I use a drill/driver to run the lags most of the way in, and then use a
socket wrench to snug them up. And I generally use some kind of lubricant,
like a little bit of liquid soap. When I back them out, I use a socket
wrench until they're lose, and then finish with the drill/driver.
If I have a problem, it's almost always backing them out. I'll get a few
turns with the wrench, and then the head just twists off. Then, I have to
drill relief holes around the shaft, chisel away some of the wood, and then
grip the shaft with a pair of vice grips and turn it out by hand. The last
bowl I turned was Ash, and two of the four lags broke off backing them out.
The size or depth of the pilot hole I drill doesn't seem to make much
difference, and I've had this problem on almost every kind of wood I've
turned: Maple, Ash, Walnut, Birch. Unless the blank is larger than about
12" in diameter, or is unusually heavy, I use 2" lags.
A friend of mine suggested using hardened lag screws, like #6 or #7. But
only one Mom and Pop hardware store in my area even knows what that means,
and they don't carry anything except the standard lags - whatever hardness
they are.
Does anyone know where I can find hardened lags?
To answer your question, you might try looking up 'fasteners' in the
phone book. Arch
Fortiter,
In most uses, lag-bolts make a one-way trip. Obviously yours are working well.
You can do several things to reduce their grip.
Not all lag bolts are equal. You might try using those with the shiny plating
rather than those with the rough dull gray coating. The bright plating is
smoother and gets less grip into the wood, making them easier to remove.
Use shorter screws.
Drill larger pilot holes. 1/32 smaller than the outside diameter of the thread
is plenty for our use in all but the softer woods. In other words, a 3/16" hole
for a 1/4" lag-bolt isn't large enopugh. It would be better to use a 7/32"
drill.
Drill the pilot hole to at least the same depth as the length of the screw.
There is always the problem of green wood drying and tightening around the
screw for a tighter grip. The solution: don't leave the screws in the wood for
long lengths of time. If you have to set the piece aside for a couple days,
loosen the screws; and remember to tighten them again when you put the piece
back on the lathe.
There is always a problem of oxidation of green wood that is in contact with
the plating on screw. This will show up as the wood around the screw turning
black. The oxidized wood will form a strong chemical bond with the screw,
making it harder to remove. Dragging the screw threads across a block of
beeswax several times, or rubbing them with some paste wax, before screwing
them into the wood will help to solve this problem.
Harder lag-bolts without doing anything else could make the problem worse.
Harder lag-bolts are not plated and you can have corrosion to contend with in
green wood. This can have the effect of making them harder to remove. Should
you go this route, make sure that they are waxed before screwing them into the
wood.
I use the hard screws for no other reason than they can be re-used for years
without rounding the hex head on the screw.
That's everything I know about using lag-bolts.
Russ Fairfield
Post Falls, Idaho
http://www.woodturnerruss.com/
Tim,
>I use a drill/driver to run the lags most of the way in, and then use a
>socket wrench to snug them up. And I generally use some kind of lubricant,
>like a little bit of liquid soap. When I back them out, I use a socket
>wrench until they're lose, and then finish with the drill/driver.
It sounds like you are turning gigantic bowls if you are using lag
screws to fasten them to the faceplate. But you mention using #6 or
#7 hardened lag screws. I have another suggestion. Rather than go to
a different lag, try some comparably-sized sheet-metal screws. They
are threaded all the way to the head, have a shallower pitch,
generally, than lag screws, and, IME, seem to grip better, in that
application, than a wood screw of the same size.
Try using some beeswax for a lube, too, rather than the wetter liquid
soap.
--
Chuck *#:^)
chaz3913(AT)yahoo(DOT)com
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Derek
Additionally, I think you may be better served by mounting your bowl between
centers before mounting the faceplate - that way you can true up the
top/bottom and adjust the center points to ensure that the wood's grain is
properly aligned. By proper alingment of the grain, I mean you should be
seeing a distinct H pattern in bowls that have the base to the bark side and
a bullseye pattern in bowls with the base to the pith side. By mounting
between centers, you can acheive a distinctive pattern that makes the bowl
that much more attractive.
These are just my opinions and should be taken in the spirit that they are
offered.
Ray
"Tim Schubach" <timothy....@lexisnexis.com> wrote in message
news:c7dahc$trp$1...@mailgate2.lexis-nexis.com...
mount the blank with a faceplate **** lag screws that break *** I
generally use some kind of lubricant, >like a little bit of liquid
soap. *** the head just twists off.
soap is the wrong thing to use as a lubricant. it's slippery going in,
but it reacts with the wood and with the metal, and the products of
that reaction are anything but slippery.
try paste wax.
--
********
Bill Pounds
http://www.billpounds.com
"Chuck" <chaz391...@yahoo.com> wrote in message
news:409a7b04...@news.capital.net...
"Tim Schubach" <timothy....@lexisnexis.com> wrote in message
news:c7dahc$trp$1...@mailgate2.lexis-nexis.com...
> Presumably, like a lot of you, when I turn a bowl from a part of a log, I
> first mount the blank with a faceplate on the will-be top, and then shape
> the outside and bottom before reverse mounting and finishing off the
inside.
> The problem I have is not in the technique, but in the fact that I get a
lot
> of lag screws that break when I try to remove the faceplate.
>
snip
- Ray
"Ray Sandusky" <rsan...@comcast.net> wrote in message
news:DeCdncNBxJR...@comcast.com...