In article <ujiluf$l$
6...@gallifrey.nk.ca>,
So what's next? Are we also going to have to retcon Darth Vader and take
him out of his iconic suit (which is the equivalent of a wheelchair--
he's disabled and it's what keeps him alive and allows him to be mobile
and interact with the world) because he's a villain and apparently there
are no bad disabled people in the world anymore (or something) so they
can never be shown as such.
It's ridiculous to have a franchise with major and intentional continuity
errors that will forever have to be explained to new fans that, "Yes, it
makes no damn sense for the character to be scarred and disabled in all
these episodes here, but over here the producers went woke and so this
is where we are."
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https://www.radiotimes.com/tv/sci-fi/doctor-who-davros-change-disabled-fa
ns-comment/
The decision made by Russell T Davies to change the appearance of
malevolent evil-doer Davros in DOCTOR WHO to remove the scarring and
wheelchair use is so significant for disabled fans across past, present,
and future generations.
As a disabled child growing up with DOCTOR WHO, I was instantly drawn to
the mysterious and chilling character of Davros; from the moment he
appeared on screen, his presence captivated and unsettled me.
But as I matured, an unsettling feeling of unease crept into my
consciousness. I couldn't get rid of the idea that Davros and countless
other DOCTOR WHO villains, such as John Lumic (Roger Lloyd Pack),
another wheelchair user, fell into a troubling trope that profoundly
impacted me and others.
As a character, Davros embodies a particular trope that has been present
in storytelling for centuries. It is the notion that a character's moral
and physiological nature are intrinsically linked. This idea is as
universal as it is old. It suggests that physical disability is telling
of inherently villainous or tragic characteristics, strengthening the
harmful notion that disabled individuals are somehow flawed, lesser or
tainted.
My memories of DOCTOR WHO are of the good sometimes mingled too tightly
with the bad.
The power of the trope can be felt before it is fully understood or
seen-- disabled people feel it in the way we're taken apart and put back
together again. Our experience of the prejudice and stigma such ideas
provoke is still fraught and muddy-- a mess of feelings.
Over time, you could gradually watch the light behind my eyes change
from innocent devotion to betrayal. For years, DOCTOR WHO had told me,
unwittingly, something was wrong with me.
But recently, DOCTOR WHO returned to screens with a particular scene
featuring Davros, who was played once again by Julian Bleach, without a
wheelchair or scarring-- and while viewers might have thought that it
was simply because this special scene was set before the accident that
left the character scarred and needing a support unit and means of
mobility, DOCTOR WHO showrunner Russell T Davies has clarified that it
was a conscious attempt to consider the sometimes uncomfortable history
of the show, and broader society, and how it ought to evolve.
On the new BBC Three companion series DOCTOR WHO: UNLEASHED, Davies
said: "We had long conversations about bringing Davros back, because
he's a fantastic character, [but] time and society and culture and taste
has moved on.
"And there's a problem with the Davros of old in that he's a wheelchair
user, who is evil. And I had problems with that. And a lot of us on the
production team had problems with that, of associating disability with
evil."
I had tears in my eyes as I watched a man I admire utter these words; it
was cathartic. But I wish they had been spoken earlier by someone who
looked, moved or talked like me.
Many have now risen to address and denounce these former practices and,
as Davies further comments: "I say, this is how we see Davros now, this
is what he looks like. This is 2023. This is our lens. This is our eye.
Things used to be black and white, they're not in black and white
anymore, and Davros used to look like that and he looks like this now,
and that we are absolutely standing by."
Their voices resonate with a generation searching for validation because
we've been told for so long that our concerns, feelings, and unease
don't matter.
However, changing how Davros was portrayed elicited strong emotions from
many fans, who quickly expressed their displeasure. Many argued that
they had never perceived Davros as a wheelchair user and believed the
character should remain untouched.
But this reaction misses a critical point. The significance of altering
Davros's image lies in the experience of disabled viewers. It is about
allowing them to watch and engage with the show without feeling a
creeping unease, without that early recognition that they are being
othered by their heroes or condemned even in other worlds.
One DOCTOR WHO fan shared their perspective on social media, stating
that the change in Davros's portrayal had "ruined" their childhood. I
encourage anyone who shares this sentiment to consider the impact of a
consistent stream of disabled villains on disabled children. What it
teaches them about their bodies and minds-- what it puts in their
imaginations.
While it is crucial to avoid removing disabilities or attempting to
"fix" disabled characters, their histories, their narratives or their
identities, Davros, being an archetypal villain, exists in that form
only to feed on prejudice and misconceptions. As Dr Kirsty Liddiard from
the University of Sheffield puts it, these characters must be more than
the "sum of their impairments".
Past, present, and future generations of DOCTOR WHO fans will feel the
impact of this change. It allows for more inclusive and representative
storytelling, where disabled individuals are seen as equals, and their
voices and feelings are listened to-- it's also a moment of validation,
of catharsis, for those of us told that our feelings of unease didn't
and still don't matter.