Acoustic Chamber Music Sets (Part 1)
Frank Forman
will be submitting it to the _Journal of the Association of Recorded
Sound Collections_ and would like any help any of you can give me. (I'm
also eager to swap tapes.) There's a fair amount of additional work that
needs to be done, as well as a few minor errors to correct. In any case,
enjoy looking over what little chamber music, but nevertheless what
great music, music lovers could listen to in their homes in the days
before microphones were used in making records. (I have in the works a
similar discography of early (through 1936) electric chamber music sets,
but without solo piano.
Frank
ACOUSTIC CHAMBER MUSIC
SETS
compiled by Frank Forman
SCOPE
A set is anything more than one record. I use the most
expansive definition possible and include:
1. Three-sided works in two-disc sets with fillers
2. Abridged recordings
3. Incomplete recordings
4. Solo instrumental [violin, viola, and piano found so far]
5. Non-chamber music played in chamber music
transcriptions, and
6. Chamber music played by larger ensembles [none found
so far].
* means in my collection
# = long-playing 33 1/3 rp.m. disc
Ť = compact disc
Matrix numbers, where known, are in italics and precede the
record manufacturer and catalog numbers.
Recording dates are often conjectured.
LABELS
AmC American Columbia
C English Columbia
EDD Edison Diamond Disc (U.S.A.)
G Gramophone (HMV) (England)
Japanese Gramophonic Society. See Scriabin.
NGS National Gramophonic Society of London (England)
Pat Pathé (France)
P Polydor (Germany)
Parl Parlophon (Germany)
V Victor (U.S.A.)
Voc Vocalion (England)
Vox (Germany)
Zonophone (all France)
BACH, Johann Sebastian (1685-1750) Germany
*Chaconne in d, Schmieder 1004, mvt. 5. Isolde Menges, vn.
1924. Cc 4451/4. G.D 875/6
*ditto. Lionel Tertis, viola. 1924. AX 755/8. C.L 1644/5;
AmC.67071/2-D in set M 13; ŤPearl.GEMM CD 9918
*Chromatic Fantasy and Fugue in d, S. 903. Harold Samuel.
1923.10. Cc 3610-2/11-1/09-2. G.D 782/3A. Filler:
English Suite No. 2 in a, S. 807: 5, 6 (2) Bourrées, Cc
3613-1. All in #Pearl.GEMM 147; ŤKoch.3-7137-2 K2
*Concerto for Two Violins in d, S. 1043. Fritz Kreisler, Efrem
Zimbalist, SQ. 1915. C 15560-4/1-3/2-2. G.2-
07918/20/22 (single-faced), DB 587/8A (double-faced);
V.76028/30 (single-faced), 8040/1A (double-faced), #LM
6099; many other reissues on LP and CD on various
labels. DB 858B and V.8041B (also on single-faced
V.74487) is Tchaikovsky: Quartet 1 in D, Op. 11: 2,
Andante cantabile, played by the Kreisler Quartet.
Sonata (Cello) 2 in D, S. 1028. Harold Bliss (brother of
Arthur), Stanley Chapple. Vocalion.K 05218/9
*Sonata (Violin) 2 in a, S. 1015. William Primrose, Herbert
Younge Tempelman. Late 1923/early 1924. Cc 3915-
3/6-3/7-2/8-1. G.D 939/40; #Masters of the Bow.MB
1030
BEETHOVEN, Ludwig van (1770-1827) Germany
Quartet 1 in F, Op. 18.1. Catterall Q. Cc 2909-1/10-4/11-
4/12-4/13-3 (1923) & Cc 1299-1 (1922) & Cc 679-1
(1921). G.D 947/50A. Filler: Tchaikovsky: Quartet 2 in F,
Op. 22: Scherzo
ditto. London SQ. 1920. C.L 1350/1
Quartet 2 in G, Op. 18.2. Late 1924/early 1925. Catterall
Q. G.D 997/9
ditto. London SQ. 1915. C.L 1056 and L 1068
Quartet 3 in D, Op. 18.3. London Q. Vocalion.D 02004 &
02008
Quartet 5 in A, Op. 18.5. Rosé Quartet. 1921 Paris. Pathé
9595/6
Quartet 6 in Bb, Op. 18.6. London Q. Vocalion.D 02141/2
Quartet 7 in F, Op. 59.1. Spencer Dyke Q. NGS.19/23
Quartet 8 in e, Op. 59.2. London SQ. 1924.10. AX 629-36.
C.L 1724/7
ditto. Virtuoso Quartet. Early 1925. Cc 4540-5/4614-
6/4615-1/4616-1/4617-2/4690-3/4691-2/4692-3. G.D
953/6
Quartet 10 in Eb, Op. 74 (Harp). Léner Q. 1924. C.L
1657/60; AmC.set M 26 = 67118/21-D. [*]1932
electric remake on C.LX 319/22; AmC.set M 202 =
68230/3-D.
ditto. Spencer Dyke Q. NGS.1/3
Quartet 14 in c#, Op. 131. Gewandhaus Quartet.
P.66205/9
ditto. Léner Q. 1924. AX 300-1/23-8/32. C.L 1581/5;
AmC.set M 6 = 67021/5-D. [*]1932 electric remake on
C.LX 294/8; AmC.set M 175 = 68059/63-D.
ditto. London Q. Vocalion.K 05138/141 [8 sides]. Electric
remake on C.LX 463/7; AmC.set M 193 = 68194/8-D
[10 sides]
Quartet 15 in a, Op. 132. Léner Q. Late 1924/early 1925.
AX 745-54. C.L 1672/6; AmC.set M 27 = 67112/6-D.
[*]1935 electric remake on C.LX 463/7; AmC.set M 273
= 68761/5-D [10 sides]
Serenade in D, Op. 8: Marche; Allegretto alla polacca;
ThŐme et Variations de violon; Variations de violoncelle
et alto. Pierre Sechiari, vn.; Marcel Vieux, va.; M.J.
Marneff, vc. 1907. 6588/90/91/92o. G.38079/82
(France, single-faced)
Serenade in D, Op. 25: Entrata; Allegro molto; Andante et
Variations (violin and viola); Scherzando; Andante et
Variations de flľte; Finale. Adolphe Hennebains, flute;
Pierre Sechiari, violin; Marcel Vieux, viola. 1907.3.
6524/26/28/29/27/30o. G.38069/74 (single-faced).
Sides 2 and 3 also issued on double-faced G.P 319. All
issues are French.
;Sonata 8 in C, Op. 13 (Pathetique). Wilhelm Kempff.
P.66176/7. By my count, Kempff made seven further
recordings of the work. (I'm missing the first 12" electric
remake on P.67113/4 and Decca.X 202/3, as well as the
acoustic.)
Sonata 12 in Ab, Op. 26 (Funeral March). Wilhelm Kempff.
P.66041/3. Four further recordings. (I'm missing the
second electric remake on P.67824/6 and Vox.set 457,
as well as the acoustic.)
Sonata 14 in c#, Op. 27.2 (Moonshine). Wilhelm Kempff.
P.66172/3. Six further recordings. (I'm missing the 12"
electric remake on P.67856/7 and Vox.set 642, as well
as the acoustic.)
*ditto. Frederic Lamond [3 sides]. Cc 1179-3/80-3 on
22.6.16 and Cc 1181-1 on 22.4.3. G.05730/1/2 (single-
faced), D 718/9A (double-faced). Filler: Liszt: Concert
Study 3 (Rondo) in Db (Cc 644-1 on 21.11.7) and also
issued on single-faced 05685. I do not have the filler.
1926 electric remake on G.D 1140/1A, with the same
filler
Sonata 18 in Eb, Op. 31.3. Josef Weiss. 24.1.10 and 5.7.
7579/80, 6866/8. Parl.P 2038/40A. Filler is Chopin:
Berceuse (1924.3.24 on 6767).
Sonata 21 in C, Op. 53 (Waldstein). Wilhelm Kempff.
P.66036/8. Five further recordings. (I'm missing the first
electric remake on P.66678/80 and the third electric
remake on P.68276/8 and Vox.set 463, as well as the
acoustic.)
*ditto. Frederic Lamond [5 sides]. Cc 1479-1 on 22.6.16, Cc
1480-3 (Voices of the Past says take 2) on 22.9.7, Cc
1907-3/8-3/9-3 on 23.9.18. G.05826/30 (single-faced);
D 960/2A (double-faced). Filler: Sonata 18 in Eb, Op.
31.3: 2, Scherzo (Cc 3460-1 on 23.9.18) and also issued
on single-faced 05683. I do not have the filler. 1930
electric remake on G.D 1983/5A; V.11144/6A; V.set M
956 (the last released in Chile only) [same filler]
Sonata 23 in f, Op. 57 (Appassionata). Wilhelm Kempff.
P.66033/5. Seven further recordings. (I'm missing all
three electrics [P.66681/3 (1st); P.95471/3, P.57012/4,
and Brunswick.90421/3 (2nd); P.68270/2 and Vox.set
960 (3rd), as well as the acoustic.)
ditto. Frederic Lamond. Cc 1910-2 (Voices of the Past says
take 3) on 22.9.7, Cc 1911-4/3458-1/3459-1 on
23.9.18. G.05741/4 (single-faced), D 773/4 (double-
faced). 1927 electric remake on G.D 1278/9
ditto. Josef Weiss. 24.1.10 and 5.7. 7581/4, 6870/1.
Parl.P 2041/3
Sonata 26 in Eb, Op. 81a. Wilhelm Kempff. P.66174 plus
65175. Three further recordings. (I'm missing the electric
remake on P. 66687/8 and Brunswick 90123/4, as well
as the acoustic.)
Sonata 27 in e, Op. 90. Wilhelm Kempff. P.62491 (10") &
66039 (12"). Matrix for the 10" disc is 3311/2 ar, with
side numbers B 7012/3. Three further recordings. (I'm
missing the electric remake on P.62639 (10") plus
66712 (12"), as well as the acoustic.)
Sonata 28 in A, Op. 101. Wilhelm Kempff. P.66178/9.
[*]Only two further recordings (for the complete mono
and stereo LP cycles).
*Sonata (Violin) 5 in F, Op. 24 (Spring). Arthur Catterall,
William Murdoch. 1923.6.6. AX 65-1/6-1/7-1/8-1. C.L
1231/2 (second issue under that catalog number);
AmC.67161/2-D
ditto. Edith Lorand, Michael Raucheisen. 25.9.25. 8311/6.
Parl.P 2060/2. Reissued on Parl.E 10414/6
*ditto. Albert Sammons, William Murdoch. 1917. 76012/5.
C.L 1231/2 (first issue under that catalog number).
Creighton lists both Catterall and Sammons and gives
matrices AX 65/8 for both.
ditto. Robert Zeiler, Bruno Seidler-Winkler. P.65764/6A.
Filler is "Trio in c minor, Op. 12: Minuet" (whatever that
is!)
*Sonata (Violin) 9 in A, Op. 47 (Kreutzer). Arthur Catterall,
William Murdoch. 1923. AX 71/4. C.L 1210/1 (second
issue under that catalog number); AmC.67051/2-D
*ditto. Marjorie Hayward and Una Bourne. 1918. Ho
3092/4/6/7 af. G.08057/58 (issued 18.5) and 08059/60
(issued 18.7) (single-faced), C 844 & C 854, L 558/9, Z
78/9; V.35754/5
*ditto. Albert Sammons, William Murdoch. 1917. 75488/91.
C.L 1210/1 (first issue under that catalog number).
Creighton does not list a Sammons recording of this
abridged acoustic. [*]1927 electric remake of the
unabridged sonata on C.9352/6, L 1884/8, J 7151/5
(Japan); AmC.set M 53 = 67261/5-D; #Pearl.GEMM
238.
ditto. Robert Zeiler, Bruno Seidler-Winkler. P.65760/3
Trio in C, Op. 87: Adagio; Minuet; Allegro. Henri Lefebvre,
clarinet; Louis Bas, oboe; Ernest Vizentini, bassoon.
1907. 7340/41/39o. Zonophone.X 88028/29/32. Sides
1 and 2 also issued on G.238014/5. All issues are French
single-faced.
ditto. Gewandhaus Quintet, Leipzig members: Carl Bartuzat,
flute; Willi Schreinicke, clarinet; Günther Weigelt,
bassoon. P.66203/4
Note: The identification of these two recordings with Op. 87
is tentative, not having heard the discs. My catalogs give
the French recording as merely "Trio" and the German
recording as "Trio in C". The original work is scored for
two oboes and English horn, and its movements are 1,
Allegro; 2, Adagio cantabile; 3, Menuetto. Allegro molto.
Scherzo; and 4. Finale. Presto. The work was composed
in 1794 but first issued in 1806 April. Simrock published
an arrangement in 1806/7 for two oboes or clarinets and
bassoon, which is perhaps what was used in the two
recordings. The sole electric recording of the work in
WERM, which uses the original instrumentation, occupies
six sides.
Trio (Piano) 7 in Bb, Op. 97 (Archduke). Bruno Seidler-
Winkler, Robert Zeiler, Herm. Hopf. P.65767/8 (12") +
62417/8 (10")
BLISS, Arthur Edward Drummond (1891-1975) England
Conversations (1919) [3 sides]. The Composer, directing a
chamber group consisting of (with first performers in
parentheses): flute (also bass flute) (Gordon Walker),
oboe (also English horn) (Leon Goossens), violin (Charles
Woodhouse), viola (Raymond Jeremy), cello (Cedric
Sharpe). These are quite likely the performers on the
discs. 1923. 76871/2/3. C.L 1475/6A. Voices of the
Past says "Bliss/Sym. Orch," but WERM says
"Quintet■Bliss." Filler is Bliss: Madam Noy (A Witchery)
(1918), for soprano, flute, clarinet, bassoon, viola, bass,
and harp. 1923. 76874. Anne Thursfield, soprano, with
"Orch," acc. to Voices of the Past, but WERM says "A.
Thursfield & Sextet," which is prob. correct.
BRAHMS, Johannes (1833-97) Germany
Quartet 1 in c, Op. 51.1. Catterall Q. 1923. G.D 791/4.
Voices of the Past gives D 790/4. Creighton lists only
mvt.1: Cc 3109-2/10-2 on D 791 and mvt. 4: Cc 3111-
2/2-2 on D 794.
*Quartet 2 in a, Op. 51.2. Léner Q. 1925.2. AX 901-8. C.L
1691/4; AmC.set M 35 = 67168/71-D. 1931 electric
remake on C.LX 163/6; AmC.set M 173 = 68045/8-D.
ditto. London Q. Vocalion.D 02110 & 02137
Quintet (Clarinet) in b, Op. 115. Frederick Thurston, clarinet;
Spencer Dyke Q. NGS.42/46A. Filler: GliŐre: Quartet in
A, Op. 2: Allegro
Sextet 1 in Bb, Op. 18. Spencer Dyke Q. with J. Lockyer,
va.; E.J. Robinson, c. NGS 24/28A [9 sides]. Filler:
Goossens: Two Sketches, Op. 18: 1, By the Tarn (The
Music Society String Quartet)
*Sonata (Viola) 1 in f, Op. 120.1. Lionel Tertis va.; Ethel
Hobday, p. c. 1924. 03524-9. Vocalion.X 9463/4 (10")
plus K 05517 (12"); #Thomas L. Clear.TLC 2581.
[*]Tertis did an electric remake on 33.2.17 with Harriet
Cohen on C.LX 225/7; AmC.set M 183 = 68114/6-D;
#G.HLM 7055.
Sonata (Violin) 2 in A, Op. 100. Edith Lorand, Michael
Rauchheisen. Parl.E 10457/9
*Sonata (Violin) 3 in d, Op. 108. Arthur Catterall, William
Murdoch. 1923. AX 223-8. C.L 1535/7; AmC.set M 24
= 67133/5-D.
*Trio (Clarinet) in a, Op. 114. Haydn P. Draper, cl.; William H.
Squire, vc.; Hamilton Harty, p. 1924. AX 692-1/2-2/3-
1/4-1/5-1/6-1. C.L 1609/11; AmC.set M 19 = 67101/3-
D
*Variations on a Theme of Paganini, Op. 35. Wilhelm
Backhaus. 1924/5. G.D 1019/20. Backhaus also
recorded [*]an abridged acoustic version on P.65288 and
[*]a 1929.11 electric complete on G.DB 1388/9;
V.7419/20; #Parnassus.3; #G.29 0345; #Melodiya.M10
44946; #IGI.296; more than one Ť.
BRIDGE, Frank (1879-1941) England
Three Idylls. Virtuoso Q. 1924. Cc 4728-1/29-1/30-2/31-2.
G.D 915/6
BYRD, William (1543-1623) England
Fantasia. Byrd SQ, plus
Earle of Oxford's Marche; The Queen's Alman; Galliard;
Rowland. Violet Gordon Woodhouse, harpsichord. G.E
293/5. Two sides for the Fantasia; one side each for the
rest. Mx for E 295 is Bb 2744-1/5-3, rec. in 1923. E
290/2 contains the English Singers in Byrd: Agnus Dei;
Kyrie Eleison, Sanctus; Gloria; Magnificat; This sweet and
merry month of May; Though Amaryllis Dance (one side
each).
CHOPIN, Fréderic François (1810-49) Poland
NOTHING FOUND SO FAR!!
COLERIDGE-TAYLOR, Samuel (1875-1912) England
*Sonata in d, Op. 28. Arthur Catterall, William Murdoch.
1923. AX 77-80. C.L 1396/7. There seems to be a
Sammons version as well, since Voices of the Past lists
Sammons with 75860/1 and AX 79/80 for the matrices.
Creighton does not have a Sammons. See Beethoven
Violin Sonatas 5 and 9 above for cases of Sammons five
digit matrices and Catterall AX matrices that were issued
under the same English Columbia catalog numbers.
CORELLI, Archangelo (1653-1713) Italy
La Folia in d, Op. 5.12. Vá■a P■íhoda, Bruno Seidler-
Winkler, organ. 1923/4. 924ź/5/6 av. P.65996/7A.
Filler: Wagner: Albumblatt (Charles Cerné, piano,
?matrix). Filler only on [*]#Past Masters.23
DEBUSSY, Claude Achille (1862-1918) France
*Children's Corner Suite. Alfred Cortot. 1923. G.DB 678/9A.
Filler is Debussy: Preludes I: 10, The Engulfed Cathedral.
Cortot did two electric remakes: 1st: [*]1929 on G.DB
1248/9A; V.7147/8A, with filler: Preludes I: 8, The Girl
with the Flaxen Hair, and 3, The Wind in the Plain. 2nd:
1947 on G.DB 6725/6A, with the same filler as the
acoustic.
Petite Suite. Double Quintette, cond. by Jean Lensen.
11.7.12. 01985/8v. G.038012/5 (single-faced). Sides 1
and 2 also issued on S 4180 (double-faced). All issues
are French.
ditto. Double Quintette, ?conductor. 1919. 811/4 aj.
G.038021/4 (single-faced); W 311/2 (double-faced). Both
issues are French.
Quartet in g, Op. 10. Spencer Dyke Q. NGS.4/6
DELIUS, Frederick (geb. Fritz Theodore Albert Delius) (1862-
1934) England
Sonata (Violin) 2. Albert Sammons, E. Howard-Jones. Late
1924/early 1925. A 1369-72. C.D 1500/1 (10")
DVO■■K, Antonin Leopold (1841-1904) Bohemia
Bagatelles (5), Op. 47: 1, 5, 2, 3. Arr. by Tertis. Albert
Sammons, v.; Lionel Tertis, va.; Ethel Hobday, p.
02759/60 on 1922.12 and ?matrices on 1923.11.
Vocalion D 02083 & D 02111
Quartet 12 (Old No. 6) in F, Op. 96 (American). Bohemian
Q. Vox.06255/7 [6]. [*]1928 electric remake on
P.95084/6.
ditto. Spencer Dyke Q. Vocalion.K 05132/4 [6]
*Trio 4 in e, Op. 90 (Dumky). Poznaik Trio [Bronizlav von
Pozniak, pf.; Carl Freund, vn.; Joseph Schuster, vc.].
P.66194/6A. Filler: Smetana: Trio 1, mvt. 2. 1931
electric remake on G.62-806/11 (single-faced) (issued
1932), C 2384/6, EH 647/9; AN 715/7. Cellist is Jascha
Bernstein. The acoustic is somewhat mysterious, since it
left out the fifth dumka and put in the Smetana filler. The
electric recording has no filler and apparently contains all
six dumky.
ELGAR, Edward William (1857-1934) England
Quartet in e, Op. 83. London Q. Vocalion.D 02026B/7 [3]. D
02026A is Kreisler: Quartet in A: 4, Finale (see below)
Quintet (Piano) in a, Op. 84. Ethel Hobday, Spencer Dyke Q.
NGS 37/41
Sonata (Violin) in e, Op. 82. Marjorie Hayward and Una
Bourne. 1920.6. Ho 4118/5/6/7 af. G.08086/7 (issued
20.6) and 08091/2 (issued 20.10) (single-faced), C 957
& C 980 (double-faced)
FAURÉ, Gabriel Urban (1845-1924) France
Quartet (Piano) 1 in c, Op. 15. [Beatrice] Hewitt Q. c. 1922.
G.D 741/2, W 528/9 [France]. (Maurice Hewitt, not to be
confused with Beatrice, was the second violinist of the
Capet Quartet.)
FRANCK, César Auguste Jean Guillaume Hubert (1822-90)
Belgium
Quartet in D. Virtuoso Q. 1924. Cc 5588-4/89-2/95-2/96-
4/97-4, 5622-2/3-1/4-2/5-1, 5892-4/3-2/4-2. G.D
1006/11
Sonata in A. Phyllis Allan and Ethel Hobday. c. 1923.
Vocalion.D 02042 plus 02093
*ditto. Arthur Catterall, William Murdoch. AX 233-1/4-3
(1923.11), AX 413-1/4-1 (1924.4), AX 229-3/30-1/31-
1/32-2 (1923.11). No English Columbia release. AmC.set
M 33 = 67164/7-D. AmC.set M 23, briefly and
erroneously issued, had mvts. 3, 4, and 1 on 67136/7/8-
D, resp. There is a copy of M 23 at Syracuse University.
ditto. Mischa Elman with piano. Pathé.9589/90
ditto. Marjorie Hayward and Una Bourne. 1919. Ho
3558/50/63/65 af. G.08069/70 (issued 19.5) and
08071/2 (issued 19.7) (single- faced), C 895 & C 898
(double-faced)
*ditto. Jacques Thibaud, Alfred Cortot. 23.10. Cc 3680-1/1-
1/2-4/3-7/4-1/5-1/6-4/7-3. G.DB 785/8; V.6524/7;
ŤBiddulph.LAB 014; ŤTimpani (France).4C 4017 (1993).
[*]1929 electric remake on G.DB 1347/50; V.set M 81;
#G.COLH 74; #Tobisha Japanese Angel.GR 2025;
ŤG.CDH 63032-2
GRIEG, Edvard Hagerup (1843-1907) Norway
Sonata (Piano) in E, Op. 7. Una Bourne. 1921. Cc 17-3/18-
4/19-4/20-3. G.05667/8 (issued 21.7) and 05670/71
(issued 21.8) (single-faced), C 1023 & C 1027 (double-
faced)
*Sonata (Violin) 2 in G, Op. 13. Albert Sammons, William
Murdoch. 1925.3. AX 936/7/4/5/8/9. C.L 1661/3;
AmC.set M 31 = 67115/7-D
Sonata (Violin) 3 in c, Op. 45. Arr. by Tertis and transposed
into f. Lionel Tertis, va. (instead of vn.); Ethel Hobday.
1923.9&10. Vocalion.D 02104 plus 02106 plus 02112
HANDEL, George Frederick (geb. Georg Friedrich Händel)
(1865-1759) Germany
Sonata (Violin) 4 in D, Op. 1.13, no longer regarded as by
Handel. Isolde Menges, Eileen Beattie. 1921. Bb 688-
1/862-2/883-2/884-1. G.E 279/80
Trio in g, Op. 2.7. Adila Fachiri and Jelly d'Aranyi, vns.,
Ethel Hobday, pf. 04088/91. Vocalion.K 0522/3
HAYDN, Franz Joseph (1732-1809) Austria
*Quartet in F, Op. 3.5. Actually composed by Romanus
Hofstetter (died 1785). Busch Quartet. c. 1922. Polydor
side nos. B 29000/3. P.72791 plus 72793
ditto. Léner Q. 1924. C.L 1638/9; AmC.67093/4-D.
[*]1927 electric remake on C.9658/9.
Quartet in Bb, Op. 64.3. London Q. Vocalion.D 02020 &
02039
*Quartet in D, Op. 64.5 (Lark). Flonzaley Quartet [3 sides].
V.74726/746/825 (single-faced), 6116/6361A (double-
faced), G.DB 250/797A. Filler for both double-faced
issues is Borodin: Quartet 2: Nocturne. [*]Electric remake
28.12, but with Nicholas Moldavan, viola, on V.7650/1A
(unreleased); #V.VCM 7013 (1973). The filler to the
remake was Haydn: Quartet in E, Op. 3.1: Andantino
grazioso and has never been released and is not in my
collection.
ditto. London SQ. 1919/20. 69388-41. C.D 1443/4
ditto. Spencer Dyke Q. Vocalion.X 9554/6 [6]
Quartet in Eb, Op. 64.6. The English String Quartet. 1923.
C.937/8; AmC.5052/3-M
Quartet in d, Op. 76.2 (Fifths). Léner Q. 1925.3. AX
916/17/18/19/24. C.L 1740/2A. Filler is Franck: Quartet:
Poco Lento (AX 154, 1923.9). [*]1935 electric remake
of mvt. 2 (Andante) (CAX 7469-1) on C.LX 454B,
AmC.68424B-D (in set M 246) (filler to their recording of
the Emperor Quartet)
Quartet in C, Op. 76.3 (Emperor). London SQ. 1924. AX
805/06/07/08/13/14. C.L 1633/5; AmC.set M 22 =
67127/9-D
Quartet in D, Op. 76.5 (Largo). Léner Q. 1924. AX 333-6/8-
9. C.L 1559/61; AmC.set M 7 = 67039/41-D. [*]1928
electric remake on C.L 2257/9; AmC.set M 125 =
67688/70-D.
HINDEMITH, Paul (1895-1963) Germany
Kleine Kammermusik, Op. 24, No. 2. The Leipzig
Gewandhaus Wind Quintet. P.66376/7
*Quartet 3 in C, Op. 22. Amar Q. P.66198/201A. Filler is
K■enek: Quartet, Op. 20: Waltz. Electric remake on
P.66422/4 (no filler).
HUGUENIN, whoever he is
Trio. Henri Lefebvre, clarinet; Louis Bas, oboe; Ernest
Vizentini, bassoon. 1907. 7343/50o. Zonophone.X
88030-1 plus X88033-8. Sides 7 and 8 also issued on
G.238016/7. All issues are French single-faced.
INDY, Paul Marie Théodore Vincent d' (1851-1931) France
Quartet 2 in e, Op. 45. Barbillon Q. G.W 507/9 (12") (CS
998-1/9-1/1000-2/1-2 on 23.6.11 and CS 1020-2/1-2
on 23.6.26) with P 473/4 (10") (all double-faced). The
12" sides also issued on single-faced 038025/30. All
issues are French.
IRELAND, John Nicholson (1879-1962) England
Sonata (Violin) 2 in a. Catterall, Murdoch. 1923. AX 81/4.
C.L 1322/3.
Part 2 will be posted immediately next
Copyright (C) by Frank Forman