3/4, which I
like quite a lot.
The string quartets on Naxos are good too, even though the
recording is a little too close.
Adrian
>I would suggest seeking out the Martinon 4th and the Gould 2nd, both on RCA.
The Martinon 4th and the Previn 1st are both on RCA Navigator from
England and/or Canada.
I would also add the Bernstein 3 and 5 on Sony. I second the Barbirolli
4th as well as the Menuhin 4th that is (was) on Virgin.
Stan
You should certainly try to get recordings of his opera's Saul of David and
Maskerade.
A "sleeper" might be the recordings of the symphonies and other orchestral
works by Edward Serov and the Odense Symphony Orchestra (on Kontrapunkt).
Not a first class orchestra but the performances have much of the same
comnbination of ferocity and lyricism as the classic recordings of Vixen and
Jensen, which I can't hear in Blomstedt's.
Benjo Maso
Regards,
Ray Hall, Sydney