So you're saying Lester Young had a "whiny and self-pitying sound"?
Liars, wife-beaters, alcoholics and bastards can feel tenderness, too.
- Tom Storer
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Was it Zoot Sims who was supposed to have said 'Stan Getz - nice bunch of
guys' ?
:>I've noticed that all the biographies of Getz treat him as a lying,
:>wife-beating alcoholic who took great pleasure in mistreating all his fellow
:>musicians. I guess all those tender ballads he played were as phony as that
:>whiny and self-pitying sound that he stole from Lester Young.
Tim -
Gee, Stan Getz may have been a creep, I don't know. But to dismiss his music
as a cheap rip off of Lester simply won't work. Focus, the bossa nova stuff,
I saw him a few times and the sound was great. As was Lester's, and a whole
bunch of other folks.
Seems to me that musicians are a lot like writers -- you read the book for
the words, or listen to the music for the sound. Who knows (or particularly
cares) about their personal life except for People magazine?
Tony Butka
This will continue to be done by people who know how to misinterpret a
snippet of information but haven't figured out to listen yet.
jack
YES
So there would appear to have been some very real tenderness in Stan. Odd that
in all your extensive reading - "all the biographies of Getz " - you missed
it.
Simon Weil
I would agree that Getz plays with a slightly querulous tone, but
I don't hear that at all in Lester. In that particular aspect of
tone, I think Getz has more in common with Miles than anyone else.
BOBVL
From: simo...@aol.com (Simon Weil)
>Date: Fri, Nov 28, 1997 10:57 EST
>Message-id: <19971128155...@ladder02.news.aol.com>
>
>Timrobkev wrote:
>>
>>I've noticed that all the biographies of Getz treat him as a lying,
>>wife-beating alcoholic who took great pleasure in mistreating all his fellow
>>musicians. I guess all those tender ballads he played were as phony as that
>>whiny and self-pitying sound that he stole from Lester Young.
>>
FROM
Maybe I'm wrong, but I think ol' Timrobkev was being sarcastic... I
believe he was scorning the biographies for ignoring the tenderness of
which the ballads are evidence. I think if he had concluded his message
with an unbelieving "Yeah, right!" it would have made his attitude more
clear. Then again, I could be wrong. Only Timrobkev himself can elucidate
the mysteries of his prose.
I thought your thing on Wynton Marsalis's lyrics (from a few months ago) was on
the mark - so maybe you're right about this as well. It makes sense...Ah those
inscrutable mysteries.
Simon Weil
-JC Martin
JC Martin
subs...@earthlink.net
TimRobKev <timr...@aol.com> wrote in article
<19971127054...@ladder01.news.aol.com>...
Chuck
>
> We can all discuss this with Stan at a later date.
>
> Chuck
A classic!
What a foolish thing to say!
Sorry old man, nothing personal but I doubt there is anything phony in
the emotion he took to the music. It was probalby real, if confused,
regret for the other half of his life that he was not so proud of.
It never struck me as bathos, although as analytical and cold as jazz
_can_ sound these days, I can see how it might sound that way in
comparisson.
John Barr
I would be more likely to draw a correlation between a good accompaniest
(for example Kenny Barron or Herbie Hancock or - in his best moments
Keith Jarrett backing Gary Peacock) and a good conversationalist - than
I would draw the same correlation for a good soloist. Comping well means
supporting and adapting to the directions of others while still maintaining
a personality. One of my favorite quotes related to Miles talking to
Keith Jarrett after Jarrett had won an McArthur genius award. Miles
said something like "So, what's it feel to be a genius?". Jarrett replied
"Oh, about the same as before."
It's a common perception that pretty sounds = pretty outlook. I think
pretty sounds = pretty sounds and that is it.
Larry
In article <01bcfd4f$6d710b60$4ef3d9cf@researcher-1>, "John Martin" <sobs...@earthlink.net> writes:
<:>How one conducts his personal affairs does not necessarily affect how one
<:>expresses himself through aesthetics or art. And how one acts in life
<:>isn't always a measure of what a person is striving to be. For many
<:>artists it is easier to communicate through art than it is for them to
<:>communicate in social situations. That doesn't excuse Getz's behavior but
<:>it certainly does not demean his art.
<:>
<:>JC Martin
<:>subs...@earthlink.net
<:>
<:>
<:>TimRobKev <timr...@aol.com> wrote in article
<:><19971127054...@ladder01.news.aol.com>...
<:>> I've noticed that all the biographies of Getz treat him as a lying,
<:>> wife-beating alcoholic who took great pleasure in mistreating all his
<:>fellow
<:>> musicians. I guess all those tender ballads he played were as phony as
<:>that
<:>> whiny and self-pitying sound that he stole from Lester Young.
<:>>
--
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
*Larry Lewicki | National Semiconductor |Opinions are mine and in *NO* |
*l...@galaxy.nsc.com | Santa Clara, CA |way represent National Semi. |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This one is going to get printed out and stuck on my wall.
Simon Weil
Yes, and as is obvious from the popularity of these "negative personal
thing" postings, a controversial and even abusive personality generates
interest and sells. Pretty sad. Looks like we are all victims to that
draw here....... Don't even mention O.J.......or Wynton......
John R.
More flame bait from the AOL HOLE. Figures. GRP should do their
website through AOL.
What can you say to that? The guy abuses he twice - Out of nowhere. I can't
say I feel I deserve this. In particular, I get accused of posting flame-bait -
not something that rings any bells with me.
I don't know why he does this, but I can say that the example he chooses was
actually written by someone else (Timrobkev).
I would ask for an apology, but with that sort of antagonism, what's the point?
Simon Weil