On 2012-03-12 19:54:55 +0000, Bastette said:
> Exactly. I would call it a spiritual journey, in the secular way that
> you meant it. He started out as a selfish, shallow and egotistical jerk,
> and after going through many transitions - at first taking advantage of
> the situation to get whatever he wanted (eg, the Brinks truck), to becoming
> even more ego-inflated ("I am a god"), to becoming reckless and then
> depressed, and attempting many suicides, to deciding to use the time to
> better himself - which he did at first only to get Andie MacDowell** in
> the sack, but eventually, those activities became an end in itself, and
> finally ending up as a person with depth, compassion, interest in others,
> many skills and lots of friends and admirers (all of whom were accumulated
> in a single day). It may not be the deepest movie ever made, but there
> was more going on under the comedy.
I never saw the movie in quite that way. I just thought it was kinda
funny, but not worth that much attention.
> **The only negative thing about the movie. Couldn't they have picked
> someone less annoying for that role??
I thought he did a great job. It's much more difficult to find an
actor of significant artistic depth that can do humor. But one of the
more significant reasons why Murray was in the role was because Harold
Ramis and he were practically attached at the hip in those days. Murray
was the Toshiro MIfune to Ramis's Kurosawa, though it seems I've
confused Ramis the director with Ramis the screenwriter. They worked
together on Meatballs, Caddyshack, Stripes, Ghostbusters, Ghostbusters
II,
It has always evoked my curiousity, that there were significant
differences between them on the movie. At the conclusion, or perhaps
along the way, Murray said he would never work with Ramis again.
Apparently folks have given this movie more thought and honor than I
might have imagined. There is a web-page of trivia:
http://www.imdb.com/title/tt0107048/trivia
Which includes this:
"On the DVD, Harold Ramis states that the original idea was for him to
live February 2nd for about 10,000 years. Later he says that Phil
probably lived the same day for about 10 years."
… and this …
"According to the website Wolf Gnards, Bill Murray spends 8 years, 8
months and 16 days trapped in Groundhog Day. The website Obsessed With
Film claims he was trapped 12,403 days, just under 34 years, in order
to account for becoming a master piano player, ice sculptor, etc."
Ah! A partial balm for my curiosity:
"Bill Murray was undergoing a divorce at the time of filming and was
obsessing about the film. He would ring Harold Ramis constantly, often
in the early hours of the morning. Ramis eventually sent writer Danny
Rubin to sit with Murray and iron out all his anxieties, one of the
reasons why Murray stopped speaking to Ramis for several years."
Regarding my statement above that it's not worthy of "that much
attention", apparently many do not agree:
"In 2003, this movie was the opening night film in the Museum of Modern
Art's "The Hidden God: Film and Faith" series. A December 7, 2003, New
York Times article called "Groundhog Almighty" discussed both the
seeming incongruity of Groundhog Day being curated alongside such
"serious" films asLuis Buñuel's Nazarin, Federico Fellini's 8½, Ingmar
Bergman's Winter Light, and Andrei Tarkovsky's _Andrei Rublev_ and the
opinions of different clergy-people and religious adherents (including
rabbis, Jesuit priests, Buddhists, practitioners of Falun Dafa, and
Wiccans) about how the movie is applicable to or actually about their
respective religion."