On web sites, I can't figure out what is the fine thread.
How is thread sized, and what sizes are fine thread?
Thanks!
Yours,
Dora
40/2 is the most common linen thread size. That is the same thing as
40/2 sewing thread, commonly sold as upholstery, carpet, or buttonhole
thread. A basting thread.
60/2 is normal sewing machine thread.
80/2 and 100/2 is quite fine, used on batistes, lawns, and cambric
linen. Actually, the word "cambric" means "fine". Think handkerchief
weight.
The first number is the size (how fat or thin the round thread is), the
second number is the number of plies. All sewing thread (that I know
of) is two-ply.
In today's world, in a common fabric shop, you won't find these numbers,
anymore. If you pick up a spool of thread, it won't say 60/2, it will
say "all-purpose". That's because, since most people don't sew anymore,
few know what all these numbers mean. <big grin> But by looking at
these cotton and cotton-poly threads, it will give you an indication of
exactly what 40/2 and 60/2 means. :-)
Remember, not all threads are made equally. I have 80/2 that is very
weak and fuzzy, and I have 100/2 that is very strong.
It may take you awhile to find exactly what you need.
Dianne
-
-
-
;)
Alan Dicey
Another article worth reading is:
http://www.superiorthreads.com/education/education.php3?ID=18
Hope this helps,
Rebecca
I guess Sulky brand thread is supposed to be for thread literate people.
The store clerk who answered the phone said it is their brand of fine
thread. It is finer than ordinary thread, but not as fine as Coats & Clark
extra fine thread. It says, SULKY 40 942 1001, 250 yd/225m, GERMANY X.
(Should be enough thread for darning the altar linen, ja?) My guess would
be, 40 is the size thread - but by which system, and what does it mean?
Dora
"Dianne Lewandowski" <dia...@heritageshoppe.com> wrote in message
news:3EE08BA5...@heritageshoppe.com...
I guess Coats & Clark ordinary dual purpose thread is tex number 33 but tex
size 27, it matters which is actually the size of the thread, and "sulky
rayon #40" is tex number 26 and tex size 24, which I'm pretty sure isn't
actually a very fine thread. I think Coats & Clark extra fine dual
purpose thread is their light fabric thread - to judge from the fact that is
has the same Coats & Clark product number of ARticle 240, as their light
fabric thread. But this pamphlet doesn't give its size.
Dora
"NYC-FMS"
<nyc...@dont-send-me-any-spam-my-filter-will-delete-it-nyc.rr.com> wrote in
message news:DdbEa.104222$h42....@twister.nyc.rr.com...
That should sure be fine enough - assuming that my extra fine coats and
clark is really around tex 18!
Dora
But I bet you could help me with my other problem
how to make paper mache!
I swear the recipe my art teacher used - that I thought involved plaster of
paris - was nothing like what I've been able to find on the web.
I want to use it to make a small cave for a Christmas creche.
The one's I've been making are of corn starch and baking soda clay, works
fine for a year or so until they crack and fall apart.
Dora
"Alan Dicey" <"alan100"@a...@removethis.diceyhome.free-online.co.uk> wrote in
message news:a0aEa.35382$xd5.1...@stones.force9.net...
I just finished making 5 yams and 5 mangos for the school play! ROFL
The Blessed Fiddy, Patroness Saint of the Disorganized
LC in Sunny So Cal
Personality Development Specialist (Full-Time Mom!)
I got into some research for my book, and learned fast that there are
few industry standards. One weight of one type thread isn't the same as
that weight from another size thread. For instance, size 25 floss isn't
the same diameter as size 25 broder.
For darning and mending, from what I know, you will choose a thread that
matches the ground thread as closely as possible. Go finer rather than
larger if you can't get an exact match.
So, you can see if your ground thread approximates the diameter of
normal sewing thread, which is 60/2. Or maybe it's closer to carpet or
"home deco" thread. Then talk to a linen thread dealer, tell her what
you're looking for, and they can probably get a close match. You may
need to get some samples. I know that Thread Needle Street will work
with you.
Dianne
Dora
"Dianne Lewandowski" <dia...@heritageshoppe.com> wrote in message
news:3EE20CFD...@heritageshoppe.com...
The "t" numbers on coats thread don't have anything to do with size. I have
a larger variety of coats thread ( serger cones, dual duty plus, 100%
cotton, rayon, button thread, jeans thread , quilt thread etc..) and the
numbers on them do not make any sense. I think it is just some kind of
internal code they use. Even the coats website is useless.
Rebecca
Here's what I remember making a volcano out of at junior (grade)
school...
half a bucket of wallpaper paste
a box of newspaper, shredded finely
Soak them together for several days, then attach one of those wallpaper
paste/ paint stirring things to the power drill and give it a good mix
up, so all the paper is very finely chopped and stirred in...
add a couple or three pounds in weight of plaster of paris, and give it
another good stir...
Make your model before it sets! Once set you can varnish with PVA glue
- not the washable kind, the permanent kind! If you want it coloured,
mix powder paint in with the glue...
--
Kate XXXXXX (Alan's still teaching wife!)
Lady Catherine, Wardrobe Mistress of the Chocolate Buttons
http://www.diceyhome.free-online.co.uk
Click on Kate's Pages and explore!
Have you tried a wheat flour paste and paper? Newspaper
is what we always used. A roll end (without printing)
would be ideal, but paint covers the print. IIRC we just
mixed some all purpose flour and water until we got the
goopy consistency we wanted. You can toss in some Elmer's
white school glue if you want. It's water soluble.
Soak strips of newsprint in a dish of paste, then layer
the paper until you get the form you want. For a cave,
you might want to build on an inverted mixing bowl that
you later remove to allow the creation to dry.
--
Joanne <mailto:stit...@singerlady.reno.nv.us>
http://members.tripod.com/~bernardschopen/
On the web, it says that these other ingredients would eventually mold?
How do you prevent this?
Incidentally, I used half a sherbet container to build my home playdough
cave. But no way to remove it after it dried.
Dora
"Joanne" <joa...@nospam.reno.nv.us> wrote in message
news:3EE2599B...@nospam.reno.nv.us...
Embroidery threads _are_ sized, and most of them are 40
wt. You can also get 50 wt, 60 wt, etc. I have a
machine that was built for 60wt, like Madeira Toledo, but
often use Cotonne, which is 50 wt, or Sylko, which is 40
wt. Sulky 40 wt reportedly shreds, although some people
like it.
I haven't had this problem if they're dried thoroughly and slowly, preferably
in the sun!.
Dianne
You're right! Cotton sewing thread (or cotton/poly) has
a shiny finish that stands out like a searchlight.
Madeira makes a cotton embroidery thread in various
weights marketed as Cotona and Tanne. They might be
easier to find at a local outlet.
People would do that by hand? Really? ;-) I just
remember how thrilled I was to learn free-motion
embroidery on a sewing machine. Then I got my little
Singer EU!
I was wrong about the threads above - Madeira makes Tanne
and Cotona, both cotton machine embroidery threads.
Cotona has a nice finish - which is to say, no finish -
it's not polished. It comes in various weights - I have
some 50 wt, but it also comes in 80 and some others, I
think.
I thought it was unavoidable.
Are you saying that embroidery floss, or some kinds of it, would not stand
out the same way?
Dora
"Joanne" <joa...@nospam.reno.nv.us> wrote in message
news:3EE277CE...@nospam.reno.nv.us...
Yours,
Dora
Dora
"Dianne Lewandowski" <dia...@heritageshoppe.com> wrote in message
news:3EE26F0...@heritageshoppe.com...
They still sell hand embroidery threads by the scadzillions - if usually
only two brands - in all the craft and sewing stores, too.
I don't know where on earth I'd find machinery thread.
Dora
> How is thread sized, and what sizes are fine thread?
I have a six-page thread chart that I haven't printed out
yet, so I don't know how comprehensive it is. (It's a PDF
file, and I'm really, really bad at reading paper files on
the screen.) I think I got it from the Snowgoose website or
maybe http://www.vansciverbobbinlace.com/2Threads.html
-- it doesn't say on the document itself; the only citation
is the author's name: Vibeke Ervø. But that's not a common
name, so Google might find it.
The people on the lace-makers' list are always complaining
about the coarseness and poor quality of linen threads, but
I followed a link from 18th Century Woman, a re-enactor's
mailing list, and found a woman who hand-spins linen sewing
thread. Unfortunately, I decided that I'd never sew
anything that fussy, and didn't bookmark the site.
Joy Beeson
--
http://home.earthlink.net/~joybeeson/ -- needlework
http://home.earthlink.net/~beeson_n3f/ -- Writers' Exchange
joy beeson at earthlink dot net
Yes, I merchandised crafts for a while, and got to fill
those little drawers with skeins of floss. You have to
look at the numbers to tell some of them apart. For hand
work, I tended to lean toward crewel, or counted
cross-stitch in very small pieces. Now, I let the machine
do it. Most stores carry some machine embroidery thread.
Hancock's carries Sulky here. There is also some Coats
& Clark rayon that comes on little spools. Shops that
sell the embroidery machines - TOL sewing machines with an
embroidery attachment - sell embroidery threads.
Any other brands?
And can you recommend a particular weight?
Thanks!
Dora
"Joanne" <joa...@nospam.reno.nv.us> wrote in message
news:3EE29CED...@nospam.reno.nv.us...
I've got a spool of that. In the "soft" white. #40. But it isn't as
fine as the extra fine coats and clark dual purpose thread.
Dora
"Joanne" <joa...@nospam.reno.nv.us> wrote in message
news:3EE29DDB...@nospam.reno.nv.us...
Is number 50, number 60, etc., the weight of the thread - or just the item
number for the different sizes of skeins?
Is it matte, or shiny? And is number 60 fine?
Yours,
Dora Smith
DMC
Cordonnet Special 40 (286 yds.) white, ecru
50 (286 yds.) white, ecru
60 (324 yds.) white, ecru
70 (361 yds.) white, ecru
80 (398 yds.) white, ecru
100 (472 yds.) white, ecru
> Oh, please. Not these threads on linen. :-) If you know what size
> thread you need, contact Lydias.com in Alabama. She has an heirloom
> sewing store and carries a lot of fine cotton threads. You don't want
> to mix darning/mending threads. Rayon will shine like a neon sign.
> Cotton-poly won't give you the same "give/take" needed for mending a
> fine linen cloth. Linen properties are so very different. It might be
> ok for a patch . . . maybe. But not for darning. I'd either use all
> cotton or all linen or a linen/cotton blend, if there is such a thing.
Definitely agree with you, Dianne. Sometimes when you use the poly-covered
cotton thread or poly thread on a natural textile, the "sharpness" of the
synthetic will wear thru the ground fabric. That's why most quilters
recommend using cotton thread for quilting on the nice cotton fabric. Also,
I believe Rainbow Gallery sells a linen thread. I'd expect that a LNS who
carries Rainbow Gallery thread would have it, or you can check their
web-site for ordering thru a shop. There's quite a bit of information about
their various threads, etc. on the site.
http://www.rainbowgallery.com/index.html
For a lot of my sewing I use Gutterman or Mettler threads - both of which
show their sizes on the spools. They each make a very fine weight in cotton,
and I have some 80 weight (I think) silk thread, which isn't too shiny. But,
you can look at their threads, the cottons come in a couple of different
weights - they're sold in the snap spools, if you only need a bit. I've seen
Mettler at a Hancock Fabrics here recently. However, personally I'm spoiled,
as G-Street Fabrics is only a few miles from my house, and they have
everything for the sewer. Their web-site is:
http://www.gstreetfabrics.com/
Worth a visit for the sewer. Classes are great - albeit pricey. I'm hoping
to teach some there next year.
Ellice in weather challenged Northern Virginia
Cotona and Tanne are tradenames used by Madeira for these
threads. You can find sources by googling. Frankly, it
sounds like a lot of trouble to go to for this project.
Let's get a little off-the-wall and consider hitting a
couple of thrift stores or yard sales, looking for old
linens in poor condition. I'd bet that you could pull
enough long threads out of some (long scarves or
tablecloths) to supply you for this article. On the
cheap. This might be easier and even more effective than
shopping for thread, and maybe ending up with a bunch for
which you have no use.
OK, lay a thread across the linen (with the grain) and
look at it from about 15' away. Can you see the thread?
If not, use it!
Yep - people actually do this stuff by hand. Some of us are just plain,
well . . . nuts. :-)
Dianne
2. You asked about thread weight. The higher the number (100) the
finer the thread. The lower the number (40) the fatter, thicker the thread.
3. No, embroidery flosses are not weighted the same way. But if a
single strand of embroidery floss is just the right size for your cloth,
then you can use that as a "gauge" to purchase what you need. Tell your
source (Internet), or take it with you to a shop. You're not going to
find what you need at a chain fabric store. Unless it has an
exceptional market.
Actually, embroidery threads might seem to be sold by the zillions, but
there's quite a bit of it that isn't even accessible in the U.S. :-)
And chain stores don't carry most of what IS accessible.
Dianne
Make sure it is REALLY dry and varnish it. Don't let it get wet again
either!
--
Kate XXXXXX
Lady Catherine, Wardrobe Mistress of the Chocolate Buttons
http://www.diceyhome.free-online.co.uk
Click on Kate's Pages and explore!
RAINBOW LINEN
This linen comes in a wide color range and is very strong. It is great for
all kinds of needlepoint, including pulled work. It can be used as you would
any other yarn. Some stitchers run this yarn over their fingernail to smooth
it, but be careful you do not dull the fiber.
(18-24 count canvas)
It doesn't sound very fine.
Dora
"Ellice" <Ell...@cox.net> wrote in message
news:BB08332D.5387%Ell...@cox.net...
But the dual duty extra fine thread is exactly the same size as the fibers
in that fabric.
Dora
"Joanne" <joa...@nospam.reno.nv.us> wrote in message
news:3EE2BBD6...@nospam.reno.nv.us...
How well have cotona and tanne held up for making lace and the kind of
sewing you do with it? Diane wrote that it isn't very strong - atleast the
#80.
Dora
"Joanne" <joa...@nospam.reno.nv.us> wrote in message
news:3EE29CED...@nospam.reno.nv.us...
I swear I thought we were discussing a particular brand and thread size. By
the time I finally pinned down the sizes of the thread I have, I lost track.
Sulky, #40, which has tex size 24. which is not real fine. This
corresponds to WEight 40, No. (#) [whatever that means] 75. XF-100, UK
120, Metric M-120, Cotton Count 46/2, needle size 70 or 9. Whatever all of
this means.
Mettler Cotton and Madeira Cotton, by contrast, have tex sizes 18 and 12.
That would be "weight" approximately 60 and 80; "No. (#)" 70 or 80;
Composition around 70/2 or > 80/2.
Coats Dual Duty poly/cotton is TEX size 27. That is about "Weight" 40,
"No. (#)" 75, US/ Canada 70/2, UK 120, Cotton Count 43/2.
Coats Dual Duty Extra Fine corresponds to the size of the piece of altar
linen I brought home - which is probably one of the coarser grained pieces
that are there. It is finer than the Sulky #40. Suppose it is Tex-18
or Tex-21?
It would have cotton count 60/2 or 80/3, "Weight" 60, Composition 70/2.
Were people suggesting that I use "Cotton Count" 80/2 or 100/2? Madeira
Cotton (one weight) has "Cotton Count" 80/2, which corresponds to the 80
figure.
Yours,
Dora
"Dora Smith" <vill...@austin.rr.com> wrote in message
news:2IGEa.119381$ui.75...@twister.austin.rr.com...
What I have is 50 wt, and it's plenty strong for my purposes.
I'm just a little confused.
By which sizing system is ordinary sewing thread 60/2, and fine sewing
thread 80/2 or 100/2? I haven't found it yet.
Also, I keep finding this standard specifically applied to linen thread.
Cotton and polyester thread allegedly have their own cotton count system,
which clearly is not the same system. The numbers don't agree.
How come people keep applying it to cotton thread?
Also, what system are madeira tanne and coty or whatyoumcall it 30, 50, and
80?
Yours,
Dora
"Dora Smith" <vill...@austin.rr.com> wrote in message
news:2IGEa.119381$ui.75...@twister.austin.rr.com...
True Confessions, FWIW:
Awright, I just mended--by hand--an airy piece of vintage linen lace.
The client insisted that I use a spool of her Mettler thread. She
wouldn't hear of a search for linen thread, just wanted the lace back
within her allotted life span, so I went with the game plan, much to my
dismay.
The Mettler thread blended invisibly, though I still felt I could
have re-built some of the missing lace parts if I had a bit heavier
linen thread. As it was, I pulled the 'unthreaded' edges together
gently, buttonholing where necessary to bridge gaps, tying thread ends
onto loose linen tails, and working them together as inconspicuously as
possible.
On plain weave cloth, when you can thread-match, you can do an
'invisible' mend, working lengths of thread into the cloth from well
outside of each hole. You re-built the warp, then work from the other
direction, weaving the weft into the base you've laid, trying to mimic
the weave of the original cloth, working weft to wight. There is no
'tying off', as the threads which are 'laid in' to the undamaged area
around the hole serve to stabilize the mending threads.
Invisible mends are tedious, and take some practice and time to get
right, never mind that they make you blind, so they should be reserved
for the finest of linen or suit repairs.
On everyday repairs which clients don't want to spend a fortune
salvaging, I work a machine darn with cotton-poly thread. Machine darns
will cover the hole with much more thread than fine hand-work, so I find
a lighter weight thread gives good coverage without making a bulky
repair. Depending upon the fabric, and end-use, I might use a tear-away
stabilizer, or self-fabric as a base. (Holes in blue jeans always get a
base of jeans fabric.)
That's my story, and I'm stickin' to it.
Cea
---
(Dianne Lewandowski)
Tanne 80 isn't very strong, and for hand pin stitching, doesn't hold up
well, nor for hand roll/whip. I understand heirloom machine sewers love
it. :-) It "might" work well for darning. Never tried it. There'd be no
stress on it.
Yep - people actually do this stuff by hand. Some of us are just plain,
well . . . nuts. :-)
Dianne
---
Joanne wrote:
People would do that by hand? Really? ;-) I just <snip>
> By which sizing system is ordinary sewing thread 60/2, and fine sewing
> thread 80/2 or 100/2? I haven't found it yet.
I've been wondering myself. Ordinary cotton sewing thread
is 50/3, fine 60/3, heavy-duty 40/3. But I don't tolerate
three-ply thread unless white thread just won't do AT ALL --
my six-ply thread comes only in white and off-white -- so
the implication that other folks routinely use two-ply
puzzles me a bit. I use two-ply thread only for basting;
I can see it for machine embroidery and machine darning, but
I don't do any of that. (I haven't machine darned since DH
gave up wearing cotton coveralls caving.)
I've been assuming that 60/2 is the linen system, which I
don't understand very well. My only spool of linen thread
-- a very poor one-ply -- isn't marked at all. (I suspect
it was originally intended for the weft in weaving.) Since
the staple in good linespun linen can be *feet* long, the
number of plies wouldn't be as important as with cotton
thread.
My favorite nylon thread -- long since unavailable -- was
neither plied nor spun; the filaments simply lay
side-by-side.
There is a book called Threads for Lace, which also includes embroidery
threads.
Not only do I make lace, but I have been doing my City & Guilds Machine
Embroidery. This book has been invaluable to me, especially if I need to
use different threads for for different textures. This book not only tells
you the Size spin but the Wraps/cms which is most important as.
If you go to
http://users.argonet.co.uk/users/paternoster/Threads/addendum.2.html
This will give you an idea of what I have been trying to say.
I have been amazed at the thread that I have been able to use, often filling
my spool with very thick threads, faceing
the right side of the material to the machine, reversing what you normally
do.
Hope I have been of help.
Jean
"Dora Smith" <vill...@austin.rr.com> wrote in message
news:ZGmEa.92550$%e.60...@twister.austin.rr.com...
> I wonder what Coats & Clark Dual Duty Plus Extra fine is? I don't see
any
> numbers anywhere - except for what looks like a tex number, which is the
> only kind of number I was able to figure out how to decipher. It has
"T6"
> on it. That seems finer than ordinary light-fabric thread, which would
> start at T18 or something. Store clerk insisted it was just a price
code!
> When I asked, OK, why would I want to pay more money for certain T
numbers,
> she said they were for different purposes - with the higher T numbers
being
> for quilting, etc. ????
>
> I guess Sulky brand thread is supposed to be for thread literate people.
> The store clerk who answered the phone said it is their brand of fine
> thread. It is finer than ordinary thread, but not as fine as Coats &
Clark
> extra fine thread. It says, SULKY 40 942 1001, 250 yd/225m, GERMANY X.
> (Should be enough thread for darning the altar linen, ja?) My guess
would
> be, 40 is the size thread - but by which system, and what does it mean?
>
> Dora
>
>
> "Dianne Lewandowski" <dia...@heritageshoppe.com> wrote in message
> news:3EE08BA5...@heritageshoppe.com...
> > For size comparisons:
> >
> > 40/2 is the most common linen thread size. That is the same thing as
> > 40/2 sewing thread, commonly sold as upholstery, carpet, or buttonhole
> > thread. A basting thread.
> >
> > 60/2 is normal sewing machine thread.
> >
> > 80/2 and 100/2 is quite fine, used on batistes, lawns, and cambric
> > linen. Actually, the word "cambric" means "fine". Think handkerchief
> > weight.
> >
> > The first number is the size (how fat or thin the round thread is), the
> > second number is the number of plies. All sewing thread (that I know
> > of) is two-ply.
> >
> > In today's world, in a common fabric shop, you won't find these numbers,
> > anymore. If you pick up a spool of thread, it won't say 60/2, it will
> > say "all-purpose". That's because, since most people don't sew anymore,
> > few know what all these numbers mean. <big grin> But by looking at
> > these cotton and cotton-poly threads, it will give you an indication of
> > exactly what 40/2 and 60/2 means. :-)
> >
> > Remember, not all threads are made equally. I have 80/2 that is very
> > weak and fuzzy, and I have 100/2 that is very strong.
> >
> > It may take you awhile to find exactly what you need.
> >
> > Dianne
> >
>
>
They have some other lacemaking pages you can access from their homepage
http://users.argonet.co.uk/users/paternoster/
--
Brenda Lewis Rhianno...@netscape.net
WIP: J. Himsworth "I Shall Not Want" xs
J & P Coats "Dancing Snoopy" latchhook