Original London---- Frances Ruffelle---sounds like a whiny girl,
sings out of her nose.
Broadway--- Frances Ruffelle again---more whiny, trying to sound
American
Symphonic----- Kaho Shimada----REVOLTING, THE WORST, SHE SUCKS
Manchester ------ Meredith Braun ----nice voice, but she has the
thickest English accent I have ever heard, and plus, the climax (the
word "known") is pushed and sounds like a horrible scream from an
animal, only with vibrato.
WHY CAN'T ANYONE SING "ON MY OWN" correctly?
Has anyone heard CANDESE MARCHESE? In my opinion, she is wonderful.
Any thoughts or comments would be appreciated.
>think Debbie Gibson is excellent, as I heard a bootlegged tape. When
>I was talking about the WORST Eponine, I meant Kaho Shimada, the most
>horrendous sounding voice on the Symphonic Cast. The role of Eponine,
>I will have to agree is a great part.
>WHY CAN'T ANYONE SING "ON MY OWN" correctly?
>
>Has anyone heard CANDESE MARCHESE? In my opinion, she is wonderful.
>
>Any thoughts or comments would be appreciated.
I saw Les Mis for my first time in San Antonio and was initially
appalled at the number of understudies that I would see(now being
Thanksgiving week may have been related, but that is entirely another
issue...)
However, bear in mind I have a preference for the the London cast
recording vs. Broadway, so I had do endure great tolerance of many
numbers.
I still was greatly impressed by Christeena Michelle Riggs as Eponine..
Sincerely, Belle
> WOW!!! I didn't realize how many people love talking about the role
> of Eponine. However, when I wrote the original message, it seems like
> people turned it around to be talking about Debbie Gibson. Frankly, I
> think Debbie Gibson is excellent, as I heard a bootlegged tape. When
> I was talking about the WORST Eponine, I meant Kaho Shimada, the most
> horrendous sounding voice on the Symphonic Cast. The role of Eponine,
> I will have to agree is a great part. Why, out of all the choices in
> the whole wide world would they choose her? She can barely belt, and
> she can't hold out the notes worth anything!!! I have seen different
> Eponines over the years, and the styles have been different. Most are
> young-sounding, almost whiny voices, some are very mature-woman
> voices, and some are quite pop--but they have one thing in
> common--they have "street voices"--and they make Eponine a strong
> girl, yet a waif. Kaho Shimada, does none of this. Frankly, she
> sounds like you know what. As I said before, this is a horrible
> injustice to the part. Let me give you evaluations of the Eponines
> available on Les Mis recordings in English.
> Original London---- Frances Ruffelle---sounds like a whiny girl,
> sings out of her nose.
> Broadway--- Frances Ruffelle again---more whiny, trying to sound
> American
> Symphonic----- Kaho Shimada----REVOLTING, THE WORST, SHE SUCKS
> Manchester ------ Meredith Braun ----nice voice, but she has the
> thickest English accent I have ever heard, and plus, the climax (the
> word "known") is pushed and sounds like a horrible scream from an
> animal, only with vibrato.
> WHY CAN'T ANYONE SING "ON MY OWN" correctly?
> Has anyone heard CANDESE MARCHESE? In my opinion, she is wonderful.
> Any thoughts or comments would be appreciated.
I really liked Meredith Braun as Eponine. I live in Manchester and
saw the show many times. She is from New Zealand which will probably
account for the different English accent! She is a really good
actress, especially when she is singing " A little fall of rain ",
she had me in floods of tears. She has a very powerful voice and I
thought that she sang " On My Own " with great feeling.
> Manchester ------ Meredith Braun ----nice voice, but she has the
> thickest English accent I have ever heard,
Er...I may not be remembering correctly, as it's been four years since
I saw her and the program's a few hundred miles away, so I can't check,
but isn't she from New Zealand, *not* England?
And FWIW, IMO she was far better live than you would guess from the
Manchester recording.
jennifer
--
*** j.ba...@dartmouth.edu *** http://www.dartmouth.edu/~jbarber/ ***
"I do not want people to be very agreeable, as it saves me the trouble
of liking them a great deal."--Jane Austen
>Has anyone heard CANDESE MARCHESE? In my opinion, she is wonderful.
I have a bootleg of her, she's just ok. Not the type of voice I pefer as
Eponine.
As for no one singing On My Own correctly..I think that's bull...
> In article <311B54...@ea.oac.uci.edu>
> Justin Mendoza <jrme...@ea.oac.uci.edu> writes:
>
> > Manchester ------ Meredith Braun ----nice voice, but she has the
> > thickest English accent I have ever heard,
>
> Er...I may not be remembering correctly, as it's been four years since
> I saw her and the program's a few hundred miles away, so I can't check,
> but isn't she from New Zealand, *not* England?
Yep, she's a Kiwi.;)
>
> And FWIW, IMO she was far better live than you would guess from the
> Manchester recording.
So true! She was the perfect Eponine--a great actress and a great singer too.
(And a really nice person...met her twice!)
She was so much better live than on the Manchester recording.
Gina
I, ah, wouldn't say that. There seems to be a lot of criticism for
one of the two you mentioned--a lot of people just don't want the
flack they'll get if they post their opinions. It's happened before
(on another list) so I don't blame them (I was the one who got all
the flack!)
Brandon
In message <311B54...@ea.oac.uci.edu>
Justin Mendoza <jrme...@ea.oac.uci.edu> writes:
> think Debbie Gibson is excellent, as I heard a bootlegged tape. When
> I was talking about the WORST Eponine, I meant Kaho Shimada, the most
> horrendous sounding voice on the Symphonic Cast. The role of Eponine,
> I will have to agree is a great part. Why, out of all the choices in
> the whole wide world would they choose her? She can barely belt, and
> she can't hold out the notes worth anything!!! I have seen different
> Eponines over the years, and the styles have been different. Most are
> young-sounding, almost whiny voices, some are very mature-woman
> voices, and some are quite pop--but they have one thing in
> common--they have "street voices"--and they make Eponine a strong
> girl, yet a waif. Kaho Shimada, does none of this. Frankly, she
> sounds like you know what. As I said before, this is a horrible
> injustice to the part. Let me give you evaluations of the Eponines
> available on Les Mis recordings in English.
When I saw Les Mis, Japanese version, in Tokyo in 1994, Eponine was Kaho
Shimada. She was very good with strong voice.
Recently I saw "She Loves Me" in Japanese version, and Kaho Shimada
was Ilona Ritter. I was convinced that she was a attractive singer.
So I can't believe that she was so bad.
I suppose she was unfamiliar with English lylics.
She is always good in Japan.
I am very sorry that you could't enjoy her singing.
Am I first Japanese in this newsgroup? :-)
Masaki Funaki,Yokohama Japan
KHB1...@niftyserve.or.jp
or/ RAM6...@pcvan.or.jp
> In article <311B54...@ea.oac.uci.edu>, jrme...@ea.oac.uci.edu says...
>
> >Has anyone heard CANDESE MARCHESE? In my opinion, she is wonderful.
>
> I have a bootleg of her, she's just ok. Not the type of voice I pefer as
> Eponine.
She was the last one I saw. While I don't remember much about her
vocally, I definitely didn't like the way she played the
character--bratty and obnoxious, particularly during the first act.
About as different from Meredith Braun's interpretation as possible;
Braun was much more likeable IMO.
>WOW!!! I didn't realize how many people love talking about the role
>of Eponine. However, when I wrote the original message, it seems like
>people turned it around to be talking about Debbie Gibson. Frankly, I
>think Debbie Gibson is excellent, as I heard a bootlegged tape. When
>I was talking about the WORST Eponine, I meant Kaho Shimada, the most
>horrendous sounding voice on the Symphonic Cast. The role of Eponine,
>I will have to agree is a great part. Why, out of all the choices in
>the whole wide world would they choose her? She can barely belt, and
>she can't hold out the notes worth anything!!! I have seen different
>Eponines over the years, and the styles have been different. Most are
>young-sounding, almost whiny voices, some are very mature-woman
>voices, and some are quite pop--but they have one thing in
>common--they have "street voices"--and they make Eponine a strong
>girl, yet a waif. Kaho Shimada, does none of this. Frankly, she
>sounds like you know what. As I said before, this is a horrible
>injustice to the part. Let me give you evaluations of the Eponines
>available on Les Mis recordings in English.
>Original London---- Frances Ruffelle---sounds like a whiny girl,
>sings out of her nose.
>Broadway--- Frances Ruffelle again---more whiny, trying to sound
>American
>Symphonic----- Kaho Shimada----REVOLTING, THE WORST, SHE SUCKS
>Manchester ------ Meredith Braun ----nice voice, but she has the
>thickest English accent I have ever heard, and plus, the climax (the
>word "known") is pushed and sounds like a horrible scream from an
>animal, only with vibrato.
>WHY CAN'T ANYONE SING "ON MY OWN" correctly?
>Has anyone heard CANDESE MARCHESE? In my opinion, she is wonderful.
>Any thoughts or comments would be appreciated.
I saw Candese on tour and she was just fabulous but I think the award
should go to Linzi Hately who is on the Stage By Stage video.
: >Broadway--- Frances Ruffelle again---more whiny, trying to sound
: >American
According to the original novel, Eponine Thenardier was suppose to
resemble a character similar to that of a mouse. I think if Victor Hugo
did the casting...he'd have to agree with Cameron, Alain, Claude-Michel,
John, Trevor, and Richard on this one. Not my favorite but hits the nail
on the head for casting purposes.
: >Symphonic----- Kaho Shimada----REVOLTING, THE WORST, SHE SUCKS
She's the first one I've ever heard take "On My Own" up to the D on
"...pretending..." definitely impressive considering the entire show was
performed phonetically by her. I'd like to hear you sing On My Own in
japanese.
: >Manchester ------ Meredith Braun ----nice voice, but she has the
: >thickest English accent I have ever heard, and plus, the climax (the
: >word "known") is pushed and sounds like a horrible scream from an
: >animal, only with vibrato.
Yes...that word did kind of say, "Back the ... up." But one note does
not an actor make...unless of course your Michael Crawford.
: >WHY CAN'T ANYONE SING "ON MY OWN" correctly?
There are people that can. For instance...the current Eponine in
London. Take a listen to the 10th Anniversary CD when it's released.
Between Lea, Jessica Snow Wilson, and Stephanie Martin (Paris Cast) I
think Eponine is doing okay for herself around the world.
Regards,
Yoda :)
______________________________________________________________________________
"Grass? We've been eating grass?"
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______________________________________________________________________________
>How could I possibly forget Sylvie Paladino...the current Ellen in
>Australia. What a voice! *sigh* What I wouldn't give for a copy of her
>playing Eponine.
I saw her in London and thought she was quite good. However, she
seemed to be singing "I Luff Him". There was definitely something
strange about her pronunciation on this song.
Did anyone see Gemma Wardle as Eponine? I saw her three times. The
first time she was stunning. Not so hot the senond and third times
though.
I still like Kaho Shimada. Ever since she appeared on the Royal
Variety Performance in the UK. I thought she was incredible. Her voice
does lack something on the CSR though.
Steve
---------------------------------------------------------------------------------------------------------------
Red Riding Hood screamed, not out of alarm at the wolf's apparent
tendency towards cross-dressing, but because of his wilful invasion
of her personal space.
(James Finn Garner, Politically Correct Bedtime Stories)
---------------------------------------------------------------------------------------------------------------
She floated the note "there" for a moment and then suddenly it grew bigger
and Bigger and BIGGER and ... then I reached for a napkin to clean my
pants.
ASF in CT!
I have to agree. Candese Marchese was the first Eponine I saw, but
Linzi Hately is the best I've heard on a recording. Actually, I was
really impressed by both Angela Pupello and Jennifer Rae Beck, whom I
saw on different tours. Though if we're to break into other languages,
I think I'll definitely go for Jane Comerford on the
German-language Vienna Cast Recording.
Kelson
"... then I reached for a napkin to clean my pants."
Thank you for sharing.
PAULinDISBELIEF
Brandon
HOW CAN YOU SAY THAT???!!! I've heard many different Eponines, and she is
definately the best. MOST other Eponines sound whiney, and I can't stand
that. Kaho Shimada not only has a terrific voice that blends wonderfully
with Michael Ball's, she sounds like a "street kid." She has more feeling
than any other Eponine I've heard. From what I've heard, she doesn't even
speak English. She had to learn the English lyrics just for the
recording, and she sounds great.
-autumn
Where did you get it? I would love to hear Debbie Gibson as Eponine, but
I don't live in New York.
-autumn
-autumn
I've been looking all over for Les Miz in German. Even when I was in the
largest music stores in Hamburg and Munich I couldn't find it. Do you
know where I can get a copy?
-autumn
> Hi autumn! I have 21 Les Miz cast recordings including 3 german (Austrian,
> Vienna and one other..) Talk about Eponine insanity.. i've got the entire LES
> MIZ insanity-obession !!! :)
Wait a minute, there's only one German language recording.
Vienna is in Austria, and German is the language which is spoken there.
michae...@uiowa.edu *** My Web pick of the day/week/whatever:
http://reedycreek.stanford.edu/recartsJH/
Features the musical Jekyll & Hyde, with pictures of the show
and several audio clips of the score. A visually striking page.
-Don't forget that Kaho Shimada knew NO english while recording the CSR. She
learned it all from memory, and by music. Give her credit for that!
Julie :)
Epon...@aol.com (who just joined this list!)
>>-autumn
Hi autumn! I have 21 Les Miz cast recordings including 3 german (Austrian,
Vienna and one other..) Talk about Eponine insanity.. i've got the entire LES
MIZ insanity-obession !!! :)
Take care,
Julie :)
Epon...@aol.com
: Hi autumn! I have 21 Les Miz cast recordings including 3 german (Austrian,
: Vienna and one other..) Talk about Eponine insanity.. i've got the entire LES
: MIZ insanity-obession !!! :)
I have 22 recordings of Les Mis (including the original Japanese single),
and I think there is only one in German that exists. That is the one
from Vienna (which is the capital of Austria- so Vienna cast= Austrian
cast). I'm not sure if the show has even played Germany yet- I know I
read that they were preparing a production, but I don't remember when it
was set to open. There are a couple recordings languages that might sound
similar to German though, such as Dutch.
-Faith :)
--
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
burw...@mail.sas.upenn.edu / Fait...@aol.com
"Life is never what you planned
Life is moments you can't understand."
-FALSETTOS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Yes, but where did you find the German versions? Can they be ordered?
-autumn
Julie :)
Epon...@aol.com
Saig...@aol.com
---------------------
Forwarded message:
From: msl...@blue.weeg.uiowa.edu (Michael Soliven Lara)
Sender: musicals...@world.std.com
Reply-to: musica...@world.std.com
Date: 96-02-21 23:41:54 EST
On Thu, 22 Feb 1996 Saig...@aol.com wrote:
> Hi autumn! I have 21 Les Miz cast recordings including 3 german (Austrian,
> Vienna and one other..) Talk about Eponine insanity.. i've got the entire
LES
> MIZ insanity-obession !!! :)
Wait a minute, there's only one German language recording.
Vienna is in Austria, and German is the language which is spoken there.
michae...@uiowa.edu *** My Web pick of the day/week/whatever:
http://reedycreek.stanford.edu/recartsJH/
Features the musical Jekyll & Hyde, with pictures of the show
and several audio clips of the score. A visually striking page.
_________________________________________________________________
To leave this mailing list, send mail to majo...@world.std.com
with the message UNSUBSCRIBE MUSICALS
Did you ever see Gemma Wardell in the London Production? She did a
really good job.
For the Vienna cast recording, try getting in contact with these folks:
Dress Circle
57/59 Monmouth Street
Upper St. Martin's Lane
London WC2H 9DG
Tel 0171-240-2227
Fax 0171-379-8540
This "Dress Circle" store in London has just about everything there
is to find when it comes to theatre stuff. Rare recordings, posters,
etc. Check it out and let me know if you have any luck.
Daniel
>: I think I'll definitely go for Jane Comerford on the
>: German-language Vienna Cast Recording.
>:
>: Kelson
>I've been looking all over for Les Miz in German. Even when I was in the
Wait, wait, wait. Currently there is only one Les Miz cast recording in the
German language, and that was the cast from Vienna, Austria (Called the WIEN
cast on the cover). Les Miz has never been performed in Germany, although it
will be premiering in Duisburg (near Duesseldorf) at the end of the year.
I would assume there will be a recording of this cast, although I don't know
for sure.
Tania
/---------------------------------------------------------------------------\
| Tania Velinsky | Avocado's Number: (n) |
| Ford Motor Company | The number of molecules in a |
| tvel...@pt8166.pto.ford.com | guaca-mole. |
\---------------------------------------------------------------------------/
Brandon
I personally think that the fact that Shimada knew no English when she was
signed for this recording is a reflection on both the silliness of the
producers and the weak lyrics - can you imagine trying to sing a song with
important lyrics without knowing what you're saying? Really! No matter
how well she sings, I think it was a stupid choice - I would rather have
heard her sing her stuff in her native Japanese and hear how she interprets
lyrics that mean something.
: I personally think that the fact that Shimada knew no English when she was
: signed for this recording is a reflection on both the silliness of the
: producers and the weak lyrics - can you imagine trying to sing a song with
: important lyrics without knowing what you're saying? Really! No matter
: how well she sings, I think it was a stupid choice - I would rather have
: heard her sing her stuff in her native Japanese and hear how she interprets
: lyrics that mean something.
Having played the role in Japan numerous times, I think Shimada knew what
she was singing and had a grasp on the character. :) She is also on 2
Japanese recordings (as well as an out of print single)
By the above logic, Americans shouldn't be singing Puccini or Wagner
because it isn't their native language... I doubt all opera singers are
fluent in all the languages in which they sing.
-Faith
No, Shimada didn't speak any English, but that doesn't mean that she
didn't know what she was singing. For some reason, I don't think the
dialect coach instructed her only on pronounciation, but on the meaning
as well. Haven't you ever sung in Latin or Hebrew or some other language
other than English? I have and believe me, you know what you're singing.
She knew very well what she was singing. The reason she was picked for the
CSR was because people were so touched by her performance of the role in
Japanese. I don't know where you get the idea that she didn't have a clue
what the words meant.
--
Melissa :-[ pon...@bga.com, Ponine on IRC, http://www.realtime.net/~ponine
"Emptiness is loneliness and loneliness is cleanliness and cleanliness is
godliness and god is empty just like me..."--Billy Corgan
"If you're going to clap you must clap in time."--Billy Corgan (Siva,
unplugged)
She's now playing Eponine in London, has anyone seen her yet?
James