Erik Martin
Keith Bauer jell...@research.att.com
Hye Yeon
After working in box offices for several years, I still cannot believe
the number of people who want to sit in the front row! Don't do it!
Particularly for a show like Les Miz, which has those huge barricades.
Why do you want to spend all night looking up the performer's noses,
getting sweat on and spit on, and missing anything that happens
upstage? The sound isn't mixed properly in the front row - you'll hear
an odd mix of live orchestra, stage monitor, and house speakers.
MOVE BACK!!
The front frow of the mezzanine is usually a very good place to sit, if
you can get reasonably center. Best of all possible worlds for most
shows is between 8-15 rows back in the orchestra, as center as
possible. Different theatres have different quirks in how the orchestra
slopes, and etc., and different shows have different demands, but
unless you are preparing to go on as an understudy, the front row of
the orchestra is pretty universally a lousy place to sit.
If you've got a choice of two locations that seem pretty equal to you,
ask the person selling you the tickets (if you are at the theatre -
through ticketmaster, they usually don't know, although you might ask
the operator if they are familiar with the theatre). GENERALLY, the
first seats that ticketmaster comes up with in the price range that you
want for the date that you want are the best thing available. That's
how the system is set up.
June
I would suggest orchestra seats about ten rows from the stage or the
front of the mezzanine. I've seen LES MIZ from both locations and loved
the show each time. The views were different and brought out different
things. I would avoid the back of the orchestra or the first three rows
of the orchestra.
Enjoy.
Brian