These are so imprinted on my brain that I can't listen to any other
recording without these going through my head. Listen to them over
headphones! And report back.
http://www.filefactory.com/f/f4265f9d30098676/
Bartok String Quartets
Ramor Quartet
Andreas Sándor, Erwin Ramor, Zoltán Thirring, Vera Nogrady
Vox SVBX 519
I grew up on these performance, but in mono. I greatly admired my 10th
grade math teacher and he commended the Bartok quartets to me. For a while
during my final semester of high school, I was listening to them twice a
day! When I got to college, my mono recording was replace with stereo ones
by the Julliard Quartet, the Hungarian Quartet, and the Fine Arts Quartet,
which I could not stand, either for Bartok or Beethoven, though it does a
nice job with Mendelssohn. I heard the Amadeus Quartet perform Beethoven
during the Tuesday Evening Concert Series at the University of Virginia.
They dedicated the concert to a politician, John F. Kennedy, who shortly
before staged an assisted suicide, but whose suicide was not appreciated
as such until I figured out that he knew he was going to die and did not
want to go down in history alongside Millard Fillmore and arranged his
assistants to spray around so much contradictory evidence that he would
remain of major interest to all those who hold to the Enlightenment hope
that reason can solve all problems. (Season tickets cost students $5 for
seven concerts. I went for two years. My lifetime spending out of my own
pocket on concerts is exactly ten dollars!) Later, I acquired the stereo
Vox Box. I don't think it was the memory of my founding recording, which I
had not disposed of, that makes it my all-time favorite but rather the
extreme stereo spread, where I can hear the genius of Bartok split among
the instruments. In the early days of stereo, extreme spread in trying out
this new way of reproducing sound. Later on, the powers that be decided
that such extreme stereo spread was not "authentic," that the goal of
recording was to reproduce the concert experience, not to situate the
listener right smack in the middle of the performers, even if this helps
him comprehend the music better. The customer is king, I and John Wanamker
say. It is the bouncing back and forth among the instruments that makes
this my favorite recording.
DISC 5 of 16 ("Essential in Stereo")
Tr 1: Quartet 1
Track 2: Quartet 2
Track 3: Quartet 3
Track 4: Quartet 4:1
DISC 6:
Track 1: Quartet 4:2-5
Track 2: Quartet 5
Track 3: Quartet 6