The curious fact is that Otto Gerdes was better known as a prominent DG
producer, but the quality of that Fourth is outstanding: it is the one a
prefer among a number of good readings.
(Yes, I'm aware of Carlos Kleiber, Fritz Reiner/RPO, Walter, etc.)
I used to have, on a Heliodor LP, a recording by Gerdes of Dvorak's
New World Symphony bought at about this time, and very žne it was
too - if a little 'straight'.
I haven't heard the Brahms, but would be interested to. Yes he was
one of DG's more prominent producers. It is not unusual to žnd that
producers are, in fact, at least competent musicians. After all,
the ability to read a score is an essential in the job. Another
example to quote might be Erik Smith, who recorded Mozart as a
pianist.
--
Regards: Alan
* alan...@argonet.co.uk *
'Life! Don't talk to me about life!'
Marvin the Paranoid Android
Another producer who waves a pretty fair baton is Charles Gerhardt.
Paul Goldstein
>I believe I once read that Erik Smith is Hans Schmidt-Isserstedt's son.
>Is this true?
Yes.
>Another producer who waves a pretty fair baton is Charles Gerhardt.
Other producers who recorded as conductors back in the 78 days:
Lawrance Collingwood, Joe Batten, Charles O'Connell.
Raymond Leppard also produced at least one recording some years ago,
for EMI I believe; can anyone supply the details, which I have read
but don't remember?
Russell W. Miller
r...@miller.mv.com
In article <19970404232...@ladder01.news.aol.com>, pgold...@aol.com (PGoldst515) writes:
>I believe I once read that Erik Smith is Hans Schmidt-Isserstedt's son.
>Is this true?
Yes.
>Another producer who waves a pretty fair baton is Charles Gerhardt.
Cord Garben conducts at least one Michelangeli recording, but it's
hard to say how good he is.
Tony Movshon
Center for Neural Science New York University
http://www.cns.nyu.edu mov...@nyu.edu
<<Other producers who recorded as conductors back in the 78 days:
Lawrance Collingwood, Joe Batten, Charles O'Connell.>>
Also, Victor Olof recorded for Decca/London (before defecting to EMI), and
Max Wilcox conducted the Strauss Oboe Concerto with it's instigator, John
DeLancie, for RCA.
Speaking of Charles O'Connell, he recorded an extensive series of
black-label Victors with the Philadelphia Orchestra performing as the
"Victor Symphony Orchestra," (including "Finlandia," "Ride of the
Valkyries," and "Entrance of the Gods into Valhalla"). And has anyone
else heard Otto Gerdes' Brahms Fourth with the Berlin Philharmonic on DGG?
Aside from some ensemble flubs, it's quite a good performance, sounding
much like his teacher Hermann Abendroth's 1927 LSO version.
- Mark Obert-Thorn
Speaking of old LPs not issued on CD yet, does anyone know if Eugen Jochum's
1950s early stereo Haydn Symphonies Nos. 88 and 98 with the Berlin
Philharmonic once issued on Heliodor were ever released on CD? If not, they
should be! My LP has a terrible pop and skip at the end of the 98th during the
twinkliest harpsichord solo in any of Jochum's three recordings of the 98th (that
I know of).
Geoffrey Decker
>Speaking of old LPs not issued on CD yet, does anyone know if Eugen Jochum's
>1950s early stereo Haydn Symphonies Nos. 88 and 98 with the Berlin
>Philharmonic once issued on Heliodor were ever released on CD? If not, they
>should be! My LP has a terrible pop and skip at the end of the 98th during the
>twinkliest harpsichord solo in any of Jochum's three recordings of the 98th (that
>I know of).
Still not on CD unfortunately. They ought to be high on DG's
priorities. I used to have the Heliodor LP at one time and I agree,
these are captivating performances.
Come to think of it, it would be nice to have the Jochum Schubert 9th
issued as well (not to mention his mono DG Bruckner recordings).
-
Bruce Morrison (bruce.m...@dial.pipex.com)
"Wagner has lovely moments but awful quarters of an hour." (Rossini)