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Burt Reynolds reaction to losing at Oscars

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John Stone

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Mar 24, 1998, 3:00:00 AM3/24/98
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Did anyone catch Burt Reynolds reaction to losing the Oscar to
Robin Williams? While Robin was giving his acceptance speech the
camera focused briefly on Reynolds who had his chin and mouth
covered by his hand and there was something about the intensity of
his watching Williams up there that suggested to me he was rather
ticked off at losing. John S.

Brad Dancer

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Mar 24, 1998, 3:00:00 AM3/24/98
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John Stone wrote in message <3517F8...@pilot.msu.edu>...

My wife mentioned that as well, it wouldn't surprise me, but I didn't see
it. I think Burt felt for whatever reason that he deserved it for his
'comeback'.

Brad

Tom Bromley

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Mar 24, 1998, 3:00:00 AM3/24/98
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Since, despite the nature of the awards being to honor specific
performances, Academy voters sometimes vote for a nominee in
order to honor a past body of work (i.e.: late-in-life nods for
Fred Astaire, John Wayne, etc.), isn't it possible that they
also are affected negatively by an actor's earlier career?

Thus Reynolds, who was once thought of as a promising dramatic
actor from his earlier work in "Deliverance" and other films,
may have been penalized for squandering his talents in a series
of highly popular, but relatively mindless, action-comedies,
culminating in the oft-reported story that he turned down Jack
Nicholson's Oscar-winning role in "Terms of Endearment" to make
"Stroker Ace", a movie which even his most devoted fans have
trouble enduring.

Then again, Robin Williams is a damn good actor who deserved
the recognition he received for "Good Will Hunting", so maybe
Burt was just outclassed this year (I haven't seen "Boogie
Nights", so I can't judge -- if in fact anyone can make the
"apples and oranges" comparison these types of awards would
seem to require).
--
Tom Bromley ap...@yfn.ysu.edu
"If the world were a logical place,
men would ride side-saddle"
--Rita Mae Brown

John Stone

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Mar 24, 1998, 3:00:00 AM3/24/98
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I have heard several theories as to why he lost:

"Boogie Nights" is the type of movie that many older academy voters
didn't like because of its subject matter.

Reynolds made some unwise negative comments about the movie after it was
released, who wants to honor someone who doesn't like the work that they
did? And then he goes around saying how much he wants the Oscar.
I think it adds up to a turnoff for many voters.

Robin Williams was simply better in "Good Will Hunting"

John S.

Trev...

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Mar 24, 1998, 3:00:00 AM3/24/98
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You'd be ticked off too if you were watching your career take one last gasp
of breath only to cough and sputter when the orchestra doesn't play your
theme song. Burt didn't deserve to win. The movie was ok and he was ok in
the role... but the acting was top notch. Williams deserved it and
Burt's sour grapes only confirm how much I don't like him as a person much
either.
--
Trev...

Remove "nospam" from address for email

John Stone <sto...@pilot.msu.edu> wrote in article

Reina 616

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Mar 24, 1998, 3:00:00 AM3/24/98
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Reynolds IS extremely competitive and given to bouts of jealousy and envy (past
reactions to Tom Selleck for example) and has very mixed feelings about
Hollywood. Probably, he feels that they "did it to him" again.

Like many women in the early 70's I loved Reynolds' centerfold, a reaction
that mystified most men. So, I left my editor's desk to catch Reynolds at the
Wax Museum where his likeness was being added to the collection. I made the
huge mistake of feeling sorry for Reynolds who was being treated like meat by
photographers.

He suddenly caught my expression and threw bolt of sullen rage at me that said
very clearly: "Who the fuck are you to feel sorry for me? I'm a star. I came
here in a limousine?" "What are you? A lousy reporter?" Less than
that,actually: I was the one woman in the world Reynolds didn't like.

For years afterward, I would catch little "leaks" of rage from Reynolds during
interviews, but it wasn't until his divorce from Loni Anderson that we got the
full monty of Reynolds as a person.

By contrast, I recently saw an interview with Robert Forster in which I found
him so charming that I hope he will be cast in many films from now on, and I
commend Quentin Tarantino -- who has a genius for resuscitating the careers of
worthy actors.

Michael Higby

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Mar 24, 1998, 3:00:00 AM3/24/98
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michelle wrote:
>
> Brad Dancer wrote:
> >
> > John Stone wrote in message <3517F8...@pilot.msu.edu>...

> > >Did anyone catch Burt Reynolds reaction to losing the Oscar to
> > >Robin Williams? While Robin was giving his acceptance speech the
> > >camera focused briefly on Reynolds who had his chin and mouth
> > >covered by his hand and there was something about the intensity of
> > >his watching Williams up there that suggested to me he was rather
> > >ticked off at losing. John S.
>
> Maybe that's why he didn't win. Like Madonna last year, he had high
> expectations and let everyone know it. The Academy didn't like it.

Reynolds has always come off as an arrogant SOB, Williams does not.
Reynolds reminds me of a lot of the guys in that pre-baby boom age
group.

Michael Higby

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Mar 24, 1998, 3:00:00 AM3/24/98
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Tom Bromley wrote:

> Then again, Robin Williams is a damn good actor who deserved
> the recognition he received for "Good Will Hunting", so maybe
> Burt was just outclassed this year (I haven't seen "Boogie
> Nights", so I can't judge -- if in fact anyone can make the
> "apples and oranges" comparison these types of awards would
> seem to require).

Robin Williams came off as truly grateful, humble and surprised. He
showed the class that he has.

Burt Reynolds is a jerk. He might be the big movie star of the 70s, but
Williams has been around a while and has demonstrated an incredbile
range of talent, far, far and away from Burt.

Barry Margolin

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Mar 24, 1998, 3:00:00 AM3/24/98
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>Williams has been around a while and has demonstrated an incredbile
>range of talent, far, far and away from Burt.

Agreed. How many other actors can do great comedy like Mork and the Genie
in Alladin, wonderful standup routines, and also great dramatic
performances in "Awakenings", "Dead Poet's Society", and "Good Will
Hunting"? Not to mention "Good Morning, Vietnam" and "The World According
to Garp", which required both comedy and drama in the same movie.

Tom Hanks also went from being a sitcom star to a dramatic Oscar winner,
but his comedy work was never as good as Williams's. Robin Williams
probably has the best range of any current actor. Of the old guard who
are still around, Jack Lemmon probably has the best range, and among
deceased I'd probably give the nod to Cary Grant.

--
Barry Margolin, bar...@bbnplanet.com
GTE Internetworking, Cambridge, MA
Support the anti-spam movement; see <http://www.cauce.org/>

3finger

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Mar 25, 1998, 3:00:00 AM3/25/98
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In article <6f92n0$k...@bgtnsc03.worldnet.att.net>, michelle
<mcwr...@worldnet.att.net> wrote:

> Brad Dancer wrote:
> >
> > John Stone wrote in message <3517F8...@pilot.msu.edu>...
> > >Did anyone catch Burt Reynolds reaction to losing the Oscar to
> > >Robin Williams? While Robin was giving his acceptance speech the
> > >camera focused briefly on Reynolds who had his chin and mouth
> > >covered by his hand and there was something about the intensity of
> > >his watching Williams up there that suggested to me he was rather
> > >ticked off at losing. John S.
> >

> > My wife mentioned that as well, it wouldn't surprise me, but I didn't see
> > it. I think Burt felt for whatever reason that he deserved it for his
> > 'comeback'.
> >
> > Brad
>

> Maybe that's why he didn't win. Like Madonna last year, he had high
> expectations and let everyone know it. The Academy didn't like it.

It also may not have helped that he fired his agents right after he saw
Boogie Nights because he thought the film sucked. That, combined with the
feeling by many that Robin was due, may have given it to Williams.
Personally, I thought both men deserved it.

3finger

P.S. I noticed that there was not one shot of Burt going to any party! Hmmm...

cen0...@centuryinter.net

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Mar 25, 1998, 3:00:00 AM3/25/98
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John Stone <sto...@pilot.msu.edu> wrote:

>Did anyone catch Burt Reynolds reaction to losing the Oscar to
>Robin Williams? While Robin was giving his acceptance speech the
>camera focused briefly on Reynolds who had his chin and mouth
>covered by his hand and there was something about the intensity of
>his watching Williams up there that suggested to me he was rather
>ticked off at losing. John S.

He shouldn't have lost to Williams who is neither a good actor nor a
good comedian.

Mike Rice


Trapper

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Mar 25, 1998, 3:00:00 AM3/25/98
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Isn't this like the Lauren Bacall situation last year? Everyone
expected her to win more for her body of work than for that single
performance, and those are the very comments I heard about Burt's
chances. Unfortunately, if memory serves, her reaction to losing were
also similar to Burt's.

Robin clearly deserved it, though. Any lesser performance in that role
and the movie would have lost alot of emotional steam. Please, RW, NO
MORE "FATHERS DAY"s !!!!!!

Trapper

Michael Higby wrote:


>
> michelle wrote:
> >
> > Brad Dancer wrote:
> > >
> > > John Stone wrote in message <3517F8...@pilot.msu.edu>...

> > > >Did anyone catch Burt Reynolds reaction to losing the Oscar to
> > > >Robin Williams? While Robin was giving his acceptance speech the
> > > >camera focused briefly on Reynolds who had his chin and mouth
> > > >covered by his hand and there was something about the intensity of
> > > >his watching Williams up there that suggested to me he was rather
> > > >ticked off at losing. John S.
> >

> > Maybe that's why he didn't win. Like Madonna last year, he had high
> > expectations and let everyone know it. The Academy didn't like it.
>

Brad Filippone

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Mar 25, 1998, 3:00:00 AM3/25/98
to

Barry Margolin (bar...@bbnplanet.com) wrote:

: >Williams has been around a while and has demonstrated an incredbile
: >range of talent, far, far and away from Burt.

: Agreed. How many other actors can do great comedy like Mork and the Genie
: in Alladin, wonderful standup routines, and also great dramatic
: performances in "Awakenings", "Dead Poet's Society", and "Good Will
: Hunting"? Not to mention "Good Morning, Vietnam" and "The World According
: to Garp", which required both comedy and drama in the same movie.

: Tom Hanks also went from being a sitcom star to a dramatic Oscar winner,
: but his comedy work was never as good as Williams's. Robin Williams
: probably has the best range of any current actor. Of the old guard who
: are still around, Jack Lemmon probably has the best range, and among
: deceased I'd probably give the nod to Cary Grant.

For the latter, consider also Clark Gable. Mostly dramatic roles, it is
true, but he won an Oscar for a screwball comedy! ("It Happened One
Night").

Brad

Derek R. Larson

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Mar 25, 1998, 3:00:00 AM3/25/98
to

In article <01bd5768$b3ae45c0$92a6edcc@tak>,

Trev... <TRE...@prodigy.net.nospan> wrote:
>You'd be ticked off too if you were watching your career take one last gasp
>of breath only to cough and sputter when the orchestra doesn't play your
>theme song. Burt didn't deserve to win. The movie was ok and he was ok in
>the role... but the acting was top notch. Williams deserved it and
>Burt's sour grapes only confirm how much I don't like him as a person much
>either.


And of course many of the Academy's older, conservative voters never saw
and wouldn't have liked "Boogie Nights" anyway. William's swore a lot in
his role, but his was at least a sympathetic part in a mainstream film.
Try explaining the role of "father figure to a stable of washed-up
pornographic movie stars" to Gregory Peck and see who he votes for.

-drl
--
________________________________________________________________________
Derek R. Larson Indiana University Department of History
"Eastward I go by force, but Westward I go free!" -H. D. Thoreau
-----------------------php.indiana.edu/~drlarson------------------------

Barry Margolin

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Mar 26, 1998, 3:00:00 AM3/26/98
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In article <6fb5an$gcn$9...@News.Dal.Ca>, al...@chebucto.ns.ca (Brad
Filippone) wrote:

>For the latter, consider also Clark Gable. Mostly dramatic roles, it is
>true, but he won an Oscar for a screwball comedy! ("It Happened One
>Night").

In fact, I was thinking about him as well when I decided to name Cary
Grant. But other than this one, I can't think of any other impressive
Gable comedies (I glanced at the IMDB entry for him, and didn't see too
many other memorable ones); I think everyone considers him a dramatic
actor. This could even have been a factor in his winning the award -- I
think they like to reward actors who stretch outside their normal mode.
Cary Grant, Robin Williams, and Jack Lemmon have made a number of good
films in both the comedy and drama genres.

P.J. Gladnick

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Mar 26, 1998, 3:00:00 AM3/26/98
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Trev... <TRE...@prodigy.net.nospan> wrote in article
<01bd5768$b3ae45c0$92a6edcc@tak>...


> You'd be ticked off too if you were watching your career take one last
gasp
> of breath only to cough and sputter when the orchestra doesn't play your
> theme song. Burt didn't deserve to win. The movie was ok and he was ok
in
> the role... but the acting was top notch. Williams deserved it and
> Burt's sour grapes only confirm how much I don't like him as a person
much
> either.

> --
> Trev...
>
> Remove "nospam" from address for email
>

Maybe Reynolds was thinking about his losing investment in Pore Boys
Restaurants. They opened the restaurant in Palm Beach County and of course
wealthy people and wannabees avoided a restaurant with that name like the
plague.

WHazle

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Mar 26, 1998, 3:00:00 AM3/26/98
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>He shouldn't have lost to Williams who is neither a good actor nor a good
comedian.


I am so sick of hearing about Reynold's great "comeback". Can someone please
tell me what he DID in BOOGIE NIGHTS?

Come on!

wah3
"You have no idea what men of power can do!"
(can you identify the source of the quote?)

http://members.aol.com/WHazle/wah3.htm

Pamela-Marie

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Mar 27, 1998, 3:00:00 AM3/27/98
to wha...@aol.com

wha...@aol.com (WHazle) wrote:
>>He shouldn't have lost to Williams who is neither a good actor nor a good
>comedian.
>
>
>I am so sick of hearing about Reynold's great "comeback". Can someone please
>tell me what he DID in BOOGIE NIGHTS?

He, like Woody Allen did in Deconstructing Harry, did their life stories
:) Both were nominated for that, but justifiably not given an Oscar.

As for his comeback, it implies he's done Oscar worthy stuff before, or at
least a number of decent films. I really don't consider The Best Little
Whorehouse in Texas, Oscar worthy or decent. It may be his return to
stardom, but please.

I personally, have no trouble with nominated good personal interest
stories, but so long as they don't win just for that (which is usually
the only reason they're nominated), I'm fine.

Who would I have given the statue to? Robin, no doubt about it. It was his
best and truly acted performance. For once, as wonderful as he was in Dead
Poets Society, he didn't lose character and he didn't do Robin-shtick at
sometime in the film. That had a lot to do with the fact that screenplay
wasn't written for Robin Williams, but for an *actor*. Robin rose to that
challenge and let the script carry him instead of vice-versa.

Runner-up is a tie between Greg and Robert. Why? Because both were superb,
but Robert was a bit too quiet, and Greg had his low moments. But they
both did great work.

Pamela-Marie


VS Atkinson

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Mar 28, 1998, 3:00:00 AM3/28/98
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In article <6fah18$7r5$1...@newsread1-mx.centuryinter.net>,
mr...@centuryinter.net wrote (Mike Rice):
[on Burt's losing the Oscar....]

> He shouldn't have lost to Williams who is neither a good actor nor a
> good comedian.

Are you kidding? Oh well, I guess it's all a matter of opinion here,
but I always thought Robin Williams to be a comedic genius, truly.
Granted, I didn't see "Good Will Hunting", but I always knew it
was simply a matter of time before Williams won for *something*.

-Vicki

Brad Filippone

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Mar 28, 1998, 3:00:00 AM3/28/98
to

cen0...@centuryinter.net wrote:
: John Stone <sto...@pilot.msu.edu> wrote:

: >Did anyone catch Burt Reynolds reaction to losing the Oscar to


: >Robin Williams? While Robin was giving his acceptance speech the
: >camera focused briefly on Reynolds who had his chin and mouth
: >covered by his hand and there was something about the intensity of
: >his watching Williams up there that suggested to me he was rather
: >ticked off at losing. John S.

: He shouldn't have lost to Williams who is neither a good actor nor a
: good comedian.

Which gives me the impression that you've never seen him. I can accept
the fact that maybe he isn't exactly your cup of tea, but surely you can
recognize that the man has great talent.

Brad

Brad Filippone

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Mar 28, 1998, 3:00:00 AM3/28/98
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Barry Margolin (bar...@bbnplanet.com) wrote:
: In article <6fb5an$gcn$9...@News.Dal.Ca>, al...@chebucto.ns.ca (Brad
: Filippone) wrote:

: >For the latter, consider also Clark Gable. Mostly dramatic roles, it is
: >true, but he won an Oscar for a screwball comedy! ("It Happened One
: >Night").

: In fact, I was thinking about him as well when I decided to name Cary
: Grant. But other than this one, I can't think of any other impressive
: Gable comedies (I glanced at the IMDB entry for him, and didn't see too
: many other memorable ones); I think everyone considers him a dramatic
: actor. This could even have been a factor in his winning the award -- I
: think they like to reward actors who stretch outside their normal mode.
: Cary Grant, Robin Williams, and Jack Lemmon have made a number of good
: films in both the comedy and drama genres.

The first one, other than the one I already named, that I can think of is
Teacher's Pet, late in his career. Not a 'rip-roaring; comedic role, to
be sure, but still very amusing.

brad

JSTONE9352

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Mar 28, 1998, 3:00:00 AM3/28/98
to

>
>The first one, other than the one I already named, that I can think of is
>Teacher's Pet, late in his career. Not a 'rip-roaring; comedic role, to
>be sure, but still very amusing.
>
>brad


"Houseboat" and "Father Goose" were not too bad, not great
but OK.

John S.

Bob Zalusky

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Mar 28, 1998, 3:00:00 AM3/28/98
to

I alwasy thought "Moscow on the Hudson" was one of his best roles.

Breck

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Mar 28, 1998, 3:00:00 AM3/28/98
to


Brad Filippone <al...@chebucto.ns.ca> wrote in article
<6fj1a7$b0j$2...@News.Dal.Ca>...


> cen0...@centuryinter.net wrote:
> : John Stone <sto...@pilot.msu.edu> wrote:
>
> : >Did anyone catch Burt Reynolds reaction to losing the Oscar to
> : >Robin Williams? While Robin was giving his acceptance speech the
> : >camera focused briefly on Reynolds who had his chin and mouth
> : >covered by his hand and there was something about the intensity of
> : >his watching Williams up there that suggested to me he was rather
> : >ticked off at losing. John S.
>
> : He shouldn't have lost to Williams who is neither a good actor nor a
> : good comedian.
>
> Which gives me the impression that you've never seen him. I can accept
> the fact that maybe he isn't exactly your cup of tea, but surely you can
> recognize that the man has great talent.
>
> Brad
>

My sentiments exactly. I can't think of a more quick-witted human being on
the planet. And as for his ability to get into dramatic roles, I think
he's simply amazing. He truly becomes the characters he plays.


Breck

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Mar 28, 1998, 3:00:00 AM3/28/98
to

And how about "Dead Poets Society," or "Good Morning, Vietnam." Two really
great dramatic roles. And one of my favorite comedies ever is "Mrs.
Doubtfire." Robin's the best.

Bob Zalusky <r...@sgi.com> wrote in article <351D390E...@sgi.com>...


> I alwasy thought "Moscow on the Hudson" was one of his best roles.
>
> Brad Filippone wrote:
>

jke...@voicenet.com

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Mar 28, 1998, 3:00:00 AM3/28/98
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"Breck" <Br...@spam.unwelcome.com> wrote:

> And as for his ability to get into dramatic roles, I think
>he's simply amazing. He truly becomes the characters he plays.

Couldn't disagree with you more. Williams' problem is that with EVERY
role he has played you always get the feeling that at any moment the
"Robin Williams shtick" is going to break through. Granted he has
gotten better at hiding it with each passing role; but, I always watch
him with trepidation that he won't have the professionalism to rein
himself in. And yet, go figure, I was glad he won the award.

Jack


Breck

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Mar 28, 1998, 3:00:00 AM3/28/98
to


jke...@voicenet.com wrote in article

> > And as for his ability to get into dramatic roles, I think
> >he's simply amazing. He truly becomes the characters he plays.
>
> Couldn't disagree with you more. Williams' problem is that with EVERY
> role he has played you always get the feeling that at any moment the
> "Robin Williams shtick" is going to break through. Granted he has

I guess we'll have to agree to disagree. When I watched him in "Good Will
Hunting," I never got the feeling any "Robin Williams schtick" was going to
break through. I thought he was totally into the role he was playing.

3finger

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Mar 28, 1998, 3:00:00 AM3/28/98
to

Bottom line is that Robin Williams had that ususual combination of forces
working for him at the Oscars: He was way due to win and his performance
deserved an award anyway. Reynolds' work also was great in one of the best
movies of the year; I think he was hurt for the firing of his agents after
he saw Boogie Nights, combined the the possibility that the Academy was
shy about awarding a movie about the porn trade (though former Nixon
speechwriter Ben Stein noted on a L.A. post-Oscar show that Boogie Nights
was the most pro-family values film of the year). As for those who put
down his acting ability, remember that Williams is trained not as a comic
but as a dramatic actor via Juillard. He's as comfortable doing
Shakespeare as schtick.

Having said that, of course, the word is that he's itching to get back on
the comedy circuit! :)

3finger

William December Starr

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Mar 28, 1998, 3:00:00 AM3/28/98
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In article <barmar-2403...@barmar.ne.mediaone.net>,
bar...@bbnplanet.com (Barry Margolin) said:

> Tom Hanks also went from being a sitcom star to a dramatic Oscar
> winner, but his comedy work was never as good as Williams's. Robin
> Williams probably has the best range of any current actor. Of the
> old guard who are still around, Jack Lemmon probably has the best
> range, and among deceased I'd probably give the nod to Cary Grant.

That was acting? I thought he was just being Cary Grant. :-)

-- William December Starr <wds...@crl.com>


Breck

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Mar 29, 1998, 3:00:00 AM3/29/98
to


WHazle <wha...@aol.com> wrote in article
<199803262212...@ladder01.news.aol.com>...


> >He shouldn't have lost to Williams who is neither a good actor nor a
good
> comedian.
>
>

> I am so sick of hearing about Reynold's great "comeback". Can someone
please
> tell me what he DID in BOOGIE NIGHTS?

I'm afraid I can't answer your question. I saw the movie and didn't think
it was all that great. The whole storyline seemed very predictable to me
and not too enlightening. In fact, as I was watching the movie, by the
last half hour, I was just eager for it to end. Burt did fine with his
portrayal in the film of a porn producer, but I didn't see the role of that
character as such a challenge (i.e., it certainly didn't impress me as
Academy Award material). So I'm a bit befuddled by all the attention the
film (and Burt, in particular) has received.


Reina 616

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Mar 29, 1998, 3:00:00 AM3/29/98
to

Breck said:

I saw the movie and didn't think it was all that great. The whole storyline
seemed very predictable to me and not too enlightening. In fact, as I was
watching the movie, by the last half hour, I was just eager for it to end.
Burt did fine with his portrayal in the film of a porn producer, but I didn't
see the role of that character as such a challenge (i.e., it certainly didn't
impress me as Academy Award material). So I'm a bit befuddled by all the
attention the film (and Burt, in particular) has received.

________

I believe you. But all the hype about Burt as this great father figure, and
Julianne as this great maternal figure.

The hypemeisters did it again. Play a prostitute, drunkard (LEAVING LAS
VEGAS) or drug addict and you're handling deep, important issues. Nicholson and
Streep in IRONWEED, Dunaway and Mickey Rourke in BARFLY. Playing these roles is
a cinch. Playing heroic roles that's difficult in this day and age.

The glorification of prostitution by Hollywood leads me to believe that hookers
are the only female profession most Hollywood men know. In the book YOU'LL
NEVER MAKE LOVE IN THIS TOWN AGAIN, in which 4 hookers tell their story of
celebrity encounters to one's sister. (Whoda thunk a pro would have a literate
sister?) Warren Beatty tried to have the book suppressed and lost his rep as a
terrific lover; Nicholson got one as someone who wants a pro but for free, Gary
Busey as an abuser and the late Don Simpson, producer of TOP GUN, FLASHDANCE
and BEVERLY HILLS COP as one of the most evil sadists ever. Pretty girls go to
Hollywood, have no skills and get drawn into prostitution and then meet
monsters like Simpson. And after he died I heard all these touching stories
about how much they missed him from his male friends. They knew what he'd done,
but who cares what's done to women in Hollywood.

I have no interest in ever watching BOOGIE NIGHTS. Burt Reynolds and Mark
Wahlberg are two of my least favorite performers.

Hamilton

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Mar 30, 1998, 3:00:00 AM3/30/98
to

In article <01bd5a5c$59bb9a80$4834accf@default>, "Breck"
<Br...@spam.unwelcome.com> wrote:

> jke...@voicenet.com wrote in article
> > > And as for his ability to get into dramatic roles, I think
> > >he's simply amazing. He truly becomes the characters he plays.
> >
> > Couldn't disagree with you more. Williams' problem is that with EVERY
> > role he has played you always get the feeling that at any moment the
> > "Robin Williams shtick" is going to break through. Granted he has
>
> I guess we'll have to agree to disagree. When I watched him in "Good Will
> Hunting," I never got the feeling any "Robin Williams schtick" was going to
> break through. I thought he was totally into the role he was playing.


which was the same character he played in 'Dead Poets' and in 'Waken' [
or whatever that shrink movie was] same old same old.

Hamilton

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Mar 30, 1998, 3:00:00 AM3/30/98
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In article <3523cd56...@nntp.ix.netcom.com>, net...@ix.netcom.com
(Alexandra) wrote:

> On 28 Mar 1998 19:18:46 GMT, "Breck" <Br...@spam.unwelcome.com> wrote:
>
> >And how about "Dead Poets Society," or "Good Morning, Vietnam." Two really
> >great dramatic roles. And one of my favorite comedies ever is "Mrs.
> >Doubtfire." Robin's the best.
> >

> Speaking of Mrs. Doubtfire, rumour has it that when the movie was
> made, they ~completely~ trashed the house leaving it totally
> inhabitable. Last time I passed by it, it was still vacant. Why I
> don't know, but it truly is a pretty little Victorian....
>

I had a friend who rented out his beautiful little house for some
movie work -- movie companies talk big on the front end and really
don't care once they have what they want -- it is typical to leave
unpaid for damage -- and to just stonewall attempts to get it right

This happened in my friend's case where despite promises, damage was
done and not repaired -- and I have heard it about many other films.
This is one of the reasons that some communities are less than thrilled
about having their town used for filming.


k

Brad Filippone

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Apr 1, 1998, 3:00:00 AM4/1/98
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JSTONE9352 (jston...@aol.com) wrote:
: >
: >The first one, other than the one I already named, that I can think of is

: John S.

Well, yes, for Cary Grant, but I was talking about Clark Gable actually.

Brad

Brad Dancer

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Apr 1, 1998, 3:00:00 AM4/1/98
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Brad Filippone wrote in message <6fue26$l4r$1...@News.Dal.Ca>...


>: "Houseboat" and "Father Goose" were not too bad, not great
>: but OK.
>
>: John S.


Butting in the middle, messed up the snipping, I apologize. Both those
movies are fantastic! Father Goose is absolutely hilarious - Cary Grant is
one of the best actors ever to grace the film world (I've seen Bringing Up
Baby over 30 times and still crack up every time).


>Well, yes, for Cary Grant, but I was talking about Clark Gable actually.

Clark Gable's best, IMHO was It Happened One Night, also one I've watched
over and over and continue to crack up at it.
I apologize for the intrusion.

Brad

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