E.J. Kenward
I have no real information, but might I add another question? In reading
Gene Lees intro to Bill Evans Fantasy box set, it seemed like he didn't
like LaFaro and maybe others didn't much like him either. What was he
like? Was he aloof?
Just interested.
Andy
>I have no real information, but might I add another question? In reading
>Gene Lees intro to Bill Evans Fantasy box set, it seemed like he didn't
>like LaFaro and maybe others didn't much like him either. What was he
>like? Was he aloof?
>Just interested.
Well, I've read Charlie Haden describe LaFaro as his "best friend in
life," and Haden is one of the world's nicest guys. So LaFaro couldn't have
been jerk, I would guess.
Matt Snyder "The musician whose chief concern is to make
hsn...@crab.rutgers.edu every performance better than the last may
so fail to participate and delight in his
own music that he will impress his audience
only with the anxious rigor of his technique."
- Alan Watts
Scott La Faro was born in Newark NJ on April 4, 1936 and lived for
twenty-five years. He died in a car crash near Geneva NY, after a visit
to his mother's home, on July 7, 1961.
La Faro de-emphasized the bass player's detested "timekeeper" role, and
developed a free and melodic style that amazed Ray Brown at the time. He
worked in California in the mid-50s with Rumsey, Kessel, etc. By 1959, he
worked primarily from NYC.
-- from Feather's Encyclopedia of Jazz in the 60s.