> Are
> there any alternatives to using pitch when I repousse or am I stuck with
> this nasty, noxious stuff?
Try setting it into a bed of hot-glue-gun glue. These come in little
tubes that the gun melts. I've only done very small repousse with
this method, but don't see why it wouldn't work on larger pieces.
I also set all my stones this way instead of in stonesetter's glue,
but watch out for heat buildup from your flex shaft which will release
the setting.
You're not using the nice pine rosin version instead of the
petroleum-product one? Try looking for pine rosin and mix up your own,
making a hard, medium and soft versions. Makes the whole studio smell of
pine :)
Brian
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www.adam.
co.nz/
work
sho
ps
Hi
It seems that Northwest pitch might be pine rosin:
-----------------------------------------------------------
from:
CHASING
Ancient Metalworking Technique with Modern Applications
ISBN 0-9644262-0-x
By Marcia Lewis
LarMar Publications
POBox 15298
Long Beach Ca 90815
ph/fx 001 310 498 0218
I discovered the 'NORTHWEST PITCHWORKS' and Anne Praczukowski. Anne
Praczukowski is an artist who uses chasing in her own art work. In the
1970's, her frustration with the pitch available in the U.8. was so great
it motivated her to experiment with making it herself. Beginning with the
universal recipe found in Herbert Marion's book (see bibliography), Anne
placed a five quart pot over a hot plate and, after four long years of
experimentation, came up with a Satisfactory batch of her own. This earlier
product was asphalt-base, but since 1980 she has discontinued its use. Her
formula is now made frona a 100% pine resin...
... Chaser's pitch can be purchased by the pound (plus shipping and
handling) from 'NORTHWEST PITCHWORKS', 5705 26th Ave. SeattJe, Washington
98105...
--------------------------------------------------------
from Oppi Untracht: 'Metal Techniques for Craftsmen', (p95):
6 parts pitch
4 parts plaster of paris
1 part vegetable oil
Melting it is hard, as it does not conduct heat to other parts of itself.
I've heard that putting the rosin in a recepticle in the oven for a long
time will slowly melt it ready to add the plaster and oil.
The Bowl:
I have a great idea for a pitch bowl I got from an Australian repousse
artist Marion Marshall [drawing available]. Get a woodworker to turn a
large block of wood into a hemisphere and make a shallow indent in the top.
Unless you doo deep shapes ypu don't really need the traditional
thin-walled iron bowl filled with pitch. They often say to put something
else other than pitch, like lead, in the bottom part anyway, using less
pitch to fill the cavity. This wooden bowl is a great modern version, and
is solid and heavy.
Brian
--
B r i a n A d a m
N E W Z E A L A N D