As Hals' style matured, he replaced the bright colours of
his earliest canvases with a more monochromatic treatment.
In his last group portrait, Regentesses of the Old Men's
Almshouse, he limited his palette to sombre shades of
black and grey, relying on broader and more vigorous
brushstrokes to accentuate light and tonal values. This
work is considered his masterpiece, because the style
lends a greater austerity and depth to the study.
http://w1.1429.telia.com/~u142900328/frame_HollandFransHalsLargeImage.htm
This painting is also shown small-size on my Frans Hals
page
http://w1.1429.telia.com/~u142900328/frame_HollandFransHals.htm
Mette
Tom,
You are right, and nobody could have said it better :) I sure wish
I had his talents for portrait painting ! But I don't, and comparing
my own portraits to his make mine look like children's drawings, or
at the very best, abstract expressionism ...
My own talents within painting lie elsewhere, but that's another
story that has nothing to do with philately ;)
Mette
Mette
Tom Loepp <lo...@mindspring.com> wrote in message
news:3DE159F2...@mindspring.com...
> Mette,
> Thank you for the compliment, talking passionately about Hals comes easy
for
> me. Now If I could come up with prose for stamps. Shakespeare probably had
> something to say about it. It sounds like your painting is all it should
be, an
> expression of yourself done with pleasure and with that you play second
fiddle
> to no one. Painting is an euphoric intoxicant that is rivaled only by the
> licking of a hinge and sliding a key issue into its rainbow of vibrant
color.
> oops... I dropped my tweezers into my fennec wine.
> tom
> Email: lo...@mindspring.com
> Website: http://loepp.home.mindspring.com/tom/
>