So, I have been using the Zaxcom TRX 900 now for 5 weeks on my current
movie. I am not using any of the extended and unique features, no
recording, no IFB, no remote, just using them as straight wireless. I
can safely say without reservation that the Zaxcoms are my new favorite
wireless. First and foremost, the SOUND is the best I have ever heard.
Tons of dynamic range, even if the gain setting is not exactly optimal,
and dead quiet --- low level ambience is perfectly transmitted and voice
comes in very naturally from quiet to yelling. I am using DPA
microphones which I love but still waiting for Sanken to update the
COS-11 so that it will work nicely with Zaxcom.
The frequency agility is all new to me (I know it is standard procedure
for everyone else to scan the location, coordinate frequencies and all
that) and setting up the Zaxcoms to a clear frequency is a breeze (even
for me).
Battery life has been stellar: 5 hours + every time we have used them.
The only problem on this movie has been that our normal procedure is to
change batteries when we break for lunch but we haven't been breaking
for lunch on many of our shooting days --- just work straight through
and try and have someone bring us food between takes.
I look forward to utilizing some of the new unique features of the TRX
900, like the recording, remote and IFB stuff, but for now I couldn't be
more pleased with Zaxcom wireless.
Thanks for your feedback!
nvt
"Jeff Wexler" <j...@jwsound.net> wrote in message
news:jw-262EBD.08...@news.verizon.net...
> Jeff, thank you for sharing your experiences. Any complaints or
> problems with these units in the capacity you have used them, or has
> the experience been 100% positive?
I would say basically 100% --- the only negatives, for me personally,
actually apply to ALL wireless --- if you can't get the mic in the right
place it's not going to sound good, dealing with the actors physically
always has its own set of problems (battery changes are very quick and
easy however), and there is the ever present worry that you won't find a
clear channel. The on/off switch is a little difficult but this is a
good thing and a bad thing --- there is virtually no chance it can ever
get turned off while on an actor but you also have to really be sure
you've turned the unit on before putting it on someone.
- Jeff Wexler
This is great to hear. After years of using the older Stereolines as
camera hops for ENG and documentary use, I recently purchased a TRX900
with recording option and stereo adapter. It is now my "hero" camera
hop and I'm pleased to find that it is completely compatible with the
3 older units (all are Block 21) for multi-cam shoots, etc. I also
look forward to using the new one as a talent transmitter, but have
yet to have a lav wired for it. I assume the DPA you are using is the
4063. A couple of months ago I purchased a DPA 4061 wired for Lectro
MM400. I love the way it sounds, but have found it very susceptible
to clothing noise; much more so than Sanken or Countryman. I believe
the mics are similar in design; has this been an issue for you?
I agree about the COS-11. I'll probably start with a B6 for it
instead of the DPA. I plan to stick with Lectro as primary for talent
for now with the Zaxcom standing by if the internal recording option
is called for. Great to hear about the battery life too, as I
externally power the unit (through the stereo adapter) when I use it
as a camera hop. Yours is the 2 AA battery version, right?
Thanks,
Paul
Paul
The Transmitter will run 2 AA Lithiums for about 8 to 10 hours.
~Thomas Popp
Like Jeff I have been a die hard user of Audio Ltd. However, in the
past 2 years I've also cashed them all in for the Lectro 411a/SM
systems because of the frequency issues. After such great success with
the Zaxcom units, I will seriously consider some of their wireless
microphone systems as well.
One new feature that I haven't seen publicized yet, has showed up in
the last software upgrade. Zaxcom added a noise reduction feature.
It drops the noise floor of the mics about 15 db from 103 to 118 db.
They created it specifically for one client who had to deal with high
background noise levels but decided to add it as a standard feature.
I'm still experimenting with it. Unlike companders on analog radios,
the use of the NR is optional and all parameters are adjustable
(attack, decay, ratio, etc). I can see it coming in handy in very
soft scenes where self noise of the mic or even background traffic are
an issue, or scenes that go from quiet dialog to intense screaming.
The NR will drop the noise floor of the mic so post has more
flexibility with the softer passages. I haven't used it in the field
yet, but I'll start experimenting. I don't know if this feature will
eventually be remote controllable via the IFB... Glenn???
All the best!
Billy Sarokin
>Yours is the 2 AA battery version, right?
>
> Thanks,
> Paul
No, the 4 TRX 900's I have are all the CR123 (3 volt) type. If I wanted
to come up with some complaint it might be that the CR123 batteries are
quite expensive; they are available everywhere and as I said the run the
900 for at least 5 hours.
- Jeff Wexler
There are now rechargeable CR123 batteries. They don't last quite as
long as the disposables in my Surefire flashlight, but I've recharged
them many times.
I don't know what the performance would be with the TRX 900's.
Here's a link:
http://delkindevices.com/products/batteries/crv3/index.html
Bud Raymond.
I've heqard from a number of sources that lithium formulations have
changed somewhat to make them safer and that this will reduce the run
time by about 10-15%. So unfortunately, I don't think the 5 hour run
time will continue for much longer.
btw, I regularly use Sanken COS-11 mics with no ill effect. The B6 is
my standard mic and I usually only use the Sankens when SPLs are going
to be very high so it's possible that only very low level rf artifacts
are being hidden in the mush. I've also weaned out the bad Sankens.
Some are rfi free and others aren't. Over the last few years I've
retired the noisy ones. I don't know if Sanken has quietly come up
with a fix. Otherwise I can't figure out why some have rfi issues and
some don't. Perhaps there are very subtle differences in wiring the
connector that can have an effect. I remember when rfi proofing my
Schoeps (before they changed their amps) a diffrerence in 1/16th of an
inch in the length of the capacitor leads made all the difference.
All the best,
Billy Sarokin
Anyone know the wiring scheme for making a lav adapter Lectro um400 to
Zaxcom TRX900 input? Would be nice to not have to wire exclusively
for the TRX since I'm all lectro for talent TXs.
Now my only gripe with the system is the stereo adapter... the
orientation of the I/O is on the back. Makes it hard to place in a
bag, which is a vertical orientated world. Connectors coming out of
the back make the foot print too big. Would be nice to have the
connectors coming out of the top or sides or a combination of the two.
Another thing that bothers me and could be fixed with firmware is the
LCD light turning off when externally powered. I wish there was an
option to keep it on.
Otherwise feedback is 95% Awesome. Very happy. Looking forward to
more cool things from Zax.
-Austin Storms
Los Angeles, CA