so, anyone?
Ben Floyd
ev...@pondie.com
Curt Simon
"Ben Floyd" <ev...@pondie.com> wrote in message
news:604fc0ca.03111...@posting.google.com...
Ben Floyd wrote:
I went through the first book maybe 20 years ago. The good thing is
that it introduces a lot of concepts very early, and has you playing
interesting pieces quickly. What isn't so good is that it introduces a
lot of concepts very early, and has you playing interesting pieces
quickly. The way I could have maximized the good aspects, and minimized
the bad aspects would have been to work with a good teacher.
Just my 2 cents,
Steve
--
Mark & Steven Bornfeld DDS
Brooklyn, NY
718-258-5001
http://www.dentaltwins.com
Michael Fogler
In article <604fc0ca.03111...@posting.google.com>,
ev...@pondie.com (Ben Floyd) wrote:
--
Michael Fogler
http://home.igc.org/~mfogler/
--
Sam
( Change "invalid" to net to reply )
"Ben Floyd" <ev...@pondie.com> wrote in message
news:604fc0ca.03111...@posting.google.com...
ben
Michael Fogler <mfo...@igc.org> wrote in message news:<mfogler-23C42C...@news06.east.earthlink.net>...
The relevance of one method over another must be measured by what a student
expects to achieve in self-guided study. After 32 years of teaching I've
come to the conclusion one should never - under any circumstances - attempt
to learn guitar playing, beyond the realm of a few chords, without direct
and consistent input from a teacher. The costs and penalties are simply too
high.
"Solo" is a five year book. If properly introduced the rewards are
abundant. Without a teacher any method or instruction book may fail due to
'erroneous inferences' from the student. The key is qualified leadership,
early. Thereafter it's possible to establish a working pace more suitable
for the individual.
rac
"Ben Floyd" <ev...@pondie.com> wrote in message
news:604fc0ca.03111...@posting.google.com...
I am the poster boy for those who go through both "Solo" books sans teacher
and find themselves in a dark alley, staring at a blank wall.
" Abandon all hope, ye who enter here."
--
Sam
( Change "invalid" to net to reply )
It lasts 4 or 5 days.
So a lot of what he talks about in the class is touched upon
during the class.
So if you use the Parkening book you have the advantage of
connecting what you read to what you hear during the class.
Also, some of the songs in the second book is on one of his CDs.
"Sam Culotta" <culot...@gte.invalid> wrote in message news:<cZTub.59524$n6....@nwrddc03.gnilink.net>...
It's not even an interesting dead-end. It's just, well - dark & blank. With
an option for pain. rac
"Sam Culotta" <culot...@gte.invalid> wrote in message
news:vU8vb.7$Ul...@nwrddc01.gnilink.net...
I've always loved these two Frederick Noad Books, and I studied out of
them "on my own" for some years. The thing I love about these two
books is that it is the only method I know of that has so many
"substantial" pieces included in the books.
However, I finally began taking guitar lessons just over one year ago.
My teacher has me using the six books by Julio Sagreras.
Now, although I still love Noad's books, I think they have the
following weaknesses:
1. Many of the pieces are not edited very well and contain mistakes.
2. After using Sagreras' books, I now feel that Mr. Noad should have
included more information on the suggested dynamics and fingering for
each piece....I mean he should have clearly indicated where "rest
strokes" instead of "free strokes" are to be used, and more helpful
fingerings should have been provided.
I would really love to see someone do a good edit of these two books
because of the tremendous number of substantial repertoire pieces
included.
Regards,
John E. Golden
>ev...@pondie.com (Ben Floyd) wrote:
>
>
>
>>Just wondering if anyone has used either of Noad's books, title "Solo
>>Guitar Playing", parts 1 and 2. Ive seen a few methods similar to this
>>one, but Noad's approach seems ultra progressive, as in its very
>>complete in its content. Also, its got a few pieces i love and cant
>>wait to play.
>>
>>so, anyone?
>>
>>
>
>I've always loved these two Frederick Noad Books, and I studied out of
>them "on my own" for some years. The thing I love about these two
>books is that it is the only method I know of that has so many
>"substantial" pieces included in the books.
>
>
What about Pujol... his studies in book 3 are pretty substantial, and I
have yet to look through book 4, but it too appears to be quite
substantial for a method book. And then there is the Richard Pick School
books, which also has many substantial pieces. And unlike Noad, both
Pick and Pujol wrote their own stuff (although Pick has a few
transcription of Bach, Frescabaldi, etc.).
>However, I finally began taking guitar lessons just over one year ago.
>My teacher has me using the six books by Julio Sagreras.
>
>
>
And I have been using Sagreras on my own as sight reading material. Just
finished book 2 and am straating on book 3... I then go back and try to
really nail my favorites after the fact. Great stuff!
>Now, although I still love Noad's books, I think they have the
>following weaknesses:
>1. Many of the pieces are not edited very well and contain mistakes.
>2. After using Sagreras' books, I now feel that Mr. Noad should have
>included more information on the suggested dynamics and fingering for
>each piece....I mean he should have clearly indicated where "rest
>strokes" instead of "free strokes" are to be used, and more helpful
>fingerings should have been provided.
>
>
Yes, the rest stroke accent markings really do help, as do the
fingerings (and I usually don't like provided fingerings, but for
Sagreras, they really are needed, especially since he is so fond of use
of portamento).
>I would really love to see someone do a good edit of these two books
>because of the tremendous number of substantial repertoire pieces
>included.
>
>
>
some day I'll have to get the Noad method books, just for grins... I do
love his Renaissance/Baroque/Classical/Romantic guitar series... I read
through them all the time.
gms--
Carlos B
Carlos Barrientos
"mailto:ca...@sprintmail.com"
Phone: (229)-438-1087
A childlike man is not a man whose development has been arrested; on
the contrary, he is a man who has given himself a chance of
continuing to develop long after most adults have muffled themselves
in the cocoon of middle aged habit and convention. -- Aldous Huxley
> >I've always loved these two Frederick Noad Books, and I studied out of
> >them "on my own" for some years. The thing I love about these two
> >books is that it is the only method I know of that has so many
> >"substantial" pieces included in the books.
Mr. Jeff, I mean Greg Silverman had to nerve to add:
> What about Pujol... his studies in book 3 are pretty substantial, and I
> have yet to look through book 4, but it too appears to be quite
> substantial for a method book. And then there is the Richard Pick School
> books, which also has many substantial pieces. And unlike Noad, both
> Pick and Pujol wrote their own stuff (although Pick has a few
> transcription of Bach, Frescabaldi, etc.).
Yes, these books include substantial pieces as do Sagreras' books. But
the Noad Books include MORE FAMOUS REALLY SUBSTANTIAL REPERTOIRE
PIECES than any other method books I have ever seen...pieces by
Carulli, de Visee (many of them), Purcell, Handel, Telemann, Bach,
Dowland, Robinson, Milan, Sanz, Sor, Carcassi, Tarrega, Llobet, and
many pieces by that most extraordinary composer, "Anon.," and that's
just in Book 1. So don't talk to me about Pick, Pujol, etc., .....,
this is minor league stuff compared to the pieces Noad has in his
books. A student doesn't have to go out and buy a lot of other
books.....very substantial repertoire pieces are already there.
Kapish?
I wrote about Sagreras:
> >However, I finally began taking guitar lessons just over one year ago.
> >My teacher has me using the six books by Julio Sagreras.
Grego added:
> And I have been using Sagreras on my own as sight reading material. Just
> finished book 2 and am straating on book 3... I then go back and try to
> really nail my favorites after the fact. Great stuff!
I'm just finishing up Book 2 myself, but I anticipate that my teacher
will make me go back to the beginning of Book 2 (this is what I've
heard) and do it again until I really get it right before I can go on
the Book 3.
Regards,
John E. Golden
john....@alumni.pitt.edu wrote:
> > After I, john....@alumni.pitt.edu, wrote:
>
> > >I've always loved these two Frederick Noad Books, and I studied out of
> > >them "on my own" for some years. The thing I love about these two
> > >books is that it is the only method I know of that has so many
> > >"substantial" pieces included in the books.
>
> Mr. Jeff, I mean Greg Silverman had to nerve to add:
>
> > What about Pujol... his studies in book 3 are pretty substantial, and I
> > have yet to look through book 4, but it too appears to be quite
> > substantial for a method book. And then there is the Richard Pick School
> > books, which also has many substantial pieces. And unlike Noad, both
> > Pick and Pujol wrote their own stuff (although Pick has a few
> > transcription of Bach, Frescabaldi, etc.).
>
> Yes, these books include substantial pieces as do Sagreras' books. But
> the Noad Books include MORE FAMOUS REALLY SUBSTANTIAL REPERTOIRE
> PIECES than any other method books I have ever seen...pieces by
> Carulli, de Visee (many of them), Purcell, Handel, Telemann, Bach,
> Dowland, Robinson, Milan, Sanz, Sor, Carcassi, Tarrega, Llobet, and
> many pieces by that most extraordinary composer, "Anon.," and that's
> just in Book 1. So don't talk to me about Pick, Pujol, etc., .....,
> this is minor league stuff compared to the pieces Noad has in his
> books. A student doesn't have to go out and buy a lot of other
> books.....very substantial repertoire pieces are already there.
> Kapish?
Ach, but THEY didn't write the pieces! Dig?
And Pick is a top tier composer, with both Sagreras and Pujol being just a
microstep below. So there it is!
Still you make a good case for the Noad books. I'm wondering though if these
are the same pieces in his other series (the Ranaissance... Romantic guitar
ones, that is)
>
>
> I wrote about Sagreras:
>
> > >However, I finally began taking guitar lessons just over one year ago.
> > >My teacher has me using the six books by Julio Sagreras.
>
> Grego added:
>
> > And I have been using Sagreras on my own as sight reading material. Just
> > finished book 2 and am straating on book 3... I then go back and try to
> > really nail my favorites after the fact. Great stuff!
>
> I'm just finishing up Book 2 myself, but I anticipate that my teacher
> will make me go back to the beginning of Book 2 (this is what I've
> heard) and do it again until I really get it right before I can go on
> the Book 3.
>
that makes sense... book 2, while for the most part ws rather easy to read
through had a TON of modo-substantial technique, some of which I may have
glossed oover. That's basically why I will from time to time go back and
really work on specific exerces, like no. 39, the Zamba, or especially the
last exercise in drop D. I did nstart book 3 last night though, played no. 1
and 3, will go back and play no. 2 (I was too tired to deal with the altered
tuning).
Julio rocks! No doubt about it, eh?
Nobody will ever accuse Shearer of being strong in repertoire, eh? Even
Parkening's book are much better in this respect.
gms--
Carlos Barrientos <ca...@sprintmail.com> wrote in message news:<gq3urv83mk0q14ee4...@4ax.com>...
In a word, NO.
Regards,
John E. Golden