The melody is on the inner voice and is marked with accents throughout.
BTW, because the melody is on the 2nd and 3rd string, and marked with
accents, and this being one of those "Tarrega school" books, I assume
there is some rest stroke agenda in this study. Perhaps Pujol wants
you to play free stroke with m and strest stroke with i (which carries
the melody). But since he left no explicit instructions, I just
shrugged this off and played it all free stroke.
Friend Tommy, I think you should talk in your videos, perhaps explain
the piece a little, I always enjoy a concert when the guitarist talks
a little.
I once saw Bream play about 25 years ago when he played half the
program on the lute. He made a very funny joke about Dowland and the
Pope.
> Friend Tommy, I think you should talk in your videos, perhaps explain
> the piece a little, I always enjoy a concert when the guitarist talks
> a little.
Thanks for the tip, friend MT, I will try it next time.
> I once saw Bream play about 25 years ago when he played half the
> program on the lute. He made a very funny joke about Dowland and the
> Pope.
Do you recall the joke?
No, it was a long time ago, but Perhaps someone else remembers it. It
was made right before he played Dowland's Chromatic fantasy.
I'd love to if I could only remember it. This was back in the mid
70's. I can barely remember a joke some one tells me today.