Thanks very much, in advance, for any recommendations.
Eric
Glenn
Eric Karten <926mc...@attglobal.net> wrote in message
news:39128...@news1.prserv.net...
For a modern jazz vocal LP, I recommend Andy Bey's "Shades of Bey".
Also, I you can find a copy of Jimmy Scott's "The Source", it has an amazing
rendtion of "Day by Day" if you like tenor jazz- r&b singing.
Cheers
Other than that, there is this nice debut album by singer Tricia Tahara (Secrets, on the Savant Label), on which she's backed by the Wallace Roney Quintet, i.e.: Wallace on trumpet, brother Antoine Roney on saxes, wife Geri Allen on piano or keybords, Buster Williams on bass and Lenny White on drums. And of course, any album by Dianne Reeves is well worth hearing but my preferences go to I Remember (1990; featuring the piano work of Billy Childs and Greg Osby on alto sax) and That Day (1998) both on the Blue Note label. Same goes for the recordings of the celestial Cassandra Wilson, whose last three albums (Blue Light 'Till Dawn, New Moon Daughter and Travelin' Miles, all on Blue Note) are must-have for any lover of vocal jazz.
Stanley Péan
Irene Kral with Alan Broadbent (p.)
Where is Love.
Gentle Rain.
Kral Space.. (with trio.)
But Johnny Hartman with John Coltrane is a hard act to follow.
--
Norton Shawn
. .. .. .. ..
I'll look up the numbers if you're interested and someone else doesn't
beat me to it, though I'm not sure all of them are still available at
the moment.
--
Damon Short
damon...@compuserve.com
www.damonshort.com
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I had a love affair with You Are So Beautiful when it comes up, very
briefly, in a Woody Allen Movie (Hanna and Her Sisters). At the end of
a domestic fight, Lloyd Nolan (as Hanna's dad) says glumly, "remember
this one" and plays about 8 bars of You Are So Beautiful. After the
movie I went and played it for about eight days. What a great tune.
--
The storm starts when the drops start dropping. When the drops stop dropping
the storm starts stopping.
I once heard Jimmy Rowles playing solo piano in the bar at the
Hyatt Hotel on Sunset in LA. Somewhere around midnight, I looked
back and saw Sarah Vaughan sitting at the bar. She came up
and sang You Are Too Beautiful. I was already happy about hearing
Jimmy without having to pay a cover charge (serious money to me
back then), and then to hear Sarah sit in--what a night.
You are too beautiful for one man alone, so let's get a gang together,
or however it goes.
I have one where she is backed by Lee Konitz and pianist Franco D'Andrea. And
I've heard some of another (one my "to buy" list) where she is backed by Mal
Waldron and Enrico Rava.
While there are times that her sound makes it apparent that English isn't her
first language, there is also so charm in that as well.
Coleman is a sultry baritone crooner in Hartman's mode (or should we say the
Hartman is in Coleman's mode). The small group arrnagements on this are
impeccable, with a tight Hank Jones-led rhythm section, and there are dynamic,
modern jazz horn solos from Art Farmer and Gigi Gryce.
Sid
In article <20000507223510...@nso-fi.aol.com>,
-------------------------------------------------------------> Nou
====
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