I am searching for the sheet music for Margaret's Waltz as played by
Ally Bain. Or some guide to where to start searching. My local music
supply stores are pretty useless, unless you want to buy collections.
Roy Hetherington
Postal: PO Box 27 Glen Osmond, South Australia 5064, AUSTRALIA
Phone(Work): +61 8 8301 5360 (home): +61 8 8379 1487
Mailto:syst...@state.systems.sa.gov.au
Hope this is of use to you. Happy playing!
A Scots bairn
SYSTEM MANAGER wrote in message
<3795A9FE...@pop3.systems.sa.gov.au>...
Margeret's Waltz is a great tune. I had just discovered it on the Wild
Dismay website back in May Then, In June, my instructor at the Emma
Lake (Saskatchewan, Canada) Fiddle camp selected it as our waltz to
learn for the week.
- Enjoy
- Barrie McCombs
- GUITARIST ON THE ROOF
- Fiddler in the closet
------------------------------------------------
Barrie McCombs, MD, CCFP, CCFP(EM)
Director, Medical Information Service
University of Calgary, Calgary, Alberta, Canada
Telephone: 403-220-8551 Fax: 403-270-7285
Email: bmcc...@ucalgary.ca
Website: http://www.ruralnet.ab.ca/medinfo/
------------------------------------------------
Mark,
> This is a very popular waltz from Shetland attributed to Pat Shuldham Shaw,
> now played extensively throughout Scotland. There is a manuscript version in
> a book called 'Fiddle Music from Northern Lands' (ISBN 1 871084 00 8
> Canto Fermo, Kirkwall, Orkney, Scotland) This written version is exactly as
> Mr Bain plays it.
I don't think that Margaret's Waltz has anything particular to do with
Shetland. As far as I remember, the Margaret in question worked for
the EFDSS office (in London?), and Pat Shaw wrote the tune for a dance
he made up to commemorate her retirement some time during the 1950s
(?). There is a second tune to go with it which IIRC mentions Devon in
its title.
There are now two versions of the tune in circulation -- Pat Shaw's
original `waltz' version and the more elaborate `Scottish' version,
which is more of an air rather than a waltz (and which is presumably
what Aly Bain plays). Pat Shaw's version is published, among other
places, in Peter Barnes's book of English country dance music, which
is nice to have in any case. I have a photocopy of the Scottish
version somewhere in my files but I don't remember off-hand where it
came from; it must be one of the popular modern multivolume
collections of well-known Scottish dance tunes that have knotwork
borders around every page.
Anselm
--
Anselm Lingnau ......................... lin...@tm.informatik.uni-frankfurt.de
Money can't buy friends, but you can get a better class of enemy.
-- Spike Milligan
All the best, Mark
> Sorry, I'm a fiddler not a musicologist - I don't even know who Pat Shaw
> is/was.
Pat Shuldham-Shaw (1917-1977) used to be a really, really big figure
in the English folk dance scene. He was originally from
Stratford-on-Avon, but grew up in London. He did collect some tunes
and songs in the Shetlands, but as far as I know Margaret's Waltz is
his own composition.
To see recent songs or tunes attributed as `traditional' is a very
common phenomenon. For example, `Dirty Old Town' is very often taken
as `traditional' and referring to places like Dublin or Glasgow -- but
in fact it is a song by Ewan MacColl about his hometown of Salford,
Lancashire. (Many Ewan MacColl songs have shared the same fate.) `Lord
of the Dance' is a set of words composed by Sydney Carter to a tune
which derives from the Shaker tradition in America. And so on ...
Anselm
--
Anselm Lingnau ......................... lin...@tm.informatik.uni-frankfurt.de
The secret of being miserable is to have leisure to bother about whether you
are happy or not. The cure for it is occupation. -- George Bernard Shaw
Thanks, Mark
Vivienne