Google Groups no longer supports new Usenet posts or subscriptions. Historical content remains viewable.
Dismiss
The Final Bell Remix
2 views
Skip to first unread message
Adelaida Frodge
Dec 8, 2023, 11:16:14 AM12/8/23
to
Head back to the 3rd District. Then go near the electrical wires to the left of the door to the 1st District and cast Thunder. This will activate the Gizmo shop in the 2nd District. Head there, defeat the Heartless, and head to the upper level and stand on all 3 switches. Talk to the clock and you will receive 2 Postcards. Take the exit to the left of the clock. Go up the ladder right next to the entrance, fight the Heartless, and ring the bell 3 times. Save, stock up on potions, and head to the 2nd District for a boss battle.
The training montage in "Rocky II" goes for a different tack, using "Going The Distance" and "The Final Bell" over scenes of the boxer training in the gym before returning to "Gonna Fly Now" for a repeat of the run through the city, this time followed by a flock of children, the chorus in the song now performed by children. "Rocky III" features scenes of Rocky and Apollo Creed training in the latter's LA gym as well as racing each other, scored by another new arrangement with more adult vocals, the montage climaxing with Rocky beating Creed on a California beach, replacing the run up the steps. "Rocky IV" features several montages, but the big training sequence is scored by two specific pieces: first a driving synth melody for the techno-wizardry of Ivan Drago's training and later the John Cafferty track "Hearts on Fire" for Rocky's final preparations, with the steps being replaced by a Siberian mountain. The score for the final conquest of the peak returns to DiCola's electronics with a short instrumental interpolation of "Gonna Fly Now," the composer understanding not even he can take away that moment from the series.
the final bell remix
Download Zip https://tlniurl.com/2wJbQf
However, even this was dropped for "Rocky V," with the track "Go For It (Heart and Fire)" over the training montage. Luckily "Rocky Balboa" restored balance, using the original "Gonna Fly Now" as an older and slower Rocky concentrates more on lifting weights and landing punches with the up-the-steps climax used for the hauling of an enormous barbell together with Rocky leading Punchy the dog to the top of the museum as snow falls around them.
Instead Göransson created a more sensitive melody for Adonis, much like Conti's original use of Rocky's theme, and then built that up until it was used, like Conti's, in full force for the training montage. In fact, during that sequence the theme includes gospel vocals ("Fighting hard, fighting strong") as Adonis reaches his own goal, echoing "Rocky" and its legacy but putting its on spin on the mythology, trying to create its own. It's only in the final fight, where Göransson has spent most of the time using the Adonis theme and low electronics, that the saga returns to its musical roots, not just as a final push but because this is about family and bloodlines. This is Rocky's fight as well, and from his friendship with Apollo, so it makes sense that when Adonis goes back for the final round, that Conti fanfare kicks in gloriously, followed by "Going The Distance." It's also Adonis echoing Rocky's original journey, the no-hoper against the champ.
It's the reminder that we're celebrating someone who went the distance, who did what they set out to do, to prove to themselves and everyone else that they could do it. And musically, there's only one theme that can underscore that. "I took that original Conti 'Rocky' number," Göransson said, "and slowed it down, made it grittier, more edgy. I put it in a minor chord. That was how the Final Fight musical cue played in the movie for months. Ryan and I agreed that I should go back, make the final cue big and brash, bring it back to the major key it was originally in and basically give the audience what they want. It makes sense when you have Rocky himself in the movie playing a huge role, to use some of the Rocky music. And frankly, it was for the better to use it when we did in the final fight. It doesn't feel like you're calling back or that you're in a different world. It's seamless."
Aoife O'Donovan shares the Olga Bell Remix of "B61," a track from her recently released and critically acclaimed album, Age of Apathy."I met Olga while we were both students at New England Conservatory in the early 2000s," says O'Donovan. "We have worked together a few times, most memorably the Colorado Music Festival in 2014, where we sang as a trio with My Brightest Diamond. I've always been taken with Olga's capacity for intense creativity, which is on full display here in this remix. I love her utterly unique take on this song."Added Olga Bell: "I've been in awe of Aoife and her music since we were in school together at NEC, nearly 20 (?!) years ago. Her brilliant vocals are at the helm of this remix, both in their untouched, original form, and also pitched down, introducing a compelling dimension of ambiguity and fluidity to the subject and pronouns of Aoife's lyrics."
Repeat this attack pattern, alternating between physical attacks and magic attacks, until you shatter the mechanical monstrosity into bits and pieces. Agrabah should finally be free from diabolical menaces!
In addition to the original nine-minute version, which is kind of a comedown track, is a remix by Underworld's Darren Emerson that is decidedly more of a dancefloor filler. Listen to both below.
Andy Bell released his first album under his own name last year and has three related remix EPs due out this year. Meanwhile, one of Ride's album's made our list of Creation Records' 21 Best Records.
FEAR FACTORY will release "Recoded", a collection of remixes of the songs from the band's latest album, "Aggression Continuum", on October 28 via Nuclear Blast. The first single from the effort will arrive on September 2.
"Recoded" will be FEAR FACTORY's first remix album since 1997's "Remanufacture" and it will coincide with the band's 32nd anniversary (FEAR FACTORY officially formed on October 30, 1990).
01. Adapt Or Die (intro narrative by Jake Stern, sound FX By Zardonic)
02. Hatred Will Prevail ("Monolith" remix by Rhys Fulber)
03. Disobey ("Disruptor" remix by Zardonic)
04. I Am The Nightrider ("Fuel Injected Suicide Machine" remix by Dualized/Zardonic)
05. Path To Salvation ("Purity" remix by Rhys Fulber)
06. Worthless ("End Of Line" remix by Zardonic)
07. Empires Fall ("Collapse" remix by Tyrant Of Death)
08. System Assassin ("Aggression Continuum" remix by Rhys Fulber)
09. Hypocrisy Of Faith ("Manufactured Hope" remix by Rob GEE)
10. This Is My Life ("Cognitive Dissonance" remix by Zardonic)
11. Recoded ("Recode" remix by Blush_Response)
Remix the Commons is a terrific collaborative multimedia project that works hard to document the commons movement and reach out to general public with stylish, intelligent productions. It was one of the partners at the Economics and the Commons Conference (ECC) in Berlin in May 2013. While the rest of the conference was swirling along, Alain Ambrosi, Frédérc Sultan and their associates spent three days in a makeshift studio filming dozens of interviews with participants at the conference. It was a kind of parallel conference within a conference. Now, finally, the fruits of that work are available online. And what a rich body of material it is!
eebf2c3492
The training montage in "Rocky II" goes for a different tack, using "Going The Distance" and "The Final Bell" over scenes of the boxer training in the gym before returning to "Gonna Fly Now" for a repeat of the run through the city, this time followed by a flock of children, the chorus in the song now performed by children. "Rocky III" features scenes of Rocky and Apollo Creed training in the latter's LA gym as well as racing each other, scored by another new arrangement with more adult vocals, the montage climaxing with Rocky beating Creed on a California beach, replacing the run up the steps. "Rocky IV" features several montages, but the big training sequence is scored by two specific pieces: first a driving synth melody for the techno-wizardry of Ivan Drago's training and later the John Cafferty track "Hearts on Fire" for Rocky's final preparations, with the steps being replaced by a Siberian mountain. The score for the final conquest of the peak returns to DiCola's electronics with a short instrumental interpolation of "Gonna Fly Now," the composer understanding not even he can take away that moment from the series.
the final bell remix
Download Zip https://tlniurl.com/2wJbQf
However, even this was dropped for "Rocky V," with the track "Go For It (Heart and Fire)" over the training montage. Luckily "Rocky Balboa" restored balance, using the original "Gonna Fly Now" as an older and slower Rocky concentrates more on lifting weights and landing punches with the up-the-steps climax used for the hauling of an enormous barbell together with Rocky leading Punchy the dog to the top of the museum as snow falls around them.
Instead Göransson created a more sensitive melody for Adonis, much like Conti's original use of Rocky's theme, and then built that up until it was used, like Conti's, in full force for the training montage. In fact, during that sequence the theme includes gospel vocals ("Fighting hard, fighting strong") as Adonis reaches his own goal, echoing "Rocky" and its legacy but putting its on spin on the mythology, trying to create its own. It's only in the final fight, where Göransson has spent most of the time using the Adonis theme and low electronics, that the saga returns to its musical roots, not just as a final push but because this is about family and bloodlines. This is Rocky's fight as well, and from his friendship with Apollo, so it makes sense that when Adonis goes back for the final round, that Conti fanfare kicks in gloriously, followed by "Going The Distance." It's also Adonis echoing Rocky's original journey, the no-hoper against the champ.
It's the reminder that we're celebrating someone who went the distance, who did what they set out to do, to prove to themselves and everyone else that they could do it. And musically, there's only one theme that can underscore that. "I took that original Conti 'Rocky' number," Göransson said, "and slowed it down, made it grittier, more edgy. I put it in a minor chord. That was how the Final Fight musical cue played in the movie for months. Ryan and I agreed that I should go back, make the final cue big and brash, bring it back to the major key it was originally in and basically give the audience what they want. It makes sense when you have Rocky himself in the movie playing a huge role, to use some of the Rocky music. And frankly, it was for the better to use it when we did in the final fight. It doesn't feel like you're calling back or that you're in a different world. It's seamless."
Aoife O'Donovan shares the Olga Bell Remix of "B61," a track from her recently released and critically acclaimed album, Age of Apathy."I met Olga while we were both students at New England Conservatory in the early 2000s," says O'Donovan. "We have worked together a few times, most memorably the Colorado Music Festival in 2014, where we sang as a trio with My Brightest Diamond. I've always been taken with Olga's capacity for intense creativity, which is on full display here in this remix. I love her utterly unique take on this song."Added Olga Bell: "I've been in awe of Aoife and her music since we were in school together at NEC, nearly 20 (?!) years ago. Her brilliant vocals are at the helm of this remix, both in their untouched, original form, and also pitched down, introducing a compelling dimension of ambiguity and fluidity to the subject and pronouns of Aoife's lyrics."
Repeat this attack pattern, alternating between physical attacks and magic attacks, until you shatter the mechanical monstrosity into bits and pieces. Agrabah should finally be free from diabolical menaces!
In addition to the original nine-minute version, which is kind of a comedown track, is a remix by Underworld's Darren Emerson that is decidedly more of a dancefloor filler. Listen to both below.
Andy Bell released his first album under his own name last year and has three related remix EPs due out this year. Meanwhile, one of Ride's album's made our list of Creation Records' 21 Best Records.
FEAR FACTORY will release "Recoded", a collection of remixes of the songs from the band's latest album, "Aggression Continuum", on October 28 via Nuclear Blast. The first single from the effort will arrive on September 2.
"Recoded" will be FEAR FACTORY's first remix album since 1997's "Remanufacture" and it will coincide with the band's 32nd anniversary (FEAR FACTORY officially formed on October 30, 1990).
01. Adapt Or Die (intro narrative by Jake Stern, sound FX By Zardonic)
02. Hatred Will Prevail ("Monolith" remix by Rhys Fulber)
03. Disobey ("Disruptor" remix by Zardonic)
04. I Am The Nightrider ("Fuel Injected Suicide Machine" remix by Dualized/Zardonic)
05. Path To Salvation ("Purity" remix by Rhys Fulber)
06. Worthless ("End Of Line" remix by Zardonic)
07. Empires Fall ("Collapse" remix by Tyrant Of Death)
08. System Assassin ("Aggression Continuum" remix by Rhys Fulber)
09. Hypocrisy Of Faith ("Manufactured Hope" remix by Rob GEE)
10. This Is My Life ("Cognitive Dissonance" remix by Zardonic)
11. Recoded ("Recode" remix by Blush_Response)
Remix the Commons is a terrific collaborative multimedia project that works hard to document the commons movement and reach out to general public with stylish, intelligent productions. It was one of the partners at the Economics and the Commons Conference (ECC) in Berlin in May 2013. While the rest of the conference was swirling along, Alain Ambrosi, Frédérc Sultan and their associates spent three days in a makeshift studio filming dozens of interviews with participants at the conference. It was a kind of parallel conference within a conference. Now, finally, the fruits of that work are available online. And what a rich body of material it is!
eebf2c3492
0 new messages