There was a tenor banjo player named (Louis?) Bellson who played
the Ciacona. A tenor is tuned like a viola, so he could
simply substitute a pick for a bow. Bela was doing
something much more difficult, but not getting more
for it.
He should look into the American tuning, which was standard
before the 1880's. It has a different character, and
works very well for sentimental music. Quintuplet tremolo
is dynamite with it. "Bridge over Troubled Water" never
really makes it on classical guitar because the classic is
too sweet, but on banjo it's great in A or E.
American tuning: b g# e a, e' like the so-called "C" tuning
but a minor third lower.
The guitar is a romantic instrument. The banjo is a sentimental
instrument, at least it was. That's why it's so nice to play both.
Regards, daveA
--
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