Wim <
wimmo...@gmail.com> wrote:
> On Friday, May 22, 2015 at 2:39:10 AM UTC+2, Mort wrote:
>
>> Hi Wim,
>>
>> I cannnot find an "info" button to order the Egorov/Dorati DVD, nor can
>> I find out on the Beeld en Geluid web site how to order. I would
>> greatly appreciate your giving me/us an URL at which an order can be placed.
>>
>> (I speak Dutch, so it is not a language problem.)
>>
>> Thanks a lot; hartelijk bedankt,
>>
>> Mort Linder
>
> The direct link is too long for my website editor program, but if you go
> to 'releases' 'DVD' and click the 'info' button near the Dorati
> Tchaikovsky info, it should bring you to the page how to order. It is
> important that you click 'zoek' (= search) on the Beeld en Geluid
> website, a direct click on your enter button will not work, so click 'search'.
>
> Anyway, I did copy the direct URL to order down here, hope this works:
>
>
http://zoeken.beeldengeluid.nl/internet/index.aspx?chapterid 64&filterid—4&contentid=7&searchID 74674&columnorderid=-1&orderby=1&itemsOnPage &defsortcol &defsortby=2&pvname=personen&pis=expressies;selecties&startrow=1&resultitemid=1&nrofresults=8&verityID=/71543/72223/74464/197674@expressies
>
> This TV broadcast seems not be very known for some reason, quality is
> outstanding and it is an unique document. Also, I wondered myself why
> this video did not make to the 10CD + DVD box that was released in 2013,
> guess a copyright issue.
I have to say that I have always wondered what the fuss was about Egorov. I
was in Fort Worth in 1977 covering the VCC for the CBC when he participated
in that competition, having failed to win either in Moscow or Leeds. He was
famously eliminated before the finals, I seem to recall, which created
something of a scandal in FW. The six pianists selected were all very fine,
Steven De Groote being exceptional in my opinion. And Pierre Sancan, who
was on the jury, told me that De Groote led the pack in each and every
round and by a large measure. Toradze, who placed second in the end, was a
typical Russian, everything either too loud or too soft. A lot of piano
pounding going on, specially in his party piece Stravinsky's Petrushka, a
lot of ppp mincing going on in a string of Scarlatti sonatas. Everything in
extremes.
Egorov, a small, seelingly shy, waif-like young man with a winsome smile,
gave proficient but rather affected performances of the music he chose. His
manner won him a lot of fans, among whom were Bob and Anne Bass, the FW
billionaires. They were so incensed at his elimination that they personally
financed his Carnegie Hall debut and recording, casting an unfortunate
shadow on the debut of the real winner there, Steven De Groote. All rather
tawdry, I would say. Money can do both good and ill.
And then there were the EMI recordings, and then some Dutch ones, and then
his tragic death from AIDS at a very early age. Subsequently his admirers,
mostly in the NL scoured the world for his legacy, digging up recordings
from everywhere as though this was another Lipatti. Same tragic death, you
know. Short life. Limited repertoire. Etc. and the unreleased tapes only
loom as more treasure to reveal to the world.
Naturally it is good to see his life laid out this way in recordings, but I
just wish that there were more to the hunt than a search for traces of a
good, but average pianist who died young of an incurable disease. It all
strikes me as a bit ghoullish. Perhaps it is just me, I guess. But I fear
that a mountain is being made of a mole hill here.
--
TD