On Thursday, 19 July 2012 07:08:19 UTC+10, Old Movie Fan wrote:
> Without a theatre capable of exhibiting the wider image with a special
> projector, the Grandeur process was incompatible. As far as I know,
> only FOX had the cameras needed to film in 70mm.
>
> I'm no expert, but the 1930 film "The Big Trail" was_one of the
> first_American made films and to my knowledge, it was only exhibited in
> the U. S. and then only at the two theatres capable of showing it.
>
The Big Trail was advertised in The Sydney Morning Herald of 28 January 1931
AS SCREENED IN MARVELLOUS GRANDEUR FILM
Large ads also appeared in the Melbourne Herald on 30 March 1931 illustrating the Grandeur screen
and stating
" For the first time Grandeur Wide-vision film comes to Melbourne"
AS Peter Fraser stated, The Plaza Theatre Sydney was specifically built for
Grandeur. The theatre was built by Frank W Thring the managing Director of Hoyts Theatres in Australia who was a strong supporter of Grandeur.
Stanley S Crick, managing director of Fox Films in Australia was also a strong Grandeur Supporter.
Some people believe that this was all a con, and that Hoyts and Fox were deliberately hoodwinking the public and in fact it was 35mm film that was shown.
What evidence is there for this. NONE. Only speculation.
If a film is advertised in 70MM that is Prime facie evidence that the advertised film is in 70mm. If anybody wishes to refute that prime facie
assumption they should produce evidence not just speculation.
The Big trail was advertised as being screened in Grandeur in Sydney and Melbourne newspapers because it was shown in Grandeur in these cities,
Regards,
Peter mason
> When "The Big Trail" was filmed, there was another standard 35mm camera
> copy made of the John Wayne version as well as 35mm films in three or
> four other languages with different casts. These were all filmed at the
> same time and it must have been something to see the different casts
> watching one another, waiting their turn.
>
> In 1927, the first 70mm (widescreen) camera lens was used (briefly) in
> France shortly after Abel Gance's "Napoleon" was exhibited in the
> 'tripych' (3 Camera) format (a precursor to widescreen). Production on
> that film was halted by authorities and they were told they could not
> use the 70mm lens. In the documentary "Cinema Europe" you can see