Larry Elmore.
Hands down. Without a shadow of a doubt, Elmore is one of the best artists
in the fantasy genre to begin with, but his work with Shadowrun is
phenomenal. Laubensteins portraiture is excellent, mind you - but a bit,
almost, caricaturish, whereas Elmore's work tells a story unto
itself. Every major piece of his that I've seen stands alone, but also
stands strong beside whatever story it's emphasizing. He has a great sense
of scale, excellent use of colour, and the imagery, while not "fantastic",
is real and believable. A storyteller with a paintbrush, that's Larry
Elmore.
I was fortunate enough to bump into him at Gen Con, signing posters and
lithos. Though I was mostly broke, I managed to scratch up a first-ed
cover poster and got him to sign it. Though it's only a cheap poster, it's
one of my prized artistic possessions.
Very nice work, I think. Even if everyone's too "tidy," by my
estimation.
I mean, look at the Alexander Salkind version of The Three Musketeers
(Michael York, Oliver Reed, Richard Chamberlain, and that other guy,
can't remember his name..Frank Finlay...and Faye Dunaway and Raquel
Welch. Christopher Lee and Charlton Heston).
In that version of Renaissance France, everyone is FILTHY, except
people who are royal or are "social climbers," like officers, and the
like.
Since, I'd say, most adventurers start as lower class (which is the
reason they're doing something hazardous to make money), they really
should be fairly dirty (hiking through wildernesses, hanging out in
slums and taverns with dirt floors [which medieval taverns had]), and
so on.
But, barring that quibble, I love the Ballanchine brothers. They're
real artists who happen to use fantasy as their primary subject. Of
course, there are others, but I just love these guys.
I like Elmore's style and technique, but I wouldn't describe him as a
storyteller. For example, on the first page of his Web gallery
(http://www.larryelmore.com/colorg01.htm), half of the paintings have
purely static poses, portraits of characters at rest. Even the more
dynamic paintings mostly show a scene about to start, rather than
showing the action in progress; while that creates some tension, it's
still weak as storytelling goes. I would personally say that story --
dynamism -- is one of Elmore's weaknesses. His strengths lie more in
characterization and technique.
--
Bradd W. Szonye
http://www.szonye.com/bradd
I'm pretty sure that you're thinking of the Hildebrandt Brothers, since
a) I don't recall any other brothers who were well known fantasy
illustrators, and b) that's who did the cover (and interior) art for
TSoS <g>. You might be mixing up the name with Ballantine, which was
the publisher. And that's not brothers, but (originally) husband and
wife (Ian and Betty, IIRC).
The Brothers Hildebrandt did a lot of 70's and 80's cover art, along
with annual Tolkien calendars. They also authored and illustrated a
book of fantasy (or possibly had ghostwritten) named Urshurak. It had
two nations of elves, some orc-like and troll-like things (forget the
names), hard-fighting, hard-partying dwarves, a nation of misanthropic
high-tech amazons, and (of course) a desperate war to save the world.
Probably had potential from an RPG perspective, but at the time (late
70's, when I was still in high-school), with all the illustrations, it
was just too expensive to own my own copy. Their website is at
<www.brothershildebrandt.com>.
--
Andy Luddy
Perform appendectomy to reply
aluddy....@adelphia.net
AlexD
"Sunday Udom" <sunday...@msn.com> wrote in message
news:BAY5-F812768F7EB...@phx.gbl...
Apart from the well-known American and English tyupes, I would like to
mention two Swedish artists that are quite popular:
Henrik Tamm
Håkan Ackegård
Couldn't find anything on him, google kept comming up with some actor.
> Håkan Ackegård
A little cartoonish for me, but saw a couple interesting things.
Actually reminds me of one of my favorites Erol Otis. My other being
David Trampier.
- Justisaur