QRSTUV - The Quantitative Roland Stephen Taylor Ubiquitous Volume
Andrew D. Taylor
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/ _ \| _ \/ ___|_ _| | | \ \ / /
| | | | |_) \___ \ | | | | | |\ \ / / - The Quantitative Roland Stephen
| |_| | _ < ___) || | | |_| | \ V / Taylor Ubiquitous Volume
\__\_\_| \_\____/ |_| \___/ \_/
V-1995/06/05
An unauthorized information file about
recording artist Steve Taylor
producer Steve Taylor
human being Steve Taylor
and any other Clones that got loose.
written and maintained
by
Andrew D. Taylor
<af...@freenet.carleton.ca>
DISCLAIMER: There is no known genealogical link between the subject
(Roland Stephen Taylor) and the author (Andrew David
Taylor) of this file. We just share the sixth most
common (and the best ;-) surname in the English language.
Table of Contents
1.0 Biographical Information
2.0 Album Discography
3.0 Videography
4.0 Other Songs Discography
5.0 Background Vocals and Other Appearances
6.0 I Predict A Clone - Steve Taylor Tribute Album
7.0 Steve Taylor - The Producer
8.0 Other Steve Taylors - Phoney Clones
9.0 Acknowledgments
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1.0 Biographical Information
============================================================
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1.1 Technical Specifications
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Full Name: Roland Stephen Taylor
Birth Place: Brawley, California, USA, North America, Sol 3
Birth Date: Monday December 9, 1957
Height: 6'3"
Weight: 160 lbs
Blood Pressure: Yes (as of February 1994; subject to possible change)
Education: High School Diploma Northglenn High School
Bachelor of Arts University of Colorado, Boulder
French for Tourists Tape 1
Parents: Rev. Roland Samuel & Gayle Yvonne
Siblings: Jim & Dawn
Wife: Debbie
Children: ??? (In the CD player would suggest so.)
Influences: Flannery O'Conner, Francis Schaeffer, baptist minister
Rev. Roland Samuel Taylor, The Clash, John Davidson,
Dietrich Bonhoeffer.
In the CD player: Barney stuff (as of June 1994; also subject to
change)
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1.2 The Early Years
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Steve Taylor was born in south eastern California. Shortly after his
birth, the Taylors moved to Denver, Colorado where Steve grew up. In
1976, Steve graduated from high school and moved to southern
California to attend Biola University. After his freshman year he
moved back to Colorado to attend the University of Colorado at
Boulder. Enrolled in the Bachelor of Arts program in music, it became
apparent quite soon that a vocal emphasis was required as he couldn't
do anything else, not even play the piano to save his life. It has
also been said that the university only let Steve graduate so they
wouldn't have to listen to him sing again.
After his third year in college in 1979, Steve auditioned for John
Davidson's Summer Camp. Steve was one of 100 chosen from 20,000
hopefuls to spend a month learning the showroom trades from the likes
of Tony Orlando, Florence Henderson and John Davidson.
Steve wanted to do something with his Christian faith but he had a
stumbling block for music that meant anything to him. During the fall
of 1979, he was enrolled in a film making course at Colorado U.
Someone in the class used "Lost In The Supermarket" by The Clash as
the soundtrack for a film. Steve picked up the whole album "London
Calling".
Musically it saved my life. It had raw passion, it
has lyrics that were slap across the face, it had
everything but hope. The Clash saw the problems of
the world with startling clarity. They just weren't
offering much in the way of solutions. To sum it up,
I'd found my mission. - Steve Taylor
The demos for "I Want to be a Clone" and "Whatcha Gonna Do When You
Number's Up?" were recorded during his last year of college. Then
Steve had various meetings with California labels and publishers about
getting a recording deal. These were unsuccessful.
He met Jim Chaffee in California, who was enthused with the demo.
Before he helped Steve get a deal, he enlisted Taylor to be assistant
director of "The Continentals", an evangelistic singing group that was
about to head for Poland. Not long after, Chaffee helped get Steve a
gig as director of Chuck Bolte's Jeremiah People, a Christian musical
comedy troupe whose satire strongly influence Steve as a child.
In 1982, Steve got a small slot at Cam Floria's Annual Christian
Artists Conference in Estes Park, Colorado with the help of Chaffee
and his wife Janice. It was Steve's first live set. The crowd's
reaction impressed Sparrow President Billy Ray Hearn so much that he
was literally waiting for Steve when he got off the stage. The deal
quickly followed.
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1.2 Mrs. Taylor???
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The June 1984 issue of CCM had Steve Taylor as cover story. Steve was
interviewed by roving CCM reporter Steve Taylor (one of those other
Clones I was talking about). In the interview Steve was asked about
his marital status.
CCM: One last question, Steve. Are you single?
ST: Getting a little personal, aren't you?
CCM: The public has a right to know.
ST: Yes, I'm single.
CCM: Any plans on marrying in the future?
ST: I'm waiting for a girl who's warm, loving, and owns a
Greyhound tour bus.
A few months after the interview, a month after that issue of CCM came
out, Steve played at Cornerstone Music Festival for the first time.
Early in his performance, he jumped off the stage and broke his ankle.
Steve limped through the rest of the concert and afterwards went to
the local hospital for surgery the following morning. This accident
caused Steve to cancel his trip to Ireland where he planned on
devoting a few months to his next project. (The next project was On
The Fritz.)
While back home in L.A. he met Debbie. Nine months later they were
married. No exact date seems to be available but as Cornerstone is
usually either the last week in June or the first week in July, nine
months later puts the earliest date for the wedding at the end of
March 1985. This is when recording for On The Fritz was completed.
At concerts in May 1985, he mentioned that he was married so it was at
the end of March or sometime in April that Steve and Debbie got
married.
Debbie Taylor is a successful painter. Her works include the cover to
The Best We Could Find and the controversial cover to I Predict 1990
("It wasn't a tarot card" - Steve).
Now, does Debbie own that Greyhound tour bus ???
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1.3 Retirement from Christian Music
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I Predict 1990 quickly became the most controversial album in Steve's
often misunderstood career. This misunderstanding came mainly as a
result of the satirical nature of his songs.
I Blew Up The Clinic Real Good is a prime example of how Steve has
been misunderstood. People on both sides of the abortion debate were
against bombing abortion clinics. So was (and is) Steve. The
unfortunate thing about this whole situation was that they missed
"the flashing neon lyric in the middle of the song that says, 'The end
don't justify the means anytime.' What better example to use than a
clinic bomber." - Steve
The controversy didn't seem to bother Steve until he found himself
defending the songs in interviews. That combined with the fact that
the record didn't succeed to his expectations brought Steve to the
decision to move on. This resulted in Steve Taylor retiring from
Christian music.
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1.4 Chagall Guevara
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Then came Chagall Guevara. Chagall Guevara was a band comprising of
Steve Taylor, Dave Perkins (co-producer of I Predict 1990), Lynn
Nichols (VP of Myrrh, label I Predict released on), Mike Mead and Wade
Jaynes. They recorded on MCA Records.
The self-titled Chagall Guevara release got strong reviews. Rolling
Stone compared Chagall Guevara to The Clash. In a 1994 interview,
Steve said that Rolling Stone's comparison was "one of my life's
highlights."
The band did little touring and the album failed to live up to
commercial expectations. Also, at this time MCA went through a
restructuring and many of the people Chagall Guevara worked with were
no longer with MCA. About recording on MCA, Steve said, "seemed like
a good idea at the time, til we found out that it stood for Musician's
Cemetery of America." These basically brought the band to an end.
They did however record some stuff that hasn't been released. "We
were thinking of doing a box set shaped like a coffin but I dunno if
we'll do that or not" - Steve.
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1.5 The Return to the Christian Music Industry
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Steve then turned to production, producing the Newsboys' Not Ashamed
album. He eventually started to consider a return to make a solo
record. He had friends who convinced him to record another solo
album. Squint was the result being released in the fall of 1993 with
3/5 of Chagall Guevara playing prominent roles (Wade Jaynes on bass,
Mike Mead on drums and don't forget you-know-who).
============================================================
2.0 Album Discography
============================================================
1983 - I Want To Be A Clone (EP) (Sparrow)
1984 - Meltdown (Sparrow)
1985 - On The Fritz (Sparrow)
1986 - Limelight (Sparrow)
1987 - I Predict 1990 (Myrrh)
1988 - The Best We Could Find [+ 3 That Never Escaped] (Sparrow)
1991 - Chagall Guevara (MCA)
1993 - Squint (Warner Alliance)
1994 - Now The Truth Can Be Told (Sparrow)
1995 - Liver
All songs listed were recorded for the albums they appeared on unless
otherwise noted.
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2.1 I Want To Be A Clone
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Recorded August 1982
Released January 1983 as Sparrow 1063
Produced and Engineered by Jonathan David Brown
Written and Arranged by Steve Taylor
Musicians
- Guitars: Kerry Conner
- Drums: Cactus Moser
- Bass: Brian Tankersley
- Sax: Dave Thrush
- Keyboards: Steve Taylor
- Bass Guitar on "Whatcha": Harry Bruckner
Songs
- Steeplechase
- I Want To Be A Clone
- Whatever Happened To Sin?
- Written Guarantee
- Bad Rap (Who You Tryin' To Kid, Kid?
- Whatcha Gonna Do When Your Number's Up?
Complete recording appeared on the CD version of "The Best We Could
Find [+3 That Never Escaped]".
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2.2 Meltdown
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Recorded August-September 1983
Release March 1984 as Sparrow 1083
Produced and Engineered by Jonathan David Brown
Written and Arranged by Steve Taylor
Musicians
- Guitars: Kerry Conner
- Drums: Cactus Moser
- Bass: Chris Richards
- Sax: Dave Thrush
- Keyboards: Woody Waddell
Songs
- Meltdown (At Madame Tussaud's)
- We Don't Need No Colour Code
- Am I In Sync?
- Meat The Press
- Over My Dead Body
- Sin For a Season
- Guilty By Association
- Hero
- Jenny
- Baby Doe
"My biggest concern with this song [Am I In Sync?] was whether the
joke of an out-of-sync sequencer would wear well with repeated
listenings." - Steve. As a part of the joke, the song includes the
words between Steve and the sequencer man, Woody. The following is
the lyrics to Am I In Sync? with the conversation included in square
brackets.
Am I In Sync
written by Steve Taylor
[ S: I don't know Woody.
Are you sure you've got this think hooked up right?
W: Listen man, music is my life.
S: Alright. Two, three, four
Hey! What are you doing? What's goin' on?
W: Sorry. ]
Synthestzer rock ruled Jessica's feet
As a slave the that ubiquitous beat
Visions of the big screen danced in her head
'In a matter of time' she said
Jessie never got her Holleywood role
And the pogo nights have taken there toll
She can do the monkey off o' the cuff
But her mind had a missing link . . .
CHORUS
Am I In Sync?
Paint a picture on a subway train
Carve my name in a video game
Out looking for the camara crews
Sell my soul for a second on the evening news
Live 'til the bubble pops
Hold my breath when the big one drops
Immortality is what I'm buying
But I'd rather be immortal by not dying.
Laboratory rats made Roger a fink
And the laws of science drove him to drink
Working for the taste of public acclaim
And a cure that bore his name
Nobel prizes would have been nice
But he lost his mind to renegade mice
Roger traded 'Man of the Year'
For an understanding shrink . . .
CHORUS
[ S: Alright. Let's try it again.
Woody, what are you doin'?
You told me you knew how to use this thing.
W: Sorry. ]
CHORUS
[ S: Alright. Get it right this time. Three, four.
Yeah now that wasn't so hard was it?
Woody, what's goin' on?
W: Sorry.
It's this machine.
You can fix it in the mix.
Listen, I kinda like it.
Have you ever heard of, uh, poly-rhythms?
I hear Bowie's gonna do this on his next album.
S: What a relief? ]
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2.3 On The Fritz
------------------------------------------------------------
Recorded February-March 1985
Released April 1985 as Sparrow 1105
Produced by Ian McDonald and Steve Taylor
Engineered by Alan Douches
Musicians
- Guitars: Hugh McCracken, Tony Davilio, John McCurry, Ian McDonald
- Drums: Alan Childs
- Bass: Carmine Rojas
- Tenor Sax: Dave Thrush
- Alto Sax: Ian McDonald
- Keyboards and Programming: George Small, Larry Fast, Ian McDonald,
Steve Taylor
- Percussion: Cactus Moser, Ian McDonald
- Finger Snaps: Cactus Moser, Debbie Taylor
- Backing Vocals: Mary Davis, Beverly Slade, Kitty Markham
- "Lifeboat" Children: Trey Bass, Lindsay Bersterman, Jenifer Clayton,
Matthew Giotta, Rachel Giotta, Sharon Hussong, Denise Kisijara, Alison
Loftus, Max McDonald, Jana Walsh, Jonas Wood, Sydney Wood
Songs
- This Disco (Used To Be A Cute Cathedral)
- On The Fritz
- It's A Personal Thing
- To Forgive
- You've Been Bought
- You Don't Owe Me Nothing
- I Manipulate
- Lifeboat
- Drive, He Said
- I Just Wanna Know
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2.4 Limelight
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Recorded Live at Castle Ashby, England on August 26, 1985 at Greenbelt
Music Festival
Released February 1986 as Sparrow 1118
Produced by Steve Taylor and Keith Bessey
Engineered by Keith Bessey
Mix Engineered by Ian Eales
Musicians
- Guitar: Jeff Stone
- Drums: Terl Bryant
- Bass: Glen Holmen
- Keyboards: Steve Peters
- Sax: Dave Thrush
Songs
- This Disco (Used To Be A Cute Cathedral)
- I Want To Be A Clone
- You Don't Owe Me Nothing
- On The Fritz
- We Don't Need No Colour Code
- Whatever Happened To Sin?
- Meltdown (At Madame Tussaud's)
- Not Gonna Fall Away
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2.5 I Predict 1990
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Recorded February-September 1987
Released November 1987 as Myrrh 7-01-687338-2
Produced by the Beaufort Twins (Dave Perkins and Steve Taylor OK?)
Engineers: David Schober, Dave Perkins
Musicians
- Guitars: Jeff Stone, Dave Perkins, Gym Nicholson
- Drums: Jack Kelly
- Bass: Glen Holmen, Nathan East, Gary Lunn
- Keyboards: Steve Goomas, Greg Husted, John Schreiner
- Sax: Dave Thrush
- Percussion: Lisa Cates, Mike Mead
- Fiddle: Papa John Creach
- "Clinic" Tenor Sax: Jim Horn
- Accordian: Greg Husted
- French Horn: Ross Holmen
- Vocal Stylings on "Jim Morrison's Grave", "Svengali" and "Babylon":
Ashley Cleveland
- Backing Vocals: Annie McCaig
- "Harder To Believe" Operatic Vocal: Mary Bates
- "Jung" Woman: Janet Croninger
- "Harder To Believe" Orchestrated and Conducted by Del Newman
Songs
- I Blew Up The Clinic Real Good
- What Is The Measure Of Your Success?
- Since I Gave Up Hope I Feel A Lot Better
- Babylon
- Jim Morrison's Grave
- Svengali
- Jung and the Restless
- Innocence Lost
- A Principled Man
- Harder To Believe Than Not To
"It wasn't a tarot card" - Steve when filling out "Other things you want
CCM readers to know about you" on Taylor's Tabloid Truths found in
February 1994 issue of CCM Magazine.
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2.6 The Best We Could Find [+ 3 That Never Escaped]
------------------------------------------------------------
Released September 1988 as Sparrow 1180
"Under The Blood" and "Bouquet" produced by the Beaufort Twins
"Down Under" produced by Steve Taylor
Engineers: David Schober and Dave Perkins
Album title suggested by Sheila Walsh
Musicians
- Guitars: Jeff Stone, Dave Perkins, Gym Nicholson
- Drums: Jack Kelly, Dennis Holt
- Bass: Glen Holmen
- Keyboards: Steve Goomas
- Sax: Dave Thrush
- Percussion: Dennis Holt
- Tuba: Eric Messerschmidt
- Strings Arranged by Steve Goomas and Steve Taylor, Orchestrated by
Steve Goomas
Songs
- Under The Blood
- Down Under
- Meltdown (At Madame Tussaud's) *
- To Forgive @
- Hero *
- Bouquet
- This Disco (Used To Be A Cute Cathedral) $
- Sin For A Season *
- Guilty By Association *
- On The Fritz @
- I Just Wanna Know @
- Steeplechase #
- I Want To Be A Clone #
- Whatever Happened To Sin? #
- Written Guarantee #
- Bad Rap (Who You Tryin' To Kid, Kid?) #
- Whatcha Gonna Do When Your Number's Up? #
* as appeared on Meltdown
@ as appeared on On The Fritz
# as appeared on I Want To Be A Clone. CD version of this album had
complete I Want To Be A Clone. Cassette version didn't.
$ as appeared on Transatlantic Remixes, an EP with Sheila Walsh.
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2.7 Chagall Guevara
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Recorded May-July 1990
Released February 1991 as MCA 10170
Produced by Matt Wallace and Chagall Guevara
Engineered by David Bryson
Chagall Guevara is
- Bass: Wade Jaynes
- Drums: Mike Mead
- Guitar, Vocals: L. Arthur Nichols
- Guitar, Vocals: Dave Perkins
- Vocals: Steve Taylor
Additional Musicians
- "Play God" Horns: The Blind Willy Boner Brass
(Trumpet: Reno Caruso / Harmonica: Waco Caruso / Trombone: Junior)
Songs
- Murder In The Big House
- Escher's World
- Play God
- Monkey Grinder
- Can't You Feel The Chains?
- Violent Blue
- Love Is A Dead Language
- Take Me Back To Love Canal
- The Wrong George
- Candy Guru
- I Need Somebody
- The Rub of Love
- If It All Comes True
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2.8 Squint
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Recorded March-July 1993
Released November 1993 as Warner Alliance 4158
Produced and Written by Steve Taylor
Engineered by Russ Long
Musicians
- Bass Wade Jaynes
- Guitars: Jerry McPherson
- Drums: Mike Mead
- Keyboards: Phil Madeira
- Guitars on "The Lament ...": George Bradfute
- Left Speaker Guitar and Solo on "The Moshing Floor": George Bradfute
- Rhythm Guitar on "Bannerman": Dave Perkins
- Strings on "The Finish Line" and "The Moshing Floor" arranged and
performed by Carl Marsh
- Percussion: Eric Darken
- Tamborine on "Easy Listening" and "The Finish Line": Eric Darken
- All other Tamborines: Russ Long
- Electric Drums on "Easy Listening": Russ Long
- Slide Guitar and Sampled Percussion on "Sock Heaven" and Backwards
Slide on "Cash Cow": Phil Madeira
- Guitar and Basses featured in Act III of "Cash Cow": Wade Jaynes
- Additional Guitars on Act III of "Cash Cow": George Bradfute
- All Vocals: Steve Taylor with welcome relief from Donna McElroy on
"Sock Heaven" and Phil Madeira as the last voice you hear on "Smug"
Songs
- The Lament Of Desmond R.G. Underwood-Fredrick IV
- Bannerman
- Smug
- Jesus Is For Losers
- The Finish Line
- The Moshing Floor
- Easy Listening
- Curses
- Sock Heaven
- Cash Cow (A Rock Opera in Three Small Acts)
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2.9 Now The Truth Can Be Told
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Box Set Released Fall 1994 as Sparrow 1407
"Dream in Black & White" recorded 1980
"Dream In Black & White" produced by Steve Taylor
"Dream In Black & White" engineered by Randy Anderson
"Dream In Black & White" Musicians
- Guitars: Kerry Conner
- Drums: Mark McCoin
- Bass: Unknown
- Piano: Steve Taylor
Songs on Disc 1
- I Want To Be A Clone *
- Whatcha Gonna Do When Your Number's Up? *
- Whatever Happened To Sin *
- Bad Rap (Who You Tryin' To Kid, Kid?) *
- Meltdown (At Madame Tussaud's) @
- Sin For A Season @
- Guilty By Association @
- Hero @
- Am I In Sync @
- Baby Doe @
- This Disco (Used To Be A Cute Cathedral) #
- To Forgive #
- Drive, He Said #
- I Just Wanna Know #
- On The Fritz #
- Lifeboat #
Songs on Disc 2
- We Don't Need No Colour Code $
- You Don't Owe Me Nothing $
- Under The Blood %
- Bouquet %
- I Blew Up The Clinic Real Good &
- Jim Morrison's Grave &
- Innocence Lost &
- What Is The Measure Of Your Success &
- Since I Gave Up Hope I Feel A Lot Better &
- Svengali &
- A Principled Man &
- Harder To Believe Than Not To &
- Murder In The Big House +
- Escher's World +
- Violent Blue +
- Winter Wonderland !
- Dream In Black & White
- Shark Sandwich
* as appeared on I Want To Be A Clone
@ as appeared on Meltdown
# as appeared on On The Fritz
$ as appeared on Limelight
% as appeared on The Best We Could Find [+ 3 That Never Escaped]
& as appeared on I Predict 1990
+ as appeared on Chagall Guevara
! as appeared on the Various Artists album "Christmas"
Dream in Black & White recorded 1980
Shark Sandwich - archival selections taken from: I Want To Be A Clone,
Guilty By Association, Good Girl, Whatcha Gonna Do When Your Number's
Up?, What Ever Happened To Sin.
The first run of this album had a few graphical errors as Steve
explains:
Yes, the "Now The Truth..." booklet is being
reprinted, but only for one reason: During film
output certain type overlapped, particularly when
using the letter "F" followed by certain other
letters (example: in "A Principled Man" the lyrics
"under a flag" become "under a fag," etc.)
Additionally, the inside front and back cover
pages were inadvertently left blank. Neither
problem was discovered by Sparrow's art department
until it was too late. I begged Sparrow for a
reprint, but they told me to actually recall the
entire first shipment would be far too costly.
They did, however, graciously agree to reprint
future shipments, and to replace any books that
were defective. If any of you have trouble getting
yours replaced, send me an SASE (as a last resort,
perhaps? otherwise I may have to cut down my
online hours...): ST, PO Box 150669, Nashville, TN
37215. I'll do my best, although promptness is not
one of my strong suits these days.
Steve also says that they will try to have a quantity of booklets
available at summer festival appearances for trade-in. These
appearances are scheduled to include the two largest, Creation and
Cornerstone.
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2.10 Liver
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Recorded live in Lancaster, PA on October 22, 1995
Originally planned as a Live-EP, this album has been bumped up to a 10
song live album. There was debate as to whether the title was
pronounced "live-er" or the same way that internal organ is
pronounced.
"Therein lies the beauty of the title, don't you agree?" - Steve
Since it's release, it has been made known that the pronunciation is
"live-er". I guess this means the video companion will not be called
"Onions".
Songs
- Jim Morrison's Grave
- The Lament of Desmond R. G. Underwood-Fredrick IV
- I Want To Be A Clone
- Escher's World
- On the Fritz
- Bannerman
- Hero
- Jesus Is For Losers
- The Finish Line
- Violent Blue
This album features Steve's cover of Dighayzoose's cover of I Want To
Be a Clone (leave it to Steve to cover a cover of himself) from his
recent tour.
============================================================
3.0 Videography
============================================================
1984 - Meltdown/Mystery (Sparrow) (co-released with Sheila Walsh)
1986 - Video Works (Sparrow)
1986 - Limelight - The Film (Sparrow)
1987 - I Predict 1990 - The Video Album (Myrrh)
1994 - Squint: Movies From The Soundtrack (Warner)
1994 - Now The Truth Can Be Told (Sparrow)
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3.1 Meltdown/Mystery
------------------------------------------------------------
Released in 1984 as VCV 4583 by Sparrow
A Sparrow Double Play
MELTDOWN featuring Steve Taylor / MYSTERY featuring Sheila Walsh
MELTDOWN (4:41) from "Meltdown"
Executive Producer: Billy Ray Hearn
Produced by Steve Taylor
Directed by Steve Taylor and Michael Brown
Cinematographer: Michael Brown
Editing: Millie Paul
Special Effects: Ken Horn
Synopsis: Steve plays the janitor in the wax museum. At the
beginning of the video before the song starts Lisa Whelchel is seated
at an anchor desk where she announces a "news bulletin" about the
incident, which then segues into the song. (Whelchel also appears
briefly in the video later, still at the desk but lip-synching to the
song.) Lots of close-ups of melting wax figures and Steve looking
silly.
MYSTERY (3:34) from "War of Love"
Executive Producer: Billy Ray Hearn
Produced by Terry Sheppard
Directed by Skip Konte
Editing: Doug Dowdle
Synopsis: Sheila gazing into a mirror and out a window and glancing
around the room as she gets ready for bed.
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3.2 Video Works
------------------------------------------------------------
Released in 1986 as a companion to Limelight - The Film.
Songs
- I Want To Be a Clone (as appeared on Limelight)
- Meltdown
- On The Fritz (as appeared on Limelight)
- Lifeboat
Lifeboat included an extended begining with such great lines as "I
agreed to where this bozo outfit for the album cover, but I'm not
going to go out there dressed like some school ma'rm. I don't have
the legs for this."
The project also includes some-what different interview clips between
songs than in the film and a neat commercial at the end for
"Limelight--The Film". After a while, "Limelight--The Film" was also
released on VHS, and Sparrow probably saw Video Works as some-what
redundant, making it harder to come by in subsequent years.
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3.3 Limelight - The Film
------------------------------------------------------------
Recorded Live at Castle Ashby, England on August 26, 1985 at Greenbelt
Music Festival
Released in 1986 on 16-mm film for rental purposes.
Later released as Sparrow Home Video VHS 1118F
Lifeboat Credits:
Executive Producer: Jeffrey Abelson
Produced by Bill Brigode
Directed by Bruce Meade
Edited by Tom McQuade
Director of Photography: Dan Hainey
Hair/Make-up/Wardrobe: Dina Carone
Art Director: David Bando
Concept: Steve Taylor and Lisa Hendricks
Live Credits:
Executive Producers: Bill Hearn, David Benware
Directed by John Anneman
Edited by Tex Frossard, Steve Taylor, David Blum
Some Band:
- Drums: Terl Bryant
- Bass: Glen Holmen
- Keyboards: Steve Peters
- Guitar: Jeff Stone
- Saxophone: Dave Thrush
"The next best thing to seeing Steve in person. This sizzling 16mm
full- length film captures the best of Steve Taylor and Some Band's
set at the world famous Greenbelt Festival at Castle Ashby, England.
You've got a front row seat along with 20,000 Britons who clapped,
cheered, and sang along with high-voltage versions of "Meltdown (At
Madame Tussaud's)," "I Want To Be A Clone," "On The Fritz," a special
duet with British rocker Sheila Walsh, and much more-12 songs in all.
But Limelight is more than just a concert film. Exclusive interview
clips with Steve, reactions from the Greenbelt fans and Steve's new
"Lifeboat" video give you an in-depth look at what Steve Taylor is all
about.
Limelight-the Film includes free discussion guide and leader's manual
to help utilize the film in ministry programming. The guide comes
complete with Bible studies, discussion questions and song lyrics."
Running time 56:35
Songs
- This Disco (Used To Be A Cute Cathedral)
- I Want To Be A Clone
- You Don't Owe Me Nothin'
- On The Fritz
- Lifeboat [video clip, not concert footage]
- Sin For A Season
- Over My Dead Body
- Hero
- We Don't Need No Colour Code
- Whatever Happened To Sin
- Meltdown (At Madame Tussaud's)
- Not Going To Fall Away (Duet with Sheila Walsh)
Contains all songs on the album "Limelight" and some others.
------------------------------------------------------------
3.4 I Predict 1990 - The Video Album
------------------------------------------------------------
Released in 1988 as Myrrh Records (8015021693)
Executive Producer: Lynn Nichols, Steve Taylor
Concepts: Jim Hancock, Steve Taylor, Lynn Nichols
Produced By: International Media Systems
Director/Cameraman: Paul Franklin
Key Grip: Tom Sanny
Key Gripes: Debbie Taylor, Kathy Nichols (c'mon, we're just kidding)
Animal Trainer: Robin Roesler
Snake Handler: Tonio K.
Ferret Handler: Russ Taff
Director of "A Principled Man": Jim Hancock
Back Masking Vocals: Russ Taff
"Jim Morrison's Grave" Produced, Directed, Edited by Steve Taylor
Additional Camera: Jim Hodson, Steve Goomas, Debbie Taylor, Debbie Goomas,
Debbie Boone, Debbie Thomas, Debbie Reynolds, Debbie Harry
"Since I Gave Up Hope..." Produced, Directed, and Edited by Jim Hodson
Cast includes "waitress" Sheila Walsh
"Clinic" extras ...Carlton W. Smith, Michael W. Smith...
"Bag Lady" Randy Stonehill
Filmed on location in Paris, France
Colorado Springs, Colorado
Los Angeles, California
Poznan, Poland
Castle Ashby, England
(no kidding)
Special Thanks to ...Jim Nicholson, Jack Nicholson...
Grace Cathedral
Grace Kelley
Grace Jones
Grace Slick
Gracie Allen
Colorado Springs Police Department
Los Angeles Police Department
Royal Canadian Mounted Police
Police Benevolent Association
Heck...all police. We love 'em.
South African Ministry of Rock Videos and a very
special thanks to the good people of Sun City for
hotel accomodations (but we didn't play there)
"Success" shoes courtesy of Phil Keaggy [platform shoes]
"Svengali" shoes courtesy of Imelda Marcos [?]
"Remember, if you only buy one album this year, buy mine too." Steve Taylor
[Fades out with the message "Play it again!"]
Songs:
- What Is the Measure of Your Success?
- I Blew Up the Clinic Real Good
- A Principled Man
- Jim Morrison's Grave
- Babylon
- Svengali
- Since I Gave Up Hope I Feel A Lot Better
- Harder to Believe Than Not To
Of these, "What is the Measure...", "Svengali," and "Harder to Believe..."
were not included on _Now the Truth..._.
------------------------------------------------------------
3.5 Squint: Movies From The Soundtrack
------------------------------------------------------------
Released in 1994 as Warner Alliance Home Video WVC-4303
Approximate Running Time 45 minutes
Director of Photography Ben Pearson
Sound Design Russ Long
Visual Effects Kem Colgan [yeah, it says 'Kem']
"Cash Cow" animation conceived and directed by Jonathan Richter
Associate Producers Norman Miller, Neal Joseph, Mark Hollingsworth
Produced by Steve Taylor and Ben Pearson
Directed by Steve Taylor"
"The shoot heard 'round the world! 10 countries! 57 locations!
32,000 miles! 7 painful vaccinations!
On July 27, 1993 Steve Taylor and a small film crew set out on one of
the most ambitious film shoots ever undertaken by a rock artist.
Defying skeptics, sleep patterns, and occasionally gravity, Taylor
directed and starred in five music videos from his highly-acclaimed
new album _Squint_. He caused traffic jams in the streets of Hanoi,
Vietnam; he dangled off suspension bridges in the Himalayas; he
dodged angry camels on the plains of Cappadocia, Turkey; and the
entore advanture was captured in dazzling 35mm big-screen color.
Tragically, Steve never made it back alive.* But the video you're
about to see serves as both a fitting tribute and a touching memorial
to this visonary recording artist and filmmaker.
Featuring:
- Smug
- Opening Credits ('The Moshing Floor')
- Jesus Is For Losers
- Bannerman
- Sock Heaven
- Cash Cow (a rock opera in three small acts)
- The Finish Line
* O.K., he did actually make it back alive, but he was really tired
when he got home.
------------------------------------------------------------
3.6 Now The Truth Can Be Told
------------------------------------------------------------
Released in 1994 as Sparrow, G3 7243 8 43150 3 0 VCV3150
Approximate Running Time 70 minutes
Produced by Steve Taylor
Segments:
- Jim Morrison's Grave
concept video directed by Steve Taylor
- Since I Gave Up Hope I Feel A Lot Better
concept video directed by Jim Hodson
- Chagall Guevara 'Murder In The Big House' Promo Video
produced by Steve Taylor (previously unreleased)
- I Predicionary
promotional video directed by Jim Hodson (previously unreleased)
- I Blew Up The Clinic Real Good
concept video directed by Paul Franklin
- Babylon
concept video directed by Paul Franklin
- A Principled Man
Stockholm version directed by Steve Taylor (previously unreleased)
- Greenbelt: '88 on Super 8
excerpts from documentary directed by Steve Taylor
(never before seen in the U.S.)
- We Don't Need No Colour Code
live clip from "Limelight: The Film"
- Lifeboat
concept video directed by Brue Mead [yeah, it says 'Brue']
- Meltdown (At Madame Tussaud's)
concept video directed by Steve Taylor
- Baby Talk
comedy short student film directed by and co-starring Steve Taylor
(previously unreleased)
- The Lost Interview
rarely viewed interview Steve Taylor doesn't want you to see
- Joe's Distributing
previously unreleased comedy short student film written by and
co-starring Steve Taylor (previously unreleased)
============================================================
4.0 Other Songs Discography
============================================================
1984 - Meltdown Remixes (Sparrow)
1985 - Transatlantic Remixes (Sparrow)
1985 - Continental Singers - Together We Will Stand (Sparrow)
1988 - Various Artists - Christmas (Sparrow)
1990 - Soundtrack to "Pump Up The Volume" (MCA)
1991 - Chagall Guevara - Violent Blue (Single) (MCA)
1994 - Strong Hand of Love - Mark Heard Tribute (Fingerprint)
------------------------------------------------------------
4.1 Meltdown Remixes
------------------------------------------------------------
A 12" 45RPM Single. Remixes appeared on Meltdown CD
Released around the same time as Meltdown in 1984 as Sparrow 1100
Cuts
- Meltdown (Extended Version-Remix)
- Meltdown Instrumental (Extended Version-Remix)
- Meltdown (Edited Version-Remix)
------------------------------------------------------------
4.2 Transatlantic Remixes
------------------------------------------------------------
Released in 1985 as Sparrow 1107
A remix album featuring Steve Taylor material and Sheila Walsh
material
Songs
- Not Gonna Fall Away !
- This Disco (Used To Be a Cute Cathedral) #
- We're All One $
! studio track with Steve and Sheila
# re-mix of the Steve tune (this version later appeared on The Best We
Could Find)
$ re-mix of a Sheila Walsh tune
------------------------------------------------------------
4.3 Continental Singers - Together We Will Stand
------------------------------------------------------------
Released in 1985 on Sparrow
Steve Taylor contribution
- Nero
------------------------------------------------------------
4.4 Various Artists - Christmas
------------------------------------------------------------
Released September 1988 as Sparrow 1176
Steve Taylor contribution
Recorded August 1988
Produced by Steve Taylor
Engineered by David Schober
Mariachi Arrangements by George Llanes, Harry Scorzo, Steve Taylor
Musicians
- Guitars: George Llanes
- Guitarrone: Jose I. Arellano
- Viguela: Jose Hernandez
- Violins: Harry Scorzo, Steve Pearlman
- Trumpets: Hose Hernandez, Ramone Acevedo
- Accordian: Rudy Van Eyken
- Percussion: Lynn "Domingo" Nichols
- Spanish Language Vocal: Jose I. Arellano
Steve Taylor contribution
- Winter Wonderland
This song later appeared on "Now The Truth Can Be Told" the 1994 Steve
Taylor Box Set.
------------------------------------------------------------
4.5 Soundtrack to "Pump Up The Volume"
------------------------------------------------------------
Soundtrack to the movie "Pump Up The Volume" starring Christian Slater
as high school aged pirate radio DJ, "Hard Harry".
DISCLAIMER: This movie is rated R, contains a bit of skin and some
sexually explicit material. Be forewarned before viewing
the film.
Tale o' the Twister appeared in the movie from time index 31:43 to
32:20. It appears as if the school allowed students to listen to the
radio on boom-boxes during lunch break out doors and that this song
was playing at the time. The song ends when a student slips in a tape
of "Hard Harry" from the previous night. The lyrics from Tale o' the
Twister that appeared in the movie (there was a bit before and a bit
after this which I couldn't decifer) were:
She has the eyes of Lassie
And the lips of Nixon
Lips like Tricia Nixon
I stole a sideways glance at a continental shelf
Never knew she was the Devil himself.
Released in 1990 on MCA Records
Chagall Guevara contribution
- Tale o' the Twister
------------------------------------------------------------
4.6 Chagall Guevara - Violent Blue (Single)
------------------------------------------------------------
Singles aren't normally mentioned here but this one is pointed out for
the "B-side" recording which only appeared here. This was only
released in Europe. (Sorry not on the North American radio singles.)
Songs
- Violent Blue
- Murder in the Big House *
- Still Know Your Number By Heart
* Word has it that "Murder..." was not on all versions of the single.
------------------------------------------------------------
4.7 Strong Hand of Love - Mark Heard Tribute
------------------------------------------------------------
Released in 1994 as Fingerprint 7-01-697961-X
Chagall Guevara contribution
- Treasure of the Broken Land
At the end of the song, they sing something like "All the way to
Macon". Mark Heard was from Macon, Georgia.
============================================================
5.0 Background Vocals and Other Appearances
============================================================
This section excludes any works where Steve's appearance was mainly
due to the fact that he was producer of the work. Such notes are
found in the section Steve Taylor - The Producer.
------------------------------------------------------------
5.1 Dreamer: What Really Happened to Joseph
------------------------------------------------------------
Released in 1983 by Christian Artists
Distributed by Sparrow
A youth musical written by Steve Taylor and Cam Floria
There is a real hilarious song that is a send-up of his (Joseph's)
employer's (Potiphar's, sp?) wife, called Mae-East, and of course the
vocals are done in an Mae-West fashion. ("Don't look at me I only work
here, but he don't work here anymore")
------------------------------------------------------------
5.2 The CAUSE - Do Something Now
------------------------------------------------------------
Released in mid-80's on Sparrow??
The CAUSE (Christian Artists United to Save the Earth) was the
Christian music industry's equivalent to the group of artist who did
"We Are The World" at the height of Ethiopia-mania in the mid-80's.
"Do Something Now" was the song.
The entirety of Steve's solo vocals goes something like:
If we really care
we'll do something
we gotta do something.
------------------------------------------------------------
5.3 Dave Perkins - The Innocence
------------------------------------------------------------
Released on What Records in 1987.
Vocal Duet
- Turn, Turn, Turn
Other Chagall appearances
- Mike Mead
------------------------------------------------------------
5.4 Phil Keaggy - Sunday's Child
------------------------------------------------------------
Recorded at Music Grinder and Neverland Studios June 6th-August 15th 1988
Released in Fall 1988 as Myrrh 7-01-687661-6
Produced by L. Arthur Nichols
Mixed by the recording director, Jack Joseph Puig
Hand Claps
- Tell Me How You Feel
BGV's
- Blessed Be The Ties
------------------------------------------------------------
5.5 Phil Keaggy - Find Me In These Fields
------------------------------------------------------------
Released in 1990 as Myrrh 7-01-689961-6
Produced by L. Arthur Nichols and Phil Keaggy
Recorded and mixed by JB at Bennet House, Franklin TN
BGV's
- Gentle And Strong
------------------------------------------------------------
5.6 Charlie Peacock - Everything That's On My Mind
------------------------------------------------------------
Released December 26, 1994 on Sparrow
Guest BGVs
- Inside Out Upside Down
============================================================
6.0 I Predict A Clone - Steve Taylor Tribute Album
============================================================
Released in Spring 1994 as REX 41004-2
"I can't think of a less deserving subject" - Steve
A first in Christian music, this album is a pre-mortem tribute album.
Prior to I Predict a Clone, all tribute albums in Christian music had
been post-mortem tributes (ie the artist was dead, like in the case of
Keith Green and Mark Heard).
All artist and composer royalties generated from the purchase of this
recording are donated to JPUSA's (Jesus People USA) Cornerstone
Community Outreach. For more info on this and other JPUSA ministries
call 312/989-6317.
Like all tribute albums in Christian music before it, Steve Taylor had
no part in in the production of the album except that he specified who
the artist and composer royalties should be donated to (and of course
wrote the songs.)
------------------------------------------------------------
6.1 Am I In Sync?
------------------------------------------------------------
performed by Circle of Dust
Circle of Dust is
- Scott Albert: Vocals, instrumentation, programming, samples
Additional musician
- Bass: Chris Donahue
Produced by Scott Albert for CellDweller Productions with Vin Syrek
Engineered by Vin Syrek with Scott Albert
Recorded at Circle Studios, NY
------------------------------------------------------------
6.2 A Principled Man
------------------------------------------------------------
performed by Hot Pink Turtle
Hot Pink Turtle is
- Dave Mora: Guitar
- Jamin Rathbun: Vocals
- Dion Tyler: Bass
- James Cleem: Drums
Produced by Hot Pink Turtle
Engineered by Gary Shockey
Recorded at New Start Studios
------------------------------------------------------------
6.3 Sin For A Season
------------------------------------------------------------
performed by Starflyer 59
Starflyer 59 is
- Jason: Vocals and Guitars
- Andrew: Bass
- Danny: Drums
Produced by Blood
Engineered by Bob Moon
Mixed by Blood and Bob Moon
Executive Coordinator: Brandon Ebel
------------------------------------------------------------
6.4 Bouquet
------------------------------------------------------------
performed by Sixpence None The Richer
Sixpence None The Richer is
- Leigh Bingham: Voice
- Matt Slocum: Guitars
- Dale Baker: Drums
Additional Musicians
- Viola Solo and Ensemble: Mary Ramsey
- Bass: James Arhelger
Produced and Engineered by Armand John Petri
Recorded at Trackmaster Audio, Buffalo, NY
Mixed at Select Sound, Buffalo, NY
------------------------------------------------------------
6.5 Steeplechase/I Want To Be A Clone (Instant Cake Mix)
------------------------------------------------------------
performed by Dighayzoose
Dighayzoose is
- Phil: Vocals, Organ, Police Siren
- Dave Anderson: Guitar, Vocals, Recorder
- Bil Brown: Bass, Vocals
- Jimmi Florez: Drums, Percussion, Vocals
Produced by Dighayzoose
Engineered by Rich Hanson at Chapman Studios Kansas City
Mixed by No One Special
------------------------------------------------------------
6.6 Harder To Believe Than Not To
------------------------------------------------------------
performed by Fleming and John
Fleming and John is
- Fleming McWilliams: Opera and Lead Vocals
- Shawn McWilliams: Drums
- David Davidson: Violin
- Anthony La Marchina: Cello
- John Mark Painter: The Other Stuff
Produced and Recorded by J.M.P
Mixed by Joe Baldridge
------------------------------------------------------------
6.7 Drive, He Said (D-wee dub)
------------------------------------------------------------
Performed by Argyle Park
Argyle Park is
- Dread
- Buka
Special Guests
- Klank: Additional Guitar
- Phantom: General Chaos
- Scott Albert: Guitar
Produced by Scott Albert for CellDweller Productions
Engineered by Vin Syrek
Recorded at Circle Studios, NY
Mixed at Soundscape Studios, NY
------------------------------------------------------------
6.8 On The Fritz
------------------------------------------------------------
performed by Deliverance
Deliverance is
- Jimmy Brown: Vocals and Guitar Treatments
- Jonathan Maddux: Lead and Rhythm Guitars
- Manny Morales: 5 String Bass
- Yoda: Drums
Produced by Jimmy Brown
Engineered by Jimmy Brown and Jonathan Maddux
Recorded at Ojo's Cave Studios, Bellflower, CA
Mixed by Gene Eugene at The Green Room, Huntington Beach, CA
------------------------------------------------------------
6.9 To Forgive
------------------------------------------------------------
performed by The Wayside
The Wayside is
- Rob Anstee: Bass
- John Esling: Guitars
- Michelle Thompson: Vocals and Guitars
- John Thompson: Vocals and Guitars
- Rich Trelease: Drums and percussion
- Randy Kerkman: Additional Guitar
Produced by The Wayside and Glen West
Engineered by Glen West
Recorded at Jor-Dan Studios in Wheaton, IL
------------------------------------------------------------
6.10 We Don't Need No Colour Code
------------------------------------------------------------
performed by Bride
Bride is
- Dale Thompson: Vocals
- Troy Thompson: Guitars
- Jerry McBroom: Drums
- Rik Foley: Bass
Produced by Bride
Engineered by Howey Gano
Recorded at Mom's Music, Louisville, KY
Lyrical comparison of the original and the cover.
Steve's Version | Bride's Version
|
Down Carolina way | He was born in Babylon
Lived a man named O' Big BJ | Cross is burnin' on the lawn
BJ went and got a school | Got his name on Hoover's list
Founded on Caucasian rule | Boistoid (?) light of closed fist
Bumper sticker on his Ford | Sunken eyes, beam like bone
Say's 'Honkies if you love the Lord' | Broke his spirit, heart of stone
|
CHORUS | CHORUS
We don't need no colour code | We don't need no Cholour Chode
We don't need no colour code | We don't need no Cholour Chode
Take your rules and hit the road | Bring down the walls of Jericho
We don't need no colour code | We don't need no Cholour Chode
Judgement day is goin' down |
Better burn your cap and gown |
|
White man speak with forked tongue | White man speak with forked tongue
White supremists eat their young | White supremists eat their young
Bigotry is on the loose | Bigotry is on the loose
Ignorance is no excuse | Ignorance is no excuse
I know Jesus loves that man | Fold (?) and pray for the schools
Even with a Greenville tan | Founded on Caucasian rule
|
CHORUS | CHORUS
|
Marching to Pretoria | Marching to Pretoria
Colour codes in churches, huh? | Colour code she's rollin' blood
Following a facist creed | Following a facist creed
Whose translation do you read? | Politics the devil's seed
True believers won't be snowed | Electric churches of delight
We don't need no colour code. | Stain glassed souls redeem the night
|
Written by Steve Taylor | Lyric modifications by Bride.
(c) 1984 Birdwing Music/Cherry Lane | Possible errors in version as typed
Music Publishing Co. Inc./C.A. Music | by ear. Let me know if you hear
(ASCAP) | something different than what is here.
------------------------------------------------------------
6.11 Guilty By Association
------------------------------------------------------------
performed by Sanctified Glory Mountain Revival Family
Sanctified Glory Mountain Revival Family is
- Clint: Drums
- Rodney: Guitar, Harmonica, Preachin'
- Sister Lu Lu: Background Vocals
- Chester: Banjo, Mandolin, Dobro, Vocals
- Lester Earl: Bass
============================================================
7.0 Steve Taylor - The Producer
============================================================
------------------------------------------------------------
7.1 Phil & John - Don't look now, it's the Hallelujah Brothers
------------------------------------------------------------
released in 1989
Produced by Steve Taylor and Arthur Lynn Nichols
Sound Mixer: Steve Taylor
Songs co-written by Steve
- Gabriel's Sittin' In
- This Boy
- California Dreamers
- Feels Like the Summer
------------------------------------------------------------
7.2 Newsboys - Not Ashamed
------------------------------------------------------------
Released in 1992 as Star Song 8251
Produced by Steve Taylor & Peter Furler
Lyrics to all songs written in part or whole by Steve Taylor including
rap added to cover of DeGarmo & Key's "Boycott Hell".
Rap performed by Steve Taylor as part of cover of "Boycott Hell"
Guess who comin' through with a little disclaimer
Tune's OK but the words are gettin' lamer
Ain't no saint can legitimitize
Rhymin' "pride" with "time" with "unionize".
See I agree we otta boycott hell
But we otta boycott dumb lyrics as well
------------------------------------------------------------
7.3 Newsboys - Going Public
------------------------------------------------------------
Released in Summer 1994 as Star Song 8814
Produced by Steve Taylor & Peter Furler
Lyrics to all songs by Steve Taylor either alone or with Peter Furler.
============================================================
8.0 Other Steve Taylors - Phoney Clones
============================================================
------------------------------------------------------------
8.1 DeGarmo & Key - The Pledge
------------------------------------------------------------
Released in 1989
This album listed in the liner notes a Steve Taylor as contributing to
the album as follows,
BGV's
- Complete Album
Guitars w/ Dana Key
- If God Is For Us (Who Can Be Against Us)
If you dig out your copy of "The Pledge" and look in the insert, you
will find a picture of the DeGarmo and Key Band. The tall fellow with
the long dark hair is named 'Steve Taylor'. This Steve Taylor was
with DeGarmo and Key for their ledgendary "Rock Solid" tour and stayed
with the group for a few years as a second guitar player. The name
has caused some confusion. Another interesting side note is that this
guitar-playing Steve Taylor's wife was named Elizabeth, but she isn't
"that" Elizabeth Taylor any more than her husband is "that" Steve
Taylor. There is no evidence of any of the Clones performing with
DeGarmo & Key.
============================================================
9.0 Acknowledgments
============================================================
I obtained the information contained in this file came from various
sources, including:
- Liner notes to albums.
- CCM Magazine February 1994
- The Best of CCM Interviews - Vol 1. The Heart of The Matter
- The Phil Keaggy Information Phile
- Steve Taylor (Creation 94 press conference)
As well I would like to thank the following net folk, without whom
this file would be lacking information.
Peter Thomas Chattaway <pet...@unixg.ubc.ca>
Trent Ernst <tre...@freenet.vancouver.bc.ca>
Wade Kane <stu_f...@vax1.acs.jmu.edu>
Tom Moellering <tmoe...@spdmail.spd.dsccc.com>
"clueless chuck" Pearson <dope...@magnus.acs.ohio-state.edu>
William C. Quinn <s00...@desire.wright.edu>
Jerry B. Ray, Jr. <vap...@prism.gatech.edu>
Lorenz M. Schmiege, III <lm...@tamu.edu>
Maggie Shumaker <ms...@andrew.cmu.edu>
Steve Taylor <soyl...@aol.com>
Betsy Veal <betsy...@aol.com>
Mark Wavle <mwa...@linus.cs.ohiou.edu>
??? <chee...@postoffice.ptd.net>
Douglas C Pearson
>9.0 Acknowledgments
>[...]
>As well I would like to thank the following net folk, without whom
>this file would be lacking information.
>"clueless chuck" Pearson <dope...@magnus.acs.ohio-state.edu>
>[some more people]
>Steve Taylor <soyl...@aol.com>
andrew, you do a wonderful job with the QRSTUV, but for steve's name to be
listed below the rest of our names on the list of contributors (ESPECIALLY
mine, 'cause i don't even remember what i contributed to the fray!) is a
flagrant injustice and it should be corrected NOW.
long live steve! long live steve! (gee, i wonder if he still lurks on
r.m.c...gotta get that suck-up-o-meter runnin' high...)
chuck
--
chuck pearson - dope...@magnus.acs.ohio-state.edu
osu biophysics program, bio113 head ta, daddy of amelia catherine pearson.
Peter Thomas Chattaway
: 1983 - I Want To Be A Clone (EP) (Sparrow)
: 1984 - Meltdown (Sparrow)
: 1985 - On The Fritz (Sparrow)
: 1986 - Limelight (Sparrow)
: 1987 - I Predict 1990 (Myrrh)
: 1988 - The Best We Could Find [+ 3 That Never Escaped] (Sparrow)
: 1991 - Chagall Guevara (MCA)
: 1993 - Squint (Warner Alliance)
: 1994 - Now The Truth Can Be Told (Sparrow)
: 1995 - Liver
Liver is Warner Alliance, I believe.