The 6DT6 is a "dual control pentode," g3 being the 'second' control,
and is the current 'tube of choice' for what has become the defacto
'standard' BCB AM transmitter on
www.antiqueradios.com (Homebrew
Radios), because it is a 'dollar days' tube. That, and other
variations, trace back to Norm's 6888 transmitter. The 6888 and it's
loctal equivalent the 7ak7 are the most 'powerful' of the lot. The
7ak7 is also a 'dollar days' tube but being loctal seems to nix it's
popularity for some reason.
Prior to the 6DT6 the 6GY6 was the 'tube of choice' because it's
cheaper but allegedly produces almost the same output level as the
6888 did.
The 6GX6, 6HZ6, and 6AS6 are also dual control pentodes and the
compactron 6BV11 has two dual control pentodes in the one bottle.
The 'standard' configuration is a solid state brick oscillator
exciting G1 with audio, after a triode preamp, to G3. Norm's original
used an input transformer and the higher cathode bias needed was
enough to power the brick under the 6888.
Since there are only 2 readily available brick oscillators in the BCB
there are also tunable versions.
The current 'tunable' 6DT6 schematic is here
http://amradio.freeiz.com/transmitter/6bk76dt6.jpg
I think this is the 'original' 6888 thread (although in a previous
thread Norm is 'working on it')
http://antiqueradios.com/forums/viewtopic.php?t=63310
And the follow up when it was built
http://antiqueradios.com/forums/viewtopic.php?t=63526
Of course, there are dual control (when sharp cutoff) heptodes too.
Here's one using a 6AW8 as local osc, feeding the 6CS6, and RF final.
http://home.comcast.net/~suptjud/6CS66LQ8Transmitter.JPG
This is the 'standard' antiqueradios version, which is the same thing
as the dual control pentodes but using the 12CS6.
http://amradio.freeiz.com/12av612cs6rev2.jpg
And then there are 'twin pentodes', like the 6LE8, 6HS8, 6GS8,6BU8,
with common g1 and k that, when g3 and plate are tied together are
dual control pentodes.
Lots of g3 modulation.
Probably the most ingenious is this one
http://www.radiomuseum.org/forum/hi_fi_am_transmitter.html
He subtracts screen from plate to keep modulation wholly on the
'linear' portion of the G3 curve.
Another interesting transmitter is Bob Weaver's screen modulation with
carrier control and while that's not g3 modulation I mention it
because it's sort of a counterpoise to the above 'hi-fi' idea since
compression *is* distortion. But why go to all that linearization if
you're going to compress in the preamp?
http://www.antiqueradios.com/forums/viewtopic.php?f=12&t=170605
He also built one using a 6V6.