Their one time distributor A&F Mckay Audio Limited is listed on
www.ukdata.com as in liquidation. Their web site has dissapeared.
Oktava themselves seem very much in business, and the Russian language site
oktava.tula.net lists several interesting new models I've not seen before:
the tube model MKL4000, and the MKL319A, which looks like a tube version of
the 319 condenser.
The best source of the mics here in Europe seems to be oktava-online who
only sell on ebay, but display authorized dealer credentials on their web
site, or the German mail order giant, Thomann. I recently bought a pair of
ML012s from Thomann (perfectly good quality) and noticed the were both
labeled ASM - formerly a sign they were sourced from McKay.
After a recent bid for an Oktava-online auction on Ebay I received a weird
legalese letter from Ebay about trade mark infringement in the UK. All very
interesting since I don't live there, I only bid on the mic, I didn't even
win it.
Anyone have the facts?
A
I had not heard this, but I would not be surprised if they had
litigated themselves into bankruptcy. They were definitely around
six months ago, though, but we've been having trouble getting information
out of them for a while.
>Oktava themselves seem very much in business, and the Russian language site
>oktava.tula.net lists several interesting new models I've not seen before:
>the tube model MKL4000, and the MKL319A, which looks like a tube version of
>the 319 condenser.
Yes. I have not tried the MKL4000, but the MKL319A still has all of the
319 resonance problems.
>The best source of the mics here in Europe seems to be oktava-online who
>only sell on ebay, but display authorized dealer credentials on their web
>site, or the German mail order giant, Thomann. I recently bought a pair of
>ML012s from Thomann (perfectly good quality) and noticed the were both
>labeled ASM - formerly a sign they were sourced from McKay.
I do not know oktava-online. I know that Vladimir, who used to post here
now and then, will ship mikes directly from Russia and seems to be a good
fellow.
In the US, the main vendor of the Oktava mikes was Guitar Center, which
was getting them from McKay. As far as I can tell, GC seemed to be getting
worse than normal production, so McKay may have been using them as a dumping
ground as well. In any event, GC went for about six months without any
new Oktava mikes and claimed a "factory shortage." They now have most of
the usual models back in stock, so I am assuming that they are now sourcing
them from some place other than McKay. All of this is just surmise.
>After a recent bid for an Oktava-online auction on Ebay I received a weird
>legalese letter from Ebay about trade mark infringement in the UK. All very
>interesting since I don't live there, I only bid on the mic, I didn't even
>win it.
Yes, probably because one of the suits that McKey brought against Ebay.
The guys at McKay like to threaten lawsuits all the time. They claim
exclusive use to the name in the UK, but they are unable to do so in the
US because other folks got there first. (The Sound Room even managed to
grab up oktava.com before they had a chance... and they threatened to sue
of course.)
--scott
>
>Anyone have the facts?
>
>A
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
>>Their one time distributor A&F Mckay Audio Limited is listed on
>>www.ukdata.com as in liquidation. Their web site has dissapeared.
>
> I had not heard this, but I would not be surprised if they had
> litigated themselves into bankruptcy. They were definitely around
> six months ago, though, but we've been having trouble getting information
> out of them for a while.
Hi Scott, here is the link:
http://www.ukdata.com/creditreports/viewCompanyDetails.do?companyId=03070756
But this gets stranger and stranger, I've been surfing since I posted and
found this story about fake Chinese Oktavas mk012s. Is this already well
known here? Maybe its old news.
http://debris.com/journal/1274
here is the link to the official Oktava web site fake warning
Well downer!
Looks like I'm going to be returning my pair of MK012s to the mail order
supplier in Germany as they look identical to the fakes on the Oktava site
and totally unlike the genuine photos. They also lack the 10db pad. I
thought they sounded a bit harsh in the upper mids, which I associate low
end Chinese made capsules.
My pair didn't come from Oktava online or Oktava USA who I'm now pretty
convinced are offical distributers. So much for my wisdom in buying from a
"name" company. Shame I found this out 4 days after the easy return period
expired.
> (The Sound Room even managed to
> grab up oktava.com before they had a chance... and they threatened to sue
> of course.)
Hmmm. Sounds like McKay were totally out of their depth. I like Oktavas, I
have a MKL2500 and a pair of modified ML52s. I think the manufacturer
deserves better than this.
Aiden
jake
is pretty interesting. I bought a pair (not matched) of MK012's from GC in
September 2001. They came in the gray plastic (Russian) boxes, each one has
all three capsules, plus the -10dB pad, neither has a TEF, both had the
cheap satin finish metal (Russian) mic clasp, Both are badged with Oktava
and A.S.M. and neither has a serial # so in this respect they are exactly
like the pictured Chinese mic, but both have the white screws like the
Russian mic, both have a silver sputtered contact dimple like the Russian
mic, both have a silver sputtered contact pin like the Russian mic and they
both sound extremely good. Since I only paid $100.00 each for them at the
time, I was pretty shocked. It appears that due to their age and other
characteristics, they may be Russian built with shells similar to the ones
represented as being Chinese knockoffs. I've never really had a problem with
their sonics, so considering what I paid and what I got for the $$$, I guess
it's a non-issue with me.
DJ
"Aiden Humphreys" <ahu...@yahoo.com> wrote in message
news:d5lbpv$mmu$00$1...@news.t-online.com...
> But this gets stranger and stranger, I've been surfing since I posted and
> found this story about fake Chinese Oktavas mk012s. Is this already well
> known here? Maybe its old news.
>
> http://debris.com/journal/1274
>
> here is the link to the official Oktava web site fake warning
>
> http://oktava.tula.net/fake/
>
> Well downer!
>
> Looks like I'm going to be returning my pair of MK012s to the mail order
> supplier in Germany as they look identical to the fakes on the Oktava site
> and totally unlike the genuine photos.
Would that be Thomanns? They sell Oktava with pictures matching the
"original", but are "new revised series". I'm interested in those
Oktavas. I sincerely doubt Thomanns would knowingly mislead its
customers.
So where is the real Oktava website? If you go to oktava.tula.net as you
suggest you end up in a german site (http://www.oktava-online.de/), not
a russian site. How do you know that this is the real Oktava site? How
do we know what site is the russian Oktava site? How does one get in
direct contact with the russian manufacturer without using their foreign
distributors?
It could also be that Oktava actually did revise their mics... How do we
know?
Lars
--
lars farm // http://www.farm.se
lars is also a mail-account on the server farm.se
aim: lars...@mac.com
> Would that be Thomanns? They sell Oktava with pictures matching the
> "original", but are "new revised series". I'm interested in those
> Oktavainfringementttely doubt Thomanns would knowingly mislead its
> customers.
I'd rather not mention the supplier until I phone them in the morning. I
think you can figure it out.
In any case my understanding of the allegations is not that retailers are
misleading their customers, but rather the official distributor started
delivering mics under the transliterated trade name Oktava, a trademark
which he owned. There mics were actually not manufactured by the Russian
OktaBa company by rather someone in China. How was the retailer to know the
source of manufacture if they came through the official distributor?
Similarly how are we to know if the distributor did something wrong? There
were plenty of complaints about QA. May be his contract allowed him to
offshore manufacture of parts of the mic in order to ensure quality.
> So where is the real Oktava website?
> If you go to oktava.tula.net as you
> suggest you end up in a german site (http://www.oktava-online.de/), not
> a russian site. How do you know that this is the real Oktava site?
Goto
and click on the Russian links. This was always the address of the Oktava
site AFAIK. I can't read much Russian but enough to figure out Novoste,
Produktua, Kontakt, Historea and so on. Looks pretty genuine to me.
> do we know what site is the russian Oktava site? How does one get in
> direct contact with the russian manufacturer without using their foreign
> distributors?
>
> It could also be that Oktava actually did revise their mics... How do we
> know?
Good point. Well, "Kohtaktbl" (Contact) leads to their email address and
phone number. You could ask them in English and see if they reply.
But to be honest, I believe them. A few weeks ago I saw the notice on their
site about breaking their relationship with Oktava Ltd (McKay I guess) due
to copyright infringment, and now they have a page on the site showing the
copies. My mikes are def. those cited as copies and they are branded with
the Oktava ASM marks indicating an origin of McKay Audio. Conclusive for
me.
Similarly Oktava USA have this on their site ( www.oktavausa.com )
>>We carry the complete line of genuine Oktava microphones. Don't be fooled
by the Chinese Manufactured Nock-Offs being passed off as "real" Oktava
Microphones by a large national music store chain!<<
How does it look to you? I would certainly like to hear Mr McKay's version
of events.
A
> the cheap satin finish metal (Russian) mic clasp, Both are badged with
> Oktava and A.S.M. and neither has a serial # so in this respect they are
> exactly like the pictured Chinese mic,
Does it say Oktava or OktaBa on the mic?
I'd be pretty confident you have the genuine article from your description
of the box etc. My Oktava mics are identical in every respect to the
Chinese "fakes" in the picture, down to the screws, rubber clasp, missing
pad and block polythene box.
A
> How does it look to you? I
... interesting ... that's how it looks to me! I looked at
oktava.tula.net english and russian (no I don't speak russian) and can't
find any link to the http://oktava.tula.net/fake/ page. It's clearly
there, but how was it found?
> would certainly like to hear Mr McKay's version of events.
I'm more interested in what Oktava themselfs have to say - that is the
russian manufacurer not any distributer or other that consider the name
theirs regardless of what rights they think they have or even have...
Eek! Just saw this and checked out my five.
2 of them (the first pair I bought) are marked Oktava MC-012 (ASM), and
have no serial number on them. They didn't come with any documents
(certainly not a plot!). But they did come with pads, and the proper
clip, and have silver screws etc..
So which is it? They seem to have properties of both the originals and
the 'fakes'!
Cheers,
Ben.
Mine are the same, and I bought them from GC some years ago so I'm pretty
confident that they are the real thing. They sound good, so I don't care
anyway.
Sean
DJ
"Aiden Humphreys" <ahu...@yahoo.com> wrote in message
news:d5lu7o$b9c$05$1...@news.t-online.com...
Lars Farm wrote:
> ... interesting ... that's how it looks to me! I looked at
> oktava.tula.net english and russian (no I don't speak russian) and can't
> find any link to the http://oktava.tula.net/fake/ page. It's clearly
> there, but how was it found?
The matched pair I purchased four years ago from, and
discussed considerably with, Taylor Johnson, owner of Sound
Room, are printed the same as the "fakes" shown at that
site, but have everything else like the "real deal" photos.
Bob
--
"Things should be described as simply as possible, but no
simpler."
A. Einstein
So maybe this 'fake' story is a crock of shit , and all the variations are
valid ?
geoff
Bob Cain wrote:
>
>
> Lars Farm wrote:
>
>> ... interesting ... that's how it looks to me! I looked at
>> oktava.tula.net english and russian (no I don't speak russian) and can't
>> find any link to the http://oktava.tula.net/fake/ page. It's clearly
>> there, but how was it found?
>
>
> The matched pair I purchased four years ago from, and discussed
> considerably with, Taylor Johnson, owner of Sound Room, are printed the
> same as the "fakes" shown at that site, but have everything else like
> the "real deal" photos.
Oops. They are also missing the stamped serial number.
> Lars Farm wrote:
>
> > doubt they would knowingly mislead its
> > customers.
>
> I'd rather not mention the supplier until I phone them in the morning. I
> think you can figure it out.
Well, I called them. I don't speak german and the person in the other
end does not speak swedish so it had to be in some kind of english with
all the potential for confusion that brings...
They have recently become aware of the situation. The MK012 they sell is
from "the english guys", "clearly marked as MKII" and "new and
revised"... He confirms that they are NOT manufactured in russia. They
are from China. The english firm claims the name Oktava is theirs so
i'ts all right... The russian manufacturer has recently made them aware
of the conflict. They are in contact with the Russian firm trying to
find a solution. We'll see what happens. As of right now they think they
are not missleading anyone...
I've tried to call the russian telefone numbers on their web site, but
got no reply (almost thankfully i don't speak russian either...:-). I
tried e-mail, no reply...
Anyway, I have confirmation that the MK012 sold there TODAY are indeed
chineese by way of the english Oktava-nameholder and have nothing to do
with the russian microphone manufacturer.
I asked them to make their advertising clearer on this point...
Thanks Lars, for investigating and clarifying matters. A lot of people
around here gravitate towards Thomann when it comes to purchase of the
equipment.
Predrag
> The link to :
>
> http://oktava.tula.net/fake
>
> is pretty interesting. I bought a pair (not matched) of MK012's from GC in
> September 2001. They came in the gray plastic (Russian) boxes, each one has
> all three capsules, plus the -10dB pad, neither has a TEF, both had the
> cheap satin finish metal (Russian) mic clasp, Both are badged with Oktava
> and A.S.M. and neither has a serial # so in this respect they are exactly
> like the pictured Chinese mic, but both have the white screws like the
> Russian mic, both have a silver sputtered contact dimple like the Russian
> mic, both have a silver sputtered contact pin like the Russian mic and they
> both sound extremely good.
This is going to get stranger and stranger. I got mine used, so I don't
know where they were from originally. I've had them for several years
now and are as described above, but in black boxes, of the russian
style. One clip was missing of the pair.
----== Posted via Newsfeeds.Com - Unlimited-Uncensored-Secure Usenet News==----
http://www.newsfeeds.com The #1 Newsgroup Service in the World! 120,000+ Newsgroups
----= East and West-Coast Server Farms - Total Privacy via Encryption =----
> Oops. They are also missing the stamped serial number.
Disposable microphones, not all that important.
The problem is that there have been a _lot_ of variations over the years.
So if there _are_ fakes, they may be hard to detect.
On the 219, there are at least four major PC board revisions, with individual
changes here and there within each one.
--scott
> I think that, if they need to be *asked* to not deceive the public,
Here it seems they were victims too. What matters most is how they
handle the situation from here on.
> Anyway, I have confirmation that the MK012 sold there TODAY are indeed
> chineese by way of the english Oktava-nameholder and have nothing to do
> with the russian microphone manufacturer.
I can back this up. I spoke with Thomann this morning and the story was the
same, the mics are from China and distributed through a British company ( I
guess they bought a consignment from A&F McKay as part of their stock
liquidation).
But the good news was they agreed to take mine back and refund me. I'm happy
with that solution and I think it does Thomann credit.
A
Out of curiosity, are these Chinese mics inferior, or is it that they're
made in China that makes them undesirable?
--
Bob
I can say that the Oktava guys know at least two things about consistent
tensioning of the diaphragm that none of the Chinese factories have shown
signs of knowing. Not that their production consistency seems much
better.
I would be VERY curious what this British company was, though.
The construction is incredibly goofy. It results in poor signal to noise
ratio, and consistency is a problem.
I took a sample apart and I just couldn't move for a few seconds. I was
shocked. Pure crap.
I've been told that there's a 797 Audio capsule that's better than what I've
seen - but I don't expect much.
The Oktava MK012 capsules are actually quite nice. Too bad the head amps
gave these mics such a bad reputation...
JP
"Bob Savage" <bsa...@blacoxbla.net> a écrit dans le message de
news:EyOfe.5143$Fa1.2474@fed1read02...
> The Oktava MK012 capsules are actually quite nice. Too bad the head amps
> gave these mics such a bad reputation...
I would assume you're speaking of the Russian built modules, not the so
called counterfeits?
I am *so* glad I found this thread. I ordered a couple of "MK012's" from
Guitar Center, since they're listed in the current sale ad. The ad has the
picture of the mic with the metal clip and specifies a -10db pad comes with
the mic. Well, when I showed up today to pick them up, the guy pulled out
two plastic mic carriers. We opened them up and just like indicated on the
site, a plastic clip, no pad, no documentation.
I'm curious about something. I've seen that these mics are referred to as
MK's *and* MC's, but are the MK's the only Russian made version? I really
want to get a pair of these mics, but I can't dish out the money I see them
going for on ebay and sound room.
There must be more to this story, right? It just seems strange that a Chinese
company would *independently* clone such a niche product. Popular consumer
products, yes, but these are not even normal mics, they have an unusual
appearance. I'm inclined to believe it is some kind of "inside" job, but
noone is admitting to it, right? Like perhaps someone is getting extra casing
from the Russian factory and inserting Chinese electronics/caps in them?
Richard
It's certainly quite odd, and it does seem there must be more to the story.
Now I'm sitting here with a $200 (plus or minus $50) budget, and needing
some decent overhead micas. If I can't find a couple Octava's, I may end up
with the Studio Projects C4's, or look into the AT 2020's that TY
recommended.
In general, or specifically the Chinese "Oktava" clones?
> The construction is incredibly goofy. It results in poor signal to
> noise ratio, and consistency is a problem.
>
> I took a sample apart and I just couldn't move for a few seconds.
> I was shocked. Pure crap.
>
> I've been told that there's a 797 Audio capsule that's better than
> what I've seen - but I don't expect much.
>
> The Oktava MK012 capsules are actually quite nice. Too bad the
> head amps gave these mics such a bad reputation...
So this is the only posting in the thread that said anything about the
quality of the mics of Chinese vs Russian origin.
Are we just assuming that the Chinese clones are better/worse than
the Russian ones? than the (selected) SoundRoom ones?
>
> There must be more to this story, right? It just seems strange that a
> Chinese
> company would *independently* clone such a niche product. Popular
> consumer products, yes, but these are not even normal mics, they have an
> unusual
> appearance. I'm inclined to believe it is some kind of "inside" job, but
> noone is admitting to it, right? Like perhaps someone is getting extra
> casing from the Russian factory and inserting Chinese electronics/caps in
> them?
Lets keep poor OktaBa Russia's name clean since they seem to be the victims
here. Take a read of the post at
http://debris.com/journal/1274
the implication is that the former distributor contracted a Chinese firm to
build clone mics and then marketed them under his brand Oktava without
OktaBa (Russia) approval.
Also, these are no mix and match mic. From the case finish I would judge
that the entire mic including caps and body were manufactured at the same
place.
OktaBa are not involved, indeed their "how to spot a fake" web page
identified what was going on.
A.
> "JP Gerard" wrote ...
>> Chinese small diphragm capsules are pretty bad.
> Are we just assuming that the Chinese clones are better/worse than
> the Russian ones? than the (selected) SoundRoom ones?
I'll put up an A/B WAV link in a few days when my replacements arrive. To be
honest, my Chinese mics sound quite nice, detailed, low noise, a tad too
bright in the upper mids but certainly OK for the money, just not what I
thought I was buying.
A
Soundroom still does them. Cheaper ones are likely to be dodgy wherever
they were made.
Russian ones can be MC or MK.
If there really are MC(hino)-012as, I wonder if the preamps are actuallly
better than the Ruskie ones ?!!
geoff
> the implication is that the former distributor contracted a Chinese firm
> to
> build clone mics and then marketed them under his brand Oktava without
> OktaBa (Russia) approval.
The name "Octava" is equally valid for the Rusian mics.
geoff
> It's certainly quite odd, and it does seem there must be more to the story.
> Now I'm sitting here with a $200 (plus or minus $50) budget, and needing
> some decent overhead micas. If I can't find a couple Octava's, I may end up
> with the Studio Projects C4's, or look into the AT 2020's that TY
> recommended.
Well, has anyone determined that the supposed Chinese copies of the
Oktava mics are really bad? I can't see a problem with a plastic
holder rather than a metal one, and no documentation (how much do you
need?).
Sorry if I missed anything that wasn't just scandal material here.
--
I'm really Mike Rivers - (mri...@d-and-d.com)
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me here: double-m-eleven-double-zero at yahoo
Octava is actually spelt something like OktaBa in russian. So OktaBa is
probably as good a way as any of signifying true Russian mics.
Cheers.
James.
Yes, but I think that is a safe assumption. Especially if A&S McKay
was responsible for the Chinese production.
It would be nice to at least get the pad and a graph with the mic. The
metal clip would also be a nice "bonus."
> Sorry if I missed anything that wasn't just scandal material here.
No need to apologize, if you're that interested, read through the thread
again.
I'll send you all the graphs you want.
One Chinese factory just picks a microphone, runs a plot on it, and then
sends xerox copies out with each production mike.
As long as you don't need them to be accurate, it's very easy to send
all the measurements you want out.
Come on Scott, you know what I mean.
> One Chinese factory just picks a microphone, runs a plot on it, and then
> sends xerox copies out with each production mike.
What factory, and what brand mics uses the factory?
> As long as you don't need them to be accurate, it's very easy to send
> all the measurements you want out.
Obviously.
JP
"Bob Savage" <bsa...@blacoxbla.net> a écrit dans le message de
news:wzQfe.5212$Fa1.2074@fed1read02...
Generally speaking. They're built to a (very low) price...
> So this is the only posting in the thread that said anything about the
> quality of the mics of Chinese vs Russian origin.
I haven't seen the Oktava clone from china, but since the capsule comes from
one of tha min factories and none of those produces what I would call a nice
capsule AND given the sale price of those knockoffs, they can't be all that
good.
> Are we just assuming that the Chinese clones are better/worse than
> the Russian ones? than the (selected) SoundRoom ones?
Am I the only one here bothered by the fact that a CHINESE factory is
cloning a RUSSIAN mic that uses a copy of a GERMAN capsule???
It's all so wrong!!!
JP
JP, out of curiosity, what mic would you recommend in the place of the MK
012, in the $250-$300 range for a pair? I'm primarily looking to use them
for drum overheads.
Thanks,
Or perhaps they're still available here: http://www.bridgemics.co.uk/
You could ask david if he still makes them. I bought a pair off him :
faithful reissues of the C1050.
My fav overheads, and I've tried many...
JP
"Bob Savage" <bsa...@blacoxbla.net> a écrit dans le message de
news:ZA5ge.7396$Fa1.2084@fed1read02...
I think you are okay if the contacts look right. McKay did not always
supply the mikes with the proper documentation and not all the McKay
mikes had serial numbers.
WHAT IS this British company? Does ANYONE have any documentation?
> "Scott Dorsey" <klu...@panix.com> wrote in message
> news:d5qfar$4v0$1...@panix2.panix.com...
> > I'll send you all the graphs you want.
>
> Come on Scott, you know what I mean.
Really, of how much value is a graph, even if it's a real one? Are you
going to pick through graphs at the store, or are you going to listen
to mics? (or neither). Lots of mics come without frequency response
plots and they're perfectly usable mics. Ask Shure for a plot for an
SM57 and they'll point you to the generic one on the web page. Those
plots don't show tolerances from the line, but I would assume that
mics that exceed whatever tolerances are established internally don't
leave the factory.
A generic plot showing the designed response will give you an idea of
what a mic is good for (or bad for) but an individalized plot is
rarely useful in selecting a mic. It might be somewhat useful for
matching a pair, but that's best done by listening as well.
> Really, of how much value is a graph, even if it's a real one?... It might
be somewhat useful for
> matching a pair, but that's best done by listening as well.
I figure it's a good starting point, as you seem to infer at the end of your
post.
DJ
"Ben Bayliss" <usenet@b3nbay|iss.c0.uk> wrote in message
news:HrGdnUuuuZR...@pipex.net...
> Aiden Humphreys wrote:
> >
> > here is the link to the official Oktava web site fake warning
> >
> > http://oktava.tula.net/fake/
> >
>
> Eek! Just saw this and checked out my five.
>
> 2 of them (the first pair I bought) are marked Oktava MC-012 (ASM), and
> have no serial number on them. They didn't come with any documents
> (certainly not a plot!). But they did come with pads, and the proper
> clip, and have silver screws etc..
>
> So which is it? They seem to have properties of both the originals and
> the 'fakes'!
>
> Cheers,
> Ben.
I'm wondering this myself, except for the missing -10db pad.
Yes, I think it will be very much worth the hassle to worry about it.
I've spent my morning making a few phone calls and the story gets more
and more interesting every minute.
If the contacts look the same as the ones in the photo, you're okay.
As far as I know, _all_ of the microphones sold since January or so by
GC are the Chinese clones. Any of the microphones sold as matched pairs
are definitely suspect.
I _think_ the Chinese run was made in November, so any mikes bought before
then are definitely in the clear.
So far there seems to have been only one production run in China. My
worry is that there will probably be another one soon, knowing the Chinese
manufacturing folks.
> As far as I know, _all_ of the microphones sold since January or so by
> GC are the Chinese clones. Any of the microphones sold as matched pairs
> are definitely suspect.
The two I had ordered were not sold as a pair (actually, they said there
were no pairs available at this time), and were definitely the Chinese
model, based on what I've found on the Internet.
DJ
"Bob Savage" <bsa...@blacoxbla.net> wrote in message
news:lp9ge.7715$Fa1.4504@fed1read02...
Yes, but the pad totally changes the sound of the mike, and not for the
better.
So are you saying I should just go for the $99 a pop Chinese 012's? :)
Why is that Scott? I've noticed it too. Could the pad benefit from a
cap swap? I have rarely if ever needed the pad (except for the
occasional experiment of close micing a tom with one) in the past half
decade or so...but still, is this inherent of all capacitive pads in
the high-impedance section, ie: a fault with this common design, or
just a poorly chosen cap in the case of the oktava 012's?
This brings up a question for me. Is using the pad on the mic different
than just using a pad on the mic pre? Does the pad eliminate clipping of
the mic itself?
I'm saying if you need the pad, try the A-T N/D 468 for around the same
price.
You can try a capacitor swap, but I think the whole notion of the
capacitive pad is a bad one. The one in the SM-81 doesn't sound any
Yes. The pad reduces the output of the capsule itself, to deal with mike
electronics that don't have the dynamic range to handle high signal levels.
You'll see the same thing on a lot of inexpensive microphones.
That's what I figured, thanks for the info!
Hmmm, about $200 a piece. So two of those would be good for overheads? I
don't know why, but I keep getting drawn to the Studio Projects C4's, but
even those are a little more than I was hoping to spend at this point in
time ($299 for a pair). Eventually I'll end up with some nice OH mics, but
I'm spreading my budget pretty thin right now.
Your statement reaffirms many of my own thoughts and
observations...even on some of my far more expensive (5 to 6 grand)
microphones that utilize a capacitive pad.
Cheers,
Chris
They should be around half that. Keep looking around... $200 sounds like
a list price. Mars was selling them for $78 each for a while but that's
a bit of a deal.
I don't think I'd use them for overheads, but if you want spots on drums,
they are hard to beat. They'd be worth trying for overheads, but I think
the top octave response isn't going to be good enough to give you a nice
brisk cymbal. On the other hand, it won't give you a spitty-sounding
cymbal like some of the cheap condensers.
The $35 Behringer measurement mikes are actually not that bad on drum
overheads. They are cheap Chinese knockoffs of the usual measurement
mike design and they are very noisy, but it doesn't matter for the
application. They don't overload easily.
>don't know why, but I keep getting drawn to the Studio Projects C4's, but
>even those are a little more than I was hoping to spend at this point in
>time ($299 for a pair). Eventually I'll end up with some nice OH mics, but
>I'm spreading my budget pretty thin right now.
My personal feeling is that if you get good overheads, you really don't
need anything else on the kit. Money spent on overheads winds up being
money saved later on elsewhere.
> They should be around half that. Keep looking around... $200 sounds like
> a list price. Mars was selling them for $78 each for a while but that's
> a bit of a deal.
I'm wondering if I'm looking at the wrong mic. Is it an EV mic?
http://www.americanmusical.com/item--i-ELE-ND468--brand-82.html
> I don't think I'd use them for overheads, but if you want spots on drums,
> they are hard to beat. They'd be worth trying for overheads, but I think
> the top octave response isn't going to be good enough to give you a nice
> brisk cymbal. On the other hand, it won't give you a spitty-sounding
> cymbal like some of the cheap condensers.
In the sub $100 range, have you heard anything about the Joe Meek JM27? I
think I know what you're going to say, considering their price, but figured
I'd ask anyway.
> The $35 Behringer measurement mikes are actually not that bad on drum
> overheads. They are cheap Chinese knockoffs of the usual measurement
> mike design and they are very noisy, but it doesn't matter for the
> application. They don't overload easily.
I like the price, but am worried about the results. :) OTOH, you said
they're no bad, so you've got me thinking.
> My personal feeling is that if you get good overheads, you really don't
> need anything else on the kit. Money spent on overheads winds up being
> money saved later on elsewhere.
Would the C4's get me into the "good" overheads ballpark, or maybe the Rode
NT5? GC offered the Rode pair to me for $300 +tax when I refused the
Oktava's.
Thanks for all the input, Scott.
Actually, I'm wondering if he wasn't offering me NT3's... I wasn't
interested, so I didn't ask what Rode model he was referring to.
Not bad for the price - but gritty sounding compared to the Oktavas, at
least to my ears.
Sean
> Am I the only one here bothered by the fact that a CHINESE factory is
> cloning a RUSSIAN mic that uses a copy of a GERMAN capsule???
Only in America!
O.K., then they're out. It looks like budgeted $350 for overheads, of
course, $200 would be nice since I'm overspent in total budgeted dollars
already.
> Am I the only one here bothered by the fact that a CHINESE factory is
> cloning a RUSSIAN mic that uses a copy of a GERMAN capsule???
Which German cap. is it a clone of?
A
Not a clone, but an approximate copy of a Neumann KK-84 (cardioid) or KK-83
(omni) capsule.
Peace,
Paul
And a lot of expensive ones.
JP
Good quality Mylar film, nice brass backplate + frontplate and the overall
construction is the same.
And yes, the diaphragm is clamped via a ring that's screwed to the BP, not
simply glued on a ring like everything I've seen coming out of China.
JP
"Aiden Humphreys" <ahu...@yahoo.com> a écrit dans le message de
news:d5s054$bl8$04$1...@news.t-online.com...
JP
"Bob Savage" <bsa...@blacoxbla.net> a écrit dans le message de
news:9Abge.7750$Fa1.4456@fed1read02...
> Octava is actually spelt something like OktaBa in russian. So OktaBa is
> probably as good a way as any of signifying true Russian mics.
They spell Oktava for export as well. My SOundroom two-piece Russian mics
with the 'proper' clips and pads say "Oktava".
geoff
Well, it'll show you if there is a chronic defect in the freq response.
>Are you
> going to pick through graphs at the store, or are you going to listen
> to mics? (or neither).
Pick through the graphs and decide which onnes you are going to spend time
listenin to. And which ones you won't waste your time on.
geoff
And from now genuine vintage uskie ones will be valuable and collectable
?!!!
geoff
> So are you saying I should just go for the $99 a pop Chinese 012's? :)
Oh, piddle. Just start searching for a good $800 KM-84. You'll be much
happier, and it will probably sound a little better than a Chinese
MK012, too.
> "JP Gerard" <jpge...@skynet.be> wrote in message
> news:4280e3f4$0$22993$ba62...@news.skynet.be...
> > Am I the only one here bothered by the fact that a CHINESE factory is
> > cloning a RUSSIAN mic that uses a copy of a GERMAN capsule???
>
> JP, out of curiosity, what mic would you recommend in the place of the MK
> 012, in the $250-$300 range for a pair? I'm primarily looking to use them
> for drum overheads.
>
> Thanks,
I'm not JP, but the MXL 603 sounds pretty close to the cardiod MK012, as
far as my experience.
----== Posted via Newsfeeds.Com - Unlimited-Uncensored-Secure Usenet News==----
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> Well, has anyone determined that the supposed Chinese copies of the
> Oktava mics are really bad? I can't see a problem with a plastic
> holder rather than a metal one, and no documentation (how much do you
> need?).
Actually the plastic clip may well be an improvement.
That's it. The little egg-shaped thing they sell for drums.
>
>> I don't think I'd use them for overheads, but if you want spots on drums,
>> they are hard to beat. They'd be worth trying for overheads, but I think
>> the top octave response isn't going to be good enough to give you a nice
>> brisk cymbal. On the other hand, it won't give you a spitty-sounding
>> cymbal like some of the cheap condensers.
>
>In the sub $100 range, have you heard anything about the Joe Meek JM27? I
>think I know what you're going to say, considering their price, but figured
>I'd ask anyway.
I don't know. Those mikes are made at the 797 factory in Beijing, which
actually seems to be one of the better Chinese plants. I have used lots
of other 797 mikes, but never the Meek variant.
>> The $35 Behringer measurement mikes are actually not that bad on drum
>> overheads. They are cheap Chinese knockoffs of the usual measurement
>> mike design and they are very noisy, but it doesn't matter for the
>> application. They don't overload easily.
>
>I like the price, but am worried about the results. :) OTOH, you said
>they're no bad, so you've got me thinking.
The thing is that it's a lot easier to make a good cheap omni than it is
to make a good cheap cardioid.
>> My personal feeling is that if you get good overheads, you really don't
>> need anything else on the kit. Money spent on overheads winds up being
>> money saved later on elsewhere.
>
>Would the C4's get me into the "good" overheads ballpark, or maybe the Rode
>NT5? GC offered the Rode pair to me for $300 +tax when I refused the
>Oktava's.
I wasn't all that happy with the NT5, but you might like the C4. Try
jingling keys into it in the store... if a key jingle sounds realistic,
cymbals probably will too. Problem is that you will find very few cheap
mikes that will pass the key jingle test.
But transshipped through Britain!
No, you can order as many as you want from the Sound Room, or from the
new official US importer, www.oktavausa.com.
The question is what you'll find at other places, like GC. My experience
is that when the Chinese start making a design on contract, it can be hard
to make them stop.
>
> In article <BBUfe.5278$Fa1.2337@fed1read02> bsa...@blacoxbla.net writes:
>
>> It's certainly quite odd, and it does seem there must be more to the
>> story.
>> Now I'm sitting here with a $200 (plus or minus $50) budget, and needing
>> some decent overhead micas. If I can't find a couple Octava's, I may
>> end up
>> with the Studio Projects C4's, or look into the AT 2020's that TY
>> recommended.
>
> Well, has anyone determined that the supposed Chinese copies of the
> Oktava mics are really bad? I can't see a problem with a plastic
> holder rather than a metal one, and no documentation (how much do you
> need?).
>
> Sorry if I missed anything that wasn't just scandal material here.
I thought that Scott mentioned the capsule tensioning problem giving rise
to untamed high frequency resonances - something that Chinese
manufacturers haven't got right yet which is why many Chinese mics sound
like they've got a built-in Aural Exciter. I understand that, while the
Russian consistency may be as bad as the Chinese, at least the Russian's
understand the capsule tensioning problem.
Cheers.
James.
>
> In article <Bs3ge.7309$Fa1.1128@fed1read02> bsa...@blacoxbla.net writes:
>
>> "Scott Dorsey" <klu...@panix.com> wrote in message
>> news:d5qfar$4v0$1...@panix2.panix.com...
>> > I'll send you all the graphs you want.
>>
>> Come on Scott, you know what I mean.
[snip]...
> Ask Shure for a plot for an
> SM57 and they'll point you to the generic one on the web page. Those
> plots don't show tolerances from the line, but I would assume that
> mics that exceed whatever tolerances are established internally don't
> leave the factory.
>
While Shure may not let the out of spec mics leave the factory, this isn't
necessarily the case with the Chinese manufacturers.
Cheers.
James.
> > Really, of how much value is a graph, even if it's a real one?
>
> Well, it'll show you if there is a chronic defect in the freq response.
Why would they let you buy a mic with a chronic defect in the
frequency response? You'd think that the in-plant quality control
system would toss it out in the process of making that graph.
Are you suggesting that because they don't provide a graph, they never
test the frequency response of the mics they're selling? This could be
true.
> Pick through the graphs and decide which onnes you are going to spend time
> listenin to. And which ones you won't waste your time on.
Have you seen enough of these to know that they'll be significantly
different? Or are you going to look at them with a magnifying glass
and pick out the ones that appear to be 1 dB flatter in some region?
I guess you have a strategy, but I suspect that it won't necessarily
yield you the best mics - because someone else has already pulled
those out of the lot and sold them elsewhere (like to the Sound
Room).
I can name at least two Chinese manufacturers which don't even have the
capability of testing the rough frequency response of the mikes they are
selling. Most of these folks are selling through vendors who don't have
any more ability than they do.
But as far as being able to do _real_ graphs, with actual low frequency
response that is meaningful and narrowband measurements, I suspect I
could name the manufacturers doing this on two hands. Maybe three.
As far as manufacturers actually providing a graph of your particular
mike, does anybody other than Beyer and DPA still do this? Neumann
might on some models, but they don't with the KMS105 at least.
>> Pick through the graphs and decide which onnes you are going to spend time
>> listenin to. And which ones you won't waste your time on.
>
>Have you seen enough of these to know that they'll be significantly
>different? Or are you going to look at them with a magnifying glass
>and pick out the ones that appear to be 1 dB flatter in some region?
>I guess you have a strategy, but I suspect that it won't necessarily
>yield you the best mics - because someone else has already pulled
>those out of the lot and sold them elsewhere (like to the Sound
>Room).
It is really interesting to select semiconductors for hFE, as I mentioned
in another thread, because sometimes what you are getting has clearly
been picked over for particular values. The distribution of values that
you measure in a bag of generic switching FETs can be fascinating.
> As far as manufacturers actually providing a graph of your particular
> mike, does anybody other than Beyer and DPA still do this?
AKG C480 for both the cardioid and the omni capsules.
Lars
--
lars farm // http://www.farm.se
lars is also a mail-account on the server farm.se
aim: lars...@mac.com
<snip>
>On the other hand, it won't give you a spitty-sounding
cymbal like some of the cheap condensers.
Interesting........I've never tried the A-T's,but as far as getting a nice
sound out of a snare bottom and hat, the two MK012's I've got here are doing
the job with the pads. Clear up top without the fizz. Perhaps it's a lucky
QC accident.
"Scott Dorsey" <klu...@panix.com> wrote in message
news:d5rlkl$1g1$1...@panix2.panix.com...
Yes they do; they get a different model number and are sold cheaper.
Peace,
Paul
James Perrett wrote:
> I thought that Scott mentioned the capsule tensioning problem giving
> rise to untamed high frequency resonances - something that Chinese
> manufacturers haven't got right yet which is why many Chinese mics
> sound like they've got a built-in Aural Exciter. I understand that,
> while the Russian consistency may be as bad as the Chinese, at least
> the Russian's understand the capsule tensioning problem.
What makes diaphragm tensioning a particularly difficult
assembly problem?
Bob
--
"Things should be described as simply as possible, but no
simpler."
A. Einstein
You also have to make sure that all the other parameters like backplate
size, thickness, perforation % and pattern etc are spot on.
Same with BP to diaphragm distance, and a bunch ot other factors. But this
has nothing to do with diaphragm tension...
Now do that operation 500 times a day, every day.
And oh yeah, all those capsule assemblies should have the same frequency
response.
Fun, huh?
JP
> Yes, I think it will be very much worth the hassle to worry about it.
> I've spent my morning making a few phone calls and the story gets more
> and more interesting every minute.
There's now a further episode of this story (mentioning your name,
Scott) at http://debris.com/journal/1280
C414 as well.
--
Jay Levitt |
Wellesley, MA | I feel calm. I feel ready. I can only
Faster: jay at jay dot fm | conclude that's because I don't have a
http://www.jay.fm | full grasp of the situation. - Mark Adler
Oh my my...
There isn't a single business aspect of Misters A&F McKay that I
wouldn't consider suspect after reading the 'update' and subsequently
visiting their new website
(http://www.buytheguitar.com/oktava/index.html which is auto-linked
from http://www.oktavamics.co.uk). They adamantly play down
(denounce/defy) the russian origin of the all mic designs but the 219,
and then create a new company website that is obviously meant to
highlite the russian heritage of these mics...
To be taken seriously, they really need to learn a thing or two about
what made the mics such a bargain to begin with: the capsules.
...ugh...