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REVIEW: ZUSJE (LITTLE SISTER) (1995)

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Martyn Winkler

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Nov 27, 1996, 3:00:00 AM11/27/96
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ZUSJE
[LITTLE SISTER]
A film review by Martyn Winkler
Copyright 1996 Martyn Winkler

***1/2 (out of ****)

Zusje premiered in 1995 at the Dutch Film Festival. This low budget,
independent movie surprised all the festival's visitors and managed to
win the Golden Calf for Best Picture, bypassing favorites such as
Antonia's Line. To make things worse, it had broken many unwritten
rules in the Dutch film industry. First, Zusje was shot and edited on
video, and later blown up to 35 mm film. Secondly, the film's financing
did not come from the Dutch Film Fund. Normally this would mean an
immediate death for the project. The young makers of Zusje managed,
though, to raise a sufficient amount of money and successfully submitted
it to the Dutch Film Festival.

In many ways Zusje is innovating and daring. The entire film was shot
from the point of view of one of the main characters: Martijn (played by
Maarten Zomer, voice over by Hugo Metsers Jr., cinematography by Bert
Pot). He enters his sister's life (Daantje, played by Kim van Kooten)
with a camcorder, stating he wants to make a documentary about her. She
is surprised to see him, and hesitates to let him in her apartment.
After Martijn has passed through her front door, we start learning about
her life, her friends, and her interests. Her boyfriend does not
appreciate Martijn's snooping around in his personal life. A rivalry
between the two young men arises, both wanting Daantje for themselves.
Martijn plays a foul game trying to win Daantje's heart again.

The relationship between brother and sister is not without friction,
but Daantje is fascinated and controlled by her brother, and cannot let
go of him. Their ambivalent behavior towards each other hints to a
traumatic event in the past, which is gradually revealed to us during
the film. In the end Martijn wants to be able to look at Daantje
without using a camcorder.

Zusje is a fast-paced film, giving an accurate depiction of life among
young adults in Amsterdam. The director, Robert Jan Westdijk, has a
gift of telling a story without unnecessary details. The acting is of a
surprising high level, with one actor standing out. Roeland Fernhout is
brilliant as Ramon, Daantje's boyfriend, adding charming, hilarious, and
three dimensional traits to this character. The cinematography is
excellent. It is well lighted and utilizes a very 'naturalistic'
handling. It is not for the squeamish, though. After the 90 minutes
some might feel slightly nauseated by the fast swerving and turning of
the camera.

The makers of Zusje have succeeded in producing a contemporary movie.
It is a reflection of today's fast-paced world and the importance of
television and video. When Daantje threatens to destroy Martijn's
videotapes, he pleadingly responds: "Don't do it. Don't you
understand? If you destroy them, everything might as well not have
happened." In todays world, something only exists if it has been caught
on videotape.


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