JM
When it works, it works.
--
Lyle Caldwell
Psionic Media, Inc.
"Javi Mawlin" <j...@memcore.com> wrote in message
news:cb9bcc0a.01090...@posting.google.com...
Many John Lennon recordings. He apparently had a favorite SM57 that was cracked.
Don
Trent Reznor (NIN) used a 57 for voc on "The fragile"--mostly "noisy"
/"screamy" songs.
Miles
Don't recall Michael ever using a 57. 414's and 47 FET's on the solo
albums I worked on.
Mark Linett
BTW many Beach Boys lead vocals were cut on a Shure 545
Supposdly Steven Tyler has recorded MOST of his stuff with a 57. In a
book I have, Jack Douglass tells of miking Tyler with a 57 (to hold
and focus on), while he aims a shotgun mic from several feet away to
get some of that condenser high-end. The two were combined to tape.
I've also read that Bjork favors a 57 for vocals, though I've also
seen this quoted as a 58, or a beta58.
Dave
IIRC...he actually used an SM7.
Matt O.
I believe I read the other day that many of Paul Rogers vocals were cut with
him in the control room, on a 57 with the monitors blaring. Let me go dig
up the article I was reading, hang on a sec....
Well, no luck. Someone hid the magazine from me. I think it was
"Musician".
Kendall
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Tim
TB
Javi Mawlin wrote:
--
- All tribal myths are true, for a given value of "true" -
This is interesting. I wonder how how this list might expand with the
inclusion of 58s, or perhaps Radio Shack HiBalls...
Well, I never drink them before a session. :-))
--Roger
Here I quote an interview to Robbie Adams, an engineer to U2's Achtung
Baby an Zooropa. It appeared on Sound On Sound on 3/94.
VOCALS: Bono's vocals were largely recorded with an SM58 and
compressed with a Summit compressor. Adams: "Instead of using the
Summit, what we did on several of the tracks on Achtung Baby was to
record his vocals on tape with Dolby SR and play it back without Dolby
SR. It tightens up the vocal sound and gives it more brightness and
presence. It makes his voice sit really nicely in the mix and easier
to balance."
Cheers, Andrés