So, I checked them out on a Google search and found their drummer was
a guy named Floyd Sneed who had a reputation of sounding like two
drummers through his technique of ghost beats. Not a musician myself,
so I do not know what a ghost beat is, guess if I listen to Sneed, I
should be able to figure out a ghost bet, but he sounds like two
drummers playing at the same time. Pretty cool sound to me.
Frank
Very good drummer indeed.
Tommy Chong's former brother-in-law.
Floyd Sneed is a GREAT drummer, IMO. Great sound, super funky. The
whole Three Dog Night band was an excellent rock band in the early
days. I own or have owned their first few records, and always admired
the band even more than the singers.
Maybe a fat-one helped his drumming.
I wonder if they got their name from "A hard day's night"?
How bout "Three Cat night"? No, dog sounds better. :-)
>
> Frank
Jeff
>On Nov 7, 7:40�pm, Frank from Deeeetroit <dadurwe...@voyager.net>
>wrote:
>> They just played "Shambala" by Three Dog Night on the local oldies
>> radio. �Haven't heard much Three Dog Night on the radio despite their
>> popularity in the early 70's. �
>
>I wonder if they got their name from "A hard day's night"?
The now-famous name came from a story about Australian aborigines who,
on cold nights in the outback, sleep with their dogs for warmth. The
coldest evenings are known as "three dog nights".
http://www.threedognight.com/band.html
--
mad
Wait a minute - didn't Bernard "Pretty" Purdie claim to have secretly
overdubbed drums on Shambala?
Darn, the famous Beatle dubber, Bernard Purdy, he musta dubbed the
Three Dog Night stuff.
Thanks for the explanation.
Jeff
I heard a story about the Eskimos, that on coldest nights they would
sleep
with the sled-dogs, hence the term "Three Dog Night".
Great band and vocals.
>
> http://www.threedognight.com/band.html
>
> --
> mad
> Great band and vocals.
AND they used the Leslie w acoustic piano and electric guitar...
Leslie West wasn't that good. :-)
Jeff
A ghost beat is a lighter tap on a drum that's barely audible, they
tend to make the drum lines seem a little thicker and more
sophisticated. It might sound kind of like an echo.
Mountain was (is) a good band.
They still touring?
I like the best of Mountain...that's it. If they're still touring it
would
surprise me. One or two of their band members died.
> I like the best of Mountain...that's it. If they're still touring it
> would surprise me. One or two of their band members died.
One. One member of the band died.
They are still touring.
Old men in their 60's.
Which one of them died? Wasn't it the bass player?
> Which one of them died? Wasn't it the bass player?
Yes - it was Felix Pappalardi, the bass player and singer. Shot dead by
his wife in the early '80s.
The group that tours as "Mountain" now is Leslie West, drummer Corky
Laing, and a replaceable bassist. Leslie is in poor health - diabetes,
and he had bladder cancer. They still sound good, so I hear.
Thanx for the info.
Frank
I still remember Leslie, in the early 70's bragging that he was
better than Clapton, but I don't know if any quotes are
available. I might have just heard it from a friend.
I saw them live, twic in the mid-90's, both at free summer outdoor
shows one at the beach the other at a park, they sounded absolutey
fantastic, really entertaining performance,so many classic tunes, the
musicians seemed to be as much a part of the group as the three front
"dogs," and they really exuded that great old time hippy vibe (it
wasn't like they used faceless young musicians to back them up, these
guys were the real thing!). I remember just thinking how weird it was
to see these guys who were I think probably the most successful
touring band in the U.S. in the early 70's band heyday, I mean they
were huge, and you'd be very hard-pressed to think of a group with
more hits (and unlike many, almost all of their hits live on on oldies
radio, it hasn't been whttled down to just one or two that you still
hear) and here they are playing for free on a Sunday afternoon (I
mean, free to us, obviously I'm sure they got paid well but still)
richforman
> I still remember Leslie, in the early 70's bragging that he was
> better than Clapton, but I don't know if any quotes are
> available. I might have just heard it from a friend.
I guess Leslie can be cocky, but I've heard him heap praise on Clapton,
and crediting him with being his main influence. And it's true that
Mountain was almost a copy of Cream, even using the same producer
(Mountain's own bassist Pappalardi), and them recording one of Jack
Bruce's songs, "Theme from an Imaginary Western", and Pappalardi
playing like Jack Bruce and singing like Eric Clapton. And then, to
make the connection even more explicit, after Mountain broke up Leslie
West's next group was West, Bruce, and Laing, with Cream's former
bassist.
So, I never heard West claim to be better than Clapton, but it's very
obvious that he tried to play like him. I can hear some strong
resemblance, especially his melodic lines and vibrato. Leslie had his
own unique sound, but it was obviously modeled on Clapton's thick tone.
I love both of those guys, and they're two of MY own main early
influences.
You ask a pretty good question. I sure wasn't taken by them. But I did
like "One" which, I think, was there first big hit.
Jeremiah was a Bullfrog sure didn't hurt their reputation with a lot
of folks.
And "Mama Told Me Not to Come" was in the realm of the hipster wiseguy
also.
Neilson, Axton and Newman. They did have a good A&R guy.
A lot of interesting info I didn't know. Thanks. I always got stuck
playing "Mississippi Queen." I hate that song. :-(
> A lot of interesting info I didn't know. Thanks. I always got
> stuck playing "Mississippi Queen." I hate that song. :-(
I've heard "Mississippi Queen" thousands of times, but it's one of
those songs that I never get tired of. The album that it came from,
"Climbing" is great all the way through. Even if you're sick of MQ,
it's only, like, 2 1/2 minutes long, and worth it to get to the other
songs. One of my favorite hard rock albums of all time.
Listen to "Nantucket Sleigh-Ride".
On a seperate note,
Paul Williams wrote alot of songs for Three Dog Night.
The guy who wrote "Shambala" also wrote the song "My Maria" that was
popular in the early 70's and I I believe "Brooks and Dunn" covered
"My Maria" a few years ago.
Written by Paul Williams...the 1970s generated more improbable
celebrities than any decade prior to this one. He was a staple of the
talk-show circuit. No need to ID the writer of "Mama," I guess...the
Three Dog Night version must be a straight imitation of the demo...
> For a time during my more naive days, I thought "Joy to the World" was a
> modern adaptation of some old religious hymn. Heh.
That song was ubiquitous in its day... still can't sit through it 30-
some-odd years later.
> Someone mentioned "Shambala" -- I don't think I've heard that one too
> many times. I played a webclip, and the riff was familiar but I couldn't
> tell you where the melody goes.
Big radio hit during that era.
> I looked up the AllMusic review of "Three Dog Night: The Complete Hit
> Singles" (http://allmusic.com/cg/amg.dll?p=amg&sql=10:gjfrxqealdhe), and
> it included a couple of comments which went right along with what I
> wrote earlier:
>
> "They didn't write songs ‹ it is true ‹ but their genius was picking
> songs."
>
> "If you were just a casual fan, listening to Complete Hit Singles
> provides moment after moment of 'I didn't remember these guys did that
> song!' exclamations."
Funnily enough, my wife brought them up a few days ago and had the
same reaction when I reeled off about 20 of their songs...stuff like
"Pieces of April," 'The Show Must Go On" and "Eli's Coming." One of
those bands who topped the charts in their time but will likely be a
curiosity once those who lived through that era pass on.
The Arranger
> The guy who wrote "Shambala" also wrote the song "My Maria" that was
> popular in the early 70's and I I believe "Brooks and Dunn" covered
> "My Maria" a few years ago.
B.J. Stevenson...country guy. I was a kid listening to AM top-40 radio
in those days.
The Arranger
> I saw Mountain in 1970.
I never had the pleasure. But I did see West, Bruce, and Laing a couple
of years later. It was one of worst concerts I've ever seen. It was at
the Hollywood Palladium. No seats, standing only. The audience was
totally out of it wasted. The band was more than an hour late and the
audience was, but turns, getting angry and passing out. People puking
on the floor around me. The band was painfully loud, and seemed to me
mad at each other and stoned themselves to boot. I think I left before
it was over, which is something I almost never do - I'll usually stick
it out to the bitter end, in case things take a turn for the better. It
was obvious that that wasn't going to happen this time.
> I saw them live, twic in the mid-90's, both at free summer outdoor
> shows one at the beach the other at a park, they sounded absolutey
> fantastic, really entertaining performance,so many classic tunes,
> the musicians seemed to be as much a part of the group as the
> three front "dogs," and they really exuded that great old time
> hippy vibe (it wasn't like they used faceless young musicians to
> back them up, these guys were the real thing!). I remember just
> thinking how weird it was to see these guys who were I think
> probably the most successful touring band in the U.S. in the early
> 70's band heyday, I mean they were huge, and you'd be very
> hard-pressed to think of a group with more hits (and unlike many,
> almost all of their hits live on on oldies radio, it hasn't been
> whttled down to just one or two that you still hear) and here they
> are playing for free on a Sunday afternoon (I mean, free to us,
> obviously I'm sure they got paid well but still)
I'd see them live if I had the chance. I think there are only two of
the singers involved these days - they kicked the other one out because
of his drug problems.
They were huge at one time, and they had a good gimmick, having three
strong lead singers. They lost me when their choice of songs became too
obnoxiously poppy for me (read "Joy to the World"). Still, they made a
bunch of good records that I still enjoy when they come on the radio. I
think their version of "Easy to Be Hard" has one of the best vocal
performances ever - the whole record is great, arrangement,
performance, and recording quality.