What's next ? It would seem like some further neck work would be
required to change the action - unless the bridge could be somehow
lowered. I noticed that the neck is only slightly "bowed" with the
strings held down at the 1st and 12th. (maybe less than 1/64"). That
seems OK and is consistent with my other guitars.
Any suggestions ? I don't necessarily want to do any of this work
myself, but I am now puzzled as to how this would be done.
John J van Gool, luthier
http://www.lutherie-van-gool.nl
Skip Helms
Zia Guitars
Make sure you will have enough string angle from the tie-block over the back
side of the saddle, at least 10 degrees or more.
Paul McGuffin
I suggest before you do anything else you have the neck angle checked. From
your description it sounds as if it may be off. Most spanish foot
construction guitars (flamenco/classical) cannot be adjusted, however.
Bruce Walker, luthier
"Kevin Smith" <smit...@gte.net> wrote in message
news:3C56BF5F...@gte.net...
The neck of the guitar is about 20mm deep at the first fret. (ie from
top of first fret to back of neck); although the neck is about as wide
as a classical guitar it seems to be quite a bit thinner. typical of a
flamenco neck ?
Kevin
Does anyone have any source for strings recommendations for flamenco
guitars ?
Most flamenco players I know, seem to like the normal or light gauge strings.
As I remember, Adam Del Monte uses a light gauge. I have even heard of some
players tuning their instruments down a half or full note to get a soft or lose
feeling.
Paul McGuffin
>
> Does anyone have any source for strings recommendations for flamenco
> guitars ?
>
First: A trip to a luthier with your instrument for a quick inspection may
be deserved. It could reveal to you if there are any problems/issues and
recommendations.
I typically measure the "action" at the twelfth fret; the distance from the
top of the fret to the bottom of the string. On my flamenco this is 2.5mm on
the bass side, a hair under 2mm on the treble side. Of course it is also
crucial to not have the action low enough that it buzzes. A local luthier
surfaced my frets for me, removing trouble spots.
Second: The strings will definitely change playability.
On my flamenco I use the D'Addario LP Normal tension basses, combined with
Savarez Alliance Blue Card trebles. I like the polished basses for string
noise reduction and less wear on my nails. I prefer the strong fundamental
of the composite string trebles over the nylon. Sometimes I use the Alliance
Red G String, it is a bit quieter than the blue (both less noise and volume)
but does have a nice slinky feel. This combination sucks on my classicals,
but works well on flamenco - it is fast and percusive.
OTOH my teacher hates my strings. He uses La Bella 2001 Flamencos on his
Rubio (and what an amazing guitar it is). But he also steel wools all of the
finish off of his guitar necks (and most of the body as well), which I think
is a bit extreme.
Good luck!
Michael Corrieri