Are there bodies of music that can be linked to 20th-century
artistic/architectural styles, such as cubism, dada, surrealism, art
nouveau, art deco, internationalism, and post-modernism? How about op
and pop art?
Surrealism brings to mind Prokofiev and Piazzolla. Could Weill and
Bernstein represent art deco? Have many composers gone through
distinct stylistic periods, as Picasso?
--Spud DuBoise <http://www.rev.net/~aloe/couchpotato>
Sure, and Varese and Xenakis represent cubism. Post-1950 Cage and some of
Stockhausen are the dada contingent. Op art is Steve Reich or Terry Riley; Pop
art is Todd Levin and Michael Daughtery.
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * * * *
" Deep space is my dwelling place / the stars my destination." --- Alfred
Bester, _Tiger, Tiger_
>art nouveau, art deco,
Various forms of Jazz/ Big Band music?
--
Andy Mabbett, Development Manager, Birmingham ASSIST
Birmingham City Council - http://www.birmingham.gov.uk
Phone: (+) 44 121 303 3640 - Fax: (+) 44 121 212 1930
Post: 3rd Floor, Central Library, Birmingham B3 3HQ
Futurism was one modern artistic movement that DID have a closely
corresponding musical movement. As you may know, Futurism had close ties to
several of the important experimental artistic movements which you mentioned
above (especially cubism), and it left a significant mark on art, literary
criticism, and (to a lesser extent) music. The two countries where it was
most influential were perhaps Italy and the USSR. Futurism was particularly
interested in questions of how art should respond to a blossoming
industrialism, and artists associated with the movement generally were
interested in representing ideas associated with the 20th century
industrialism -- ideas such as speed and movement. Painters and writers
were frequently occupied themselves by trying to express the inner, hidden
dynamics of a particular being.
Arte Nova has a three volumes of excellent CDs which present a sampling of
Russian Futurist music. They are extraordinarily cheap yet well worth their
low cost. The first volume (about $4.99) is of piano music by Alexander
Mossolov, and the second two volumes (about $10 each, two CDs in each
volume) contain a selection of pieces for orchestra and chamber groups by
numerous other composers. I recommend them highly.
Jeffrey Angles
Dept of East Asian Languages and Literatures
Ohio State University
I once knew a of Dadist band. They explained their approach as follows -
"whenever we catch any member of the band playing in time with any other, we
stop playing, and start again."
--
Alan Taylor
ata...@argonet.co.uk
And the classic Futurist piece is Honegger's PACIFIC 231, named after the
locomotive of the same designation. Mossolov's IRON FOUNDRY and a few other
such pieces can still be found on CD as well.
There was a 60's Avant Psychedelic Band From San Francisco, called
Fifty Foot Hose. Very Surreal.
le <6sav5j$1d5$1...@news1-alterdial.uu.net>, al...@rev.net wrote:
> Many artistic styles have had corresponding musical and literary
> styles. Renaissance, baroque, rococco, impressionistic, and
> expressionistic art and music have developed side by side.
>
> Are there bodies of music that can be linked to 20th-century
> artistic/architectural styles, such as cubism, dada, surrealism, art
> nouveau, art deco, internationalism, and post-modernism? How about op
> and pop art?
>
> Surrealism brings to mind Prokofiev and Piazzolla. Could Weill and
Wasn't Satie one of the fathers of the Dada movement?
I guess his music is dadaist in the sense that it was very simple
technically (at least his piano pieces) yet they were to be viewed as
art.
-philo.
--
L'Autre: Je donne ma folie. (il la drape d'une etole rouge). Oui son
eclat te va. Regarde bien Victoire, tu me ressembles un peu... non, ne
t'en vas pas. (nadia tueni, piece en plusieurs poemes et plusieurs titres)
CU.
-------------------------------------------------------------------
A ndreas'
C ontemporary New art music.
P age
http://www.classicpage.com
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ANDREAS HECK
Tobias-Maurer-Str. 17 - D-86154 Augsburg - Tel: 0049-821 / 416399
eMail ACP: au...@classicpage.com
email private: a...@newsfactory.net
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"E come vivo? Vivo"
("La Bohème", Giacomo Puccini)
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Speaking of Paik, do you know about any recorded music of his?
Arsou
I'm sorry, but speaking for Germany no piece of Paik has yet been published.
Greetings.
-------------------------------------------------------------------
A ndreas'
C ontemporary Neue Kunstmusik.
P age
http://www.classicpage.com
-------------------------------------------------------------------
ANDREAS HECK
Tobias-Maurer-Str. 17 - D-86154 Augsburg - Tel: 0049-821 / 416399
eMail ACP: au...@classicpage.com
email Privat: a...@newsfactory.net
: Andreas Heck wrote
:>I think that the Fluxus movement in the 60th was corresponding to dada and
:>surrealism. The most important representatives are Cage, Paik...
There is a CDRom (I'm afraid it may still be in the large CD format) put
out by Woody and Steina Vasulka (founders of the Kitchen) that attempts to
record the history of electronic music. I seem to remember it having some
footage of Paik (the Vasulkas surely knew him well, being video pioneers)
in it, but I only saw the disk once.
I've got no idea how to get this... but if you call the Kitchen in NYC, it
might get you started...
Jeff Harrington [-->>[[ Mercurealities for Flute, Viola, Cello MPEG ]]<<--]
je...@parnasse.com [->>[[ http://www.parnasse.com/mercurealities.mp2 ]]<<--]
http://www.parnasse.com/jeff.htm --------->>[[ My Music ]]<<--------------]
http://www.parnasse.com/vrml.shtml ------->>[[ My Worlds ]]<<-------------]
> Wasn't Satie one of the fathers of the Dada movement?
> I guess his music is dadaist in the sense that it was very simple
> technically (at least his piano pieces) yet they were to be viewed as
> art.
There's a jokey, deconstructing dadaist spirit to much of Mauricio
Kagel's music.
E.g. his suite of pieces for organ, "Rrrrrrr......" (including the
Satiesque title "rossignols enrhum\'es") is irreverently playful and at
the same time clearly aware of the traditions and possibilities of the
instrument.
--
Bruce Bennett