Given how the Baen brand has evolved over the years,"Baen Books" does not
make one think "Lamba and Tiptree-nominated author" but in the 1980s Jim
Baen reportedly made a point of looking for good new female authors and
his enhusiasm for gay-bashing SF [1] had not yet blinded him to works
of quality featuring protagonists outside the usual hetrosexual limits.
Post-Del Montefication [2], it may be hard to believe this ever came from
Baen but it did.
http://www.isfdb.org/wiki/images/b/b2/BKTG15695.jpg
And the cover wasn't even that bad.
Sadly, the font size is just at the limit I can read and the cost was paid
in migraines so this took longer to read than I planned for.
Melissa Scott is a Campbell Award winner whose books I probably have not
read enough of. I apparently didn't finish this one on the first go because
I found money tucked in amongst the pages, although I must have liked what
I did read because I didn't then sell it. I am also breaking one of my rules
because Jo Walton reviewed this in front of a lot more eyeballs then this will
attract but when she did there wasn't an ebook available.
Fourteen centuries before the book opens an interstellar voyage went horribly
wrong, marooning the survivors on Orestes and Electra, two inhospitable but
technically habitable moons of the gas giant Agamemnon. The colonists
prevailed but one of the consequences of the mishap is a harsh and demanding
social order, as well as a rich tradition of brutal internecine warfare.
Rather like a certain other series first published by Baen around this time,
the moons have come in contact with a galactic community, the Urban Worlds,
in comparison to whom the moons seem backward and cruel (not that that stops
the Urban Worlders from taking advantage of the chance to sell the local
advanced weapons). Trade with the Urban Worlds are forcing disruptive
economic changes on the moons.
The locals are not quite as doctrinaire as they used to be; transgressions
used to punished with death but now some are punished by declaring the
reprobates legally dead, consigning them to an existence not unlike the
one lived by the protagonist of Silverberg's "To See the Invisible Man",
present but willfully ignored, beyond the ken of polite society and
consigned to a ghetto whose main protection is that to destroy it would
require acknowledging its inhabitants. Trey Maturin, born in the Urban
Worlds, works as "medium", an intermediary between the living and dead.
Although for the first third of the book it looks as though a Romeo and
Julietesque romance has doomed the rival Kinships Brandr and Halex to a
grim future of peace and prosperity, a terrible mishap provides the
opportunity for mutual recriminations that very quickly spiral into open
warfare between Brandr and Halex. Both sides see the need to import
expensive and extremely destructive weapons; unfortunately for Halex,
Brandr's arrive first.
Although Brandr seems to have an unassailable advantage, the handful of
surviving Halex still have cards to play; legal shenanigans and bold
contravention of custom turn out to be games both sides can play.
[What is it about SF and court cases, anyway?]
Trey's gender is kept carefully ambiguous, which must have made recording the
audiobook that was announced a few years back interesting. What bits they
happen to be in possession of isn't seen as a character defining element by
the people of this time and Scott refuses to give in modern expectations.
Fans of military SF might find this a bit frustrating because most of the
carnage happens off-stage and not just because a lot of it is of the sort
that doesn't leave eye-witnesses. Violence shapes the choices available but
murder and egregious crimes against humanity are not the details the author
wants to illuminate.
This is a much better book than it needs to be. The plot itself is pretty
basic, a familiar story of ambitious aristocrats leading their clans into
a bloody conflict whose main accomplishment is to further undermine a society
already crumbling (Given the nature of this society, that would not be such
a bad thing if the process didn't involve so much violent death). The plot
almost seems an excuse to present the world building, the odd to our eyes
cultures of the two moons and the hints we get about the galaxy beyond.
The Kindly Ones can be purchased here
http://www.amazon.ca/The-Kindly-Ones-Melissa-Scott-ebook/dp/B009RCO0YE
1: I can and will supply quotations if provoked.
2: From an old ad:
RAVIS SHELTON LIKES BAEN BOOKS BECAUSE THEY TASTE GOOD
Recently we received this letter from Travis Shelton of Dayton,
Texas:
I have come to associate Baen Books with Del Monte. Now what is that
supposed to mean? Well, if you're in a strange store with a lot of
different labels, you pick Del Monte because the product will be
consistent and will not disappoint.
(These days a small number of authors appear to produce a disproportionate
fraction of Baen's books, reducing the variety even more)
--
http://www.livejournal.com/users/james_nicoll
http://www.cafepress.com/jdnicoll (For all your "The problem with
defending the English language [...]" T-shirt, cup and tote-bag needs)