Well put!
As one of the prime culprits in prolonging this (probably pointless)
discussion I'll just anyway try to make a few more points.
I'm not really a newbie to this group, having lurked about here for
probably 15 years - and very occasionally contributed. My avoiding of
participation was due to lack of time certainly, but I also felt that
although I've been collecting classical recordings since the 1960's, my
knowledge of the repertoire and of comparative performances was vastly
inferior compared to many of the regulars here.
We've noticed that just in the last few years many great contributors
have gone missing. The "toxic environment" could be a factor - but we've
now established here there is no clear solution to prevent the insults
and squabbling.
Obviously once there are fewer contributors there will be fewer posts,
so folks will check the group less frequently - and RMCR will become
like rec.music.opera.
One thing I am sure about is that music is an important part of their
life for everyone here, so it would be very sad if we no longer had a
place to help us to discover new performances and to share our delight -
or displeasure.
So what do I suggest? Participate! Fellow lurkers, please don't be
reluctant to post! It took many weeks and numerous posts on my part
until I was finally called a "Rotten Idiot" - and I've survived!
And for the regulars here, please respond with comments to new threads
if you can, particularly those from new participants.(There was a recent
well written, thoughtful thread about Bartok that got little response).
When criticizing my use of the NotSure screen name, Dan made the analogy
of RMCR to a party: "It is considered common courtesy to show one's face
and to introduce oneself when one joins a party (not in the political
sense) or when one
shows up at a meeting or social function".
Let's not make RMCR like one of my parties, where nobody shows up! And
at our RMCR virtual party, as Herman put it: "just behave as you would