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[Blong Michel]

In 1978 Denis Hamill wrote the first draft of a script called Tom Boy. It was about a juvenile delinquent who rapes and murders a woman whose husband is a plastic surgeon. He's arrested and goes to prison, but the surgeon captures him and turns him into a woman. The character goes on to commit a series of murders. Walter Hill recalls, "I liked its audacity, and its potential to be ... this always sounds patronizing, but a kind of really terrific B movie. You know, the kind of movie that doesn't get much love when it comes out, but you love watching it on TV years later, much more than you do the 'big' movies of the day."[5]Hill optioned the script with his own money around ten years after he first read it. He tried to write a different version but could not get it to work. He put the project aside until he found a copy of the first draft fifteen years later. He believed he knew how to do it this time and re-optioned the script.[5]

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The transgender community was largely disappointed by the image of forced gender reassignment surgery and a boycott was created in response.[5][23][24] The director Walter Hill responded by stating, "I wouldn't make a movie that hurt transgender people. Some of them have had a tough time of it, and the last thing I want to do is make anyone's road harder. But look, I understand the concern. Is it lurid? Yes. Is it lowbrow? Well, maybe. Is it offensive? No. I'm just trying to honor the B movies that we grew up with."[5][25][26]

Ultimately, the Roots remake gets a lot of things right, providing four episodes of riveting entertainment. In particular, the brilliant third installment is in many ways better than anything in the original (it could stand apart as a movie on its own). Yet if this updating intrigued you, I encourage revisiting the 1977 version (coming out this week in a new Blu-ray edition). Though flawed, it more fully develops its characters, and because it relies less on adrenaline-pumping action sequences, more realistically depicts the tragedies and triumphs of the enslaved.

Below is a list of 10 movies from 2016 and forthcoming in 2017 that examine the apocalypse and post-apocalyptic world, be it through disease, disaster, or invasion. Many of them are teeming with zombies, and all of them explore how human morality would shift dramatically in the dead new world.

Most new desktop video magnifier models boast that they offer high-definition (HD) quality. This can refer to the resolution of either the camera or the display, but both elements must support HD for this feature to be beneficial to a viewer. HD itself is an elusive term. HD specs are expressed in several ways, and there is no hard and fast rule for what constitutes HD. You will most often see HD resolution expressed in terms of video mode, as in 720p, 1080p, or higher. Full HD usually translates to 1080p. There are multiple ultra-HD video modes, too, with even greater video resolution. Vendors often adopt terminology that differentiates their own HD products from the competition, or even from other models in their own lineup. Low Vision International (LVI), for example, sells its MagniLink Zip magnifiers with either a 720p (HD) or 1080p (full HD) camera. All HD modes put more pixels on screen than does standard definition, allowing the camera to capture a sharper image, and the monitor to display one, too. This comes in handy at high magnification levels, when text or small objects under your camera could otherwise look fuzzy. Crisp text is also very important when you use custom color modes to enhance the contrast of the screen image. We'll have more to say about color modes later.

The text-to-speech voice used by the Galaxy is the familiar Tom voice found in many screen reader packages. When I attempted to speed speech up past 100, I found that words were chopped off as I read product descriptions. I tried re-downloading the latest software update, and re-setting the unit to factory defaults, but I was unable to successfully speed up the speech rate. This isn't a deal breaker for me, as the default rate isn't terribly slow to my ear, but I would like to see this problem resolved.

The BrailleNote Touch comes with an onboard user guide in the form of a Web page that is easily navigated. In addition to the full user guide, context-sensitive help is available from anywhere you happen to be working. Finally, Mystic Access has provided a free and very comprehensive tutorial on using the BrailleNote Touch. It is possible for anyone interested in learning more about the tablet to download the tutorial free of charge either in DAISY or MP3 format. Anyone familiar with any of the other tutorials created by Mystic Access will appreciate the thorough, engaging style that is the hallmark of all of their tutorials.



But HD broadcasts of productions from these venues to movie theatres around the world are a way for people all around the world to see legendary works like La Bohéme, Hamlet, Everyman,Der Rosenkavalier, and more, performed by legendary performers such as Helen Mirren, Benedict Cumberbatch, Ralph Fiennes, Plácido Domingo, Vittorio Grigolo, and Renée Fleming. NT Live has been broadcasting shows from the National and other theaters in London to movie theaters since 2009, and The Met: Live in HD has been broadcasting operas since 2006.

The Royal Oak native is best known as the cocky zombie-dismemberer Ash Williams in the three original Evil Dead movies and the more recent Starz series Ash vs. Evil Dead, and as the washed-up military man Sam Axe on Burn Notice. But after hosting a charity game show for the military in 2015, Campbell was inspired to start pitching what he calls "a game show for geeks": Last Fan Standing. The comic con-themed streaming platform CONtv produced 10 episodes of the show, which may now be viewed online. Campbell is clearly in his element on the show, mercilessly razzing his contestants, handing out dollar bills from his own pocket to those who do well, and generally reveling in his role as an elder statesman -- or perhaps just a dorky old dad -- of nerd culture.

Campbell will appear at the Michigan Theater on Wednesday, August 30, to host Last Fan Standing and talk about his latest autobiographical book. We chatted with him about game shows, changing perceptions of B movies, and whether he really cares about reviews.

Each year we hear about how political the Oscars are, but this may have never been truer than in 1953 when High Noon scored big with critics and moviegoers the year before (and earned seven nominations), but also found itself in the crosshairs of the House Un-American Activities Committee.

Q: How did the concept of Brat Pack America come to you?
A: I had been wanting to do a book about '80s teen movies for a long time because I always saw them as a group, and not just because of John Hughes or because of the label Brat Pack that was unceremoniously given to this group of young actors. I had been an early teenager at that time and had recognized that there was a bumper crop of movies made about people my age and slightly older than me. I'm not the first person to come to that realization. The movies have been written about in one way or another several times, and several times admirably. I didn't quite see what I had to add to that story. So since that's usually where I begin most of my books -- having an idea off in the distance like the green light at the end of the dock -- I just sort of wander toward it and hope when I get there the path I've taken is clear, and I have something to report back once I get there.
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