My name is Jamie Propp. I am one of the producers of SUBPLAY - Subway
musicians of New York.
Having spent two years meeting musicians and producing this record, I met
some of the most amazing people and heard some incredible stories.
As far as jazz musicians go, there are some pretty heavy cats playing
underground. I think that it is a testament to urgency of these people's
music that they play in the subways day after day. Not to mention, with
the large number of wonderful jazz players in the city, these people get
to play more in public this way than if they were to rely on clubs for
gigs.
Some of the people I met and recorded in this two year period were:
Bruce Edwards, an incredible jazz guitarist who played in the Sun Ra
Arkestra for a while. He plays wonderful chord melodies, and although he
has a traditional approach to the instrument, he definitley has a style
all his own. On Subplay he recorded an original Samba called "Knobby,"
for which he assembled a whole group of subterranean players in addition
to one studio player - Phoenix Riveria - Son of Mario Rivera of Tito
Puente fame.
Sayyd is another "famous" subway musician. He played for a number of
years in the Dizzy Gillespie Quintet and is still a member of the Duke
Ellington Orchestra. He was a professor of Jazz at the University of
Mentreal for 10 years and was the proprietor of Cafe Mojo in the same
city. He is a wealth f knowledge in life and in music and is the kind of
person you always want to be around.
On Subplay, Sayyd recorded an original tune called "tan-hat-man of
Man-hat-tan" with the group subway group Didjworks. Sayyd pointed out
that this was the coming together of one of the world's oldest instruments
- the Didjeridoo - and one of the world's newest acoustic instruments -
saxophone.
As a producer having heard both these groups play separately in the
subway, I knew that the sound of them playing together would be magical,
and the result truly was.
Enough of my rambling.
This topic is one of my passions, so feel free to ask me any questions and
I'll try to answer them for you.
-Jamie
--
As Is Enterainment
Producers of SUBPLAY : NYC Subway Musicians
Recordings from the Subway & Studio
call toll free 1-888-AS IS ENT to order (274-7368)
I spotted him last week in the Broadway local at 8th st.
I've also seen him at the 1 & 9 at Christopher St.
* * .. * ... .* D a v i d B e a r d s l e y
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not a store, but an independent label.
On 23 Aug 1996 10:41:38 -0400 DMB5561719 wrote:
> >In article <4vg9bu$h...@newsbf02.news.aol.com>, JohnHassel writes:
> >
> >>On a recent trip to the city, I heard a
> >>great singer that played washtub bass. It was really amazing - the guy
> >>had incredible time and feeling and even the washtub bass had an
> >>
> >>incredible sound - it really surprised me
> >
> >neato says:
> >yeah i know the guy...used to play alot on the spring street n/r uptown
> >platform...can't remember his name unfortunately... but he played some
> cafe
> >gigs in the west village and appeared on some mtv award filmed
> >outros...used to spend his winters in florida( a real street musician,
> >unfortunately)...great jazzy singer, who plays the broom handle of his
> wash
> >tub like it had four strings...and he's always right on in tune!
> masterful
> >and a really nice guy too boot...havent seen him around lately...
> >cheers
> I spotted him last week in the Broadway local at 8th st.
> I've also seen him at the 1 & 9 at Christopher St.
--
Joe Morris, SysAdmin and Not Insane
"Honey, they're in *everybody's* eggs" --firesigns
>According to a friend of mine in Brooklyn, this guy's name
>is Jay Bailey and he's very cool. I saw a publicity photo
>of him posed by the washtup bass wearing a tux! Dig it
Seeing this post that refers to a "washtub bass" reminded me of an
incident from about 30 years ago. I visited an old friend in Florida
who was a self-taught musician and singer. He told me about a new
instrument he was using in the small group he played with, and then
hauled it out for me to look at. He happened to own a woodworking shop
too and he had drawn up plans for, and made, a one string bass. The
one string was attached to cam lever at the top of the neck and he
changed the notes by moving the lever up or down, which varied the
tension on the one string and produced the desired note.
I was skeptical but he put on an LP and played right along with it...
the bass tone was unbelievable and he was very good on it. As he said,
the only thing that created a problem was that he could not play a
succession of really fast notes as he could not activate the lever
fast enough to give the same effect as fingering four strings and
using more than one finger to pluck.
I wonder if anyone else has ever seen or heard of such an instrument?
--
Loudon Briggs (lar...@indirect.com Phoenix, Arizona, USA)