Req for AB's dialogue
Vineet Sachdev
Hi RAMLIs!
Does anybody remember the dialogue sequence of "Sholay" between
AB and Mausi when he goes to talk to her reg Veeru's marriage.
I remember, somebody had posted it on the NG a long back.
BTW, I find these as one of the most homourous dialogues of the
movie. Most certainly, it is one of the greatest movies, Bollywood
ever produced.
Thanks in advance.
Vineet
UW-Madison User
Vineet Sachdev wrote:
>
> Hi RAMLIs!
>
> Does anybody remember the dialogue sequence of "Sholay" between
> AB and Mausi when he goes to talk to her reg Veeru's marriage.
> I remember, somebody had posted it on the NG a long back.
I'll try to start with a brief summary. I'm a die-hard Sholay fan but
I'll leave you die-harder Sholay fans to fill up the gaps I leave:
Vijay... :) sorry, Jay: Basanti bina shaadi ke ghar mein baithi hain
Mausi: Han, ek bojh hain. Par ye bojh aisa to hain nahin ki use kuey mein
daal doon. Ladke ke baare main poochna padta hain. Khandaan kaisa hain,
Laxan kaise hain. Kamata kitna hain??
Jai: Ab, kamaane ka to aisa hai mausi, ki ek bar shadi ho gayi to kamane
bhi lagega.
Mausi: Hai raam, matlab kuch bhi nahin kamata hai?
Jai: Aap galat samajh rahi hain. Par roj roj koi jeet thodi sakta hain.
Kabhi kabhi haar jaata hain bechara
M: Main samjhi nahin matlab
J: Ab mausi Jua cheez hi aisi hain.
M: Hai ram, to juari hain?
J: Chi Chi, wo to bhola bhala hain. Par ek baar pee lene pe kise hosh
rehta hain achche bure ki.
M: Oh, to peeta bhi hain.
J: Nahin, mausi, Veeru sharabi thodi hai. Ek baar shaadi ho jai to woh us
nachne wali ke ghar jaana band kar dega to peena apne - aap choot jayega.
M: Bas yahi ek kami rah gayi thi?? To beta yeh bhi batate jao ke tumhara
gunwaan dost kounse khandaan ka hai?
J: Bas mausi, khandaan ka pata chalte hi aapko khabar kar denge. To main
ye rishta pakka samjhoo?
M: Bhale 7 janam kuwari rahna pade, uske saath no shaadi. Waise, ek baat
ki daad deni padegi - bhale usme ek se ek kharabi ho, tumhare mooh se
uske liye tareefe hi nikalti hain. (Somewhere in the middle there is a
line saying "Sagi mausi hoon , sauteli maa nahin").
J: Mera to kuchch dil hi aisa hain. ( I think the "to shaadi pakki
samjhoo" line comes here and I've got things a little bit out-of-order
here - but what the heck, you've all seen the movie a hundred times
already).
Hope you guys like this. Please send corrections and the lines I've
missed so that I can read the whole thing and enjoy it, too.
----
Harit Modi
URL: http://www.cs.wisc.edu/~harit/papers.html
Email: ha...@cs.wisc.edu
Peeyush Ranjan
Let me improvize:
It goes:
Mausi: Haan beta, jawan ladki ghar me baithi ho to bada bojh bana rahta
Jay(Jaydev): Haan mausi, bada bojh hai aap par.
Mausi: Lekin bete, is bojh ko koi kuen me to nahi phek deta. Bura mat
manna par ye to poochna hi padega ki ladke ka laxhan kaise hain, kamata
kitna hai.
J: Ab kamaane ka to aisa hai mausi, ek baar shadi ho gayi to bas kamane
bhi lagega
M: Hai raam, to kya abhi kuchh bhi nahi kamata hai?
J: Arre nahi nahi mausi, kamata hai kamata hai, par roj roj jeet to nahi
sakta na, kabhi haar bhi jaata hai bechara..
M: Haar jaata hai?
J: Haan mausi, ye kambakht jua cheez hi aisi hai.
M: To kya juaari hai..
J: Chee chee chee mausi. Wo to bada seedha saadha ladka hai. Par ek baar
pee lee na to fir achchhe bure ka kahan hosh rahta hai, hath pakad ke
bithaa liya kisi ne.
M: To kya sharaabi bhi hai.
J: Arre mausi, shaadi ke baad uski ye sab aadat chhoot jayegi.
M: Beta, mujh budhiya ko samjha rahe ho, ye sharaab aur juye ki aadat
kisi ki chhootee hai aaj tak.
J: Arre mausi, aap Veeru ko nahi jaanti. Ek baar Basanti ki shaadi usse
kar ke to dekhiye. Wo gaane waali ke ghar jaana band kar dega, sharab
apne aap hi chhoot jayegi.
M: Hain, to kya kisi gaane wali ke ghar bhi aana jaana hai.
J: To isme kya burai hai mausi, gaana sunne to raja maharajaon ke
khandaan se log aate the.
M: Achchhaa beta, to ye bhi batate jao ki tumhare ye gunvaan dost kis
khaandaan ke hai.
J: Bas mausi, khandaan ka pata chalte hi hum aapko khabar kar denge.
M: Ek baat ki daad deni padegi beta, bhale tumhare dost me sau buraiyan
ho, tumhare muh se uske liye tareefen hi nikalti hain.
J: To.. main ye rishta pakka samjhoon?
M: Pakka? BHALE LADKI SAARI JINDAGI GHAR ME KUNWAARI BAITHI RAHE, MAIN
USSE AISE AADMI SE NAHI BYAAHNE WALI, SAGI MAUSI HOON, KOI SAUTELI MAA
NAHI.
J: (resignedly.. this is the best part) Azeeb baat hai mausi, mere itne
samjhaane par bhi aapne inkaar kar diya.. bechara Veeru, ab pata nahi
kya karega.
<Scene change>
Veeru: Mar jaunga.. kood jaunga.. Gaanv walon..
.......
.......
- Peeyush
Thought for the mail:
----------------------------------------------------------------------
Most people wouldn't know music if it came up and bit them on the ass.
-- Frank Zappa
----------------------------------------------------------------------
C.J. Gopinath
What a riot ! This exchange between Mausi and Amitabh
showcase amitabh's talent for comic timing like
no other!
and a pretty accurate reproduction of the whole
dialogue by Peeyush , nice going!
-Gopi
Peeyush Ranjan (pee...@sdd.hp.com) wrote:
: Let me improvize:
: It goes:
: M: Haar jaata hai?
: - Peeyush
--
_______________________________________________________________________
C.J.Gopinath
Tel:(H) 810 852 3698
gop...@mem.odu.edu
ugop...@vetri.com
http://www.mem.odu.edu/~gopin_c
______________________________________________________________________
KUL
OK, RAMLIs.....
After reading these dialogues, I couldn't help but think that something's
missing from these......SO! allow me to please post the EXACT dialogues
that took place, starting from the BEGINNING! Here it goes------>
------------------------------------------------------------------------------>
(Veeru (Dharm.) and Jay (Am.) are talking, while Veeru is drinking
'sharaab'.
VEERU: Aaj maine kuch socha hai.
JAY: hmmm...kabhi-kabhi yeh kaam bhi karnaa chaahiye.
VEERU: Aaj maine ek bohaut bada faislaa kiya hai.
JAY: main bataaun tera bohaut bada faisla?......tu Basanti se shaadi
karna chaahta hai.
V: aray..wah wah wah...tu mera sachcha yaar hai....ek yaar hi yaar ke dil
ki baat jaan saktaa hai.
J: aur wo yaar yeh bhi jaanta hai ki is saal me shaadi ka yeh tera aanthwa
faisla hai.
V: yeh final hai yaar!
J: subeh se daaru pi rahaa hai na?.......
V: yaar partner, mera ek kaam kar de.
J: kya..
V: woh Basanti hain naa, uski mausi ke paas jaakar, mere rishte ki baat
kuch is dhung se kar ki mausi shagoon leke aajaye.
J: main kyu karu..
V: are..ladke waale hi to jaate hain ladkiwalon ke ghar. Jay..aur phir is
duniya me tere siwa mera hain kaun...
J: dekh..shadi tune karni hain tu jaake baat kar.
V: zaraa soch...shaadi ke baad ek ghar hoga..
J: ghar to teraa hoga..
V: ek biwi hogi..
J: teri hogi..
V: saat-anth bachche honge..
J: tere honge..
V: par 'chaa-chaa' to tumhe hi bolenge naa....pyar se tumhaari goad me
khelenge...tumhaare kandhon pe jhulaa jhulenge...aur totli zabaan
me bolenge 'taataa-taataa' humko kahaaniya sunaao.
J: hmmm...yaani shadi ke baad tere ghar me mujhe aaya ki naukari milne
waali hain.
V: samjhaa...tu mera dost nahin hain. Laanat hain aisii do...(almost
throws his bottle away......but instead takes a 'ghuunt') isiliye
akad raha haina ke mera yeh kaam tere bagaire dusra koi nahin kar
saktaa...aaj meri maa hoti to meri kabki shaadi ho chuki hoti,
mere chote chote baal bachche hote...aaj mera baap hotaa to
band-baaje ke saath meri shaadi karke laata...mere bhai-bahan
hote, woh mausi ke pair chukar bhi..Basanti ki shaadi mujhse karwa
dete...lekin yeh mat bhool Jay, jiskaa koi nahin hotaa uska
Bhagwaan hota hai...Bhagwaan...(takes another
ghuunt)...(looking at Jay now) tu
woh dost nahin rahaa...tu nahin chaahata mein boorey dhandhey chod
kar ghar-ghrihasti basaa sakoon...(almost crying) meine tujhe kya
samjhaa thaa Jay...lekin tu..tu kya niklaa...
J:...(to himself)saala nautanki...khadi khadi drama kartaa hai... (now to
Veeru) chal bas-bas, bahaut ho gayaa hai. mein mausi se jaake baat
kar loonga.
V: sach...
--------------(AND here is the "MAIN COURSE"!!!)--------------------------
Mausi: aray beta..bas itna samajh lo ki ghar me jawaan beti sine par
patthar ki sil ke samaan hoti hai. Basanti kaa byaah ho jaaye to
chain ki saans loon.
Jay: haaaaan sach kahaa mausi aapne...badaa bojh hai aap par...
M: lekin beta is bojh ko koi kuen me to faink nahi deta. Buura nahi
maan naa...itna to puchnaa hi padtaa hai ke..ladke ka khaandaan
kya hai, uske lachchan kayse hai, kamaata kitna hai...
J: kamaane to....yeh hai mausi...ke ek baar biwi bachchon ki zimmedaari
sar pe aagayi to...kamaane bhi lagegaa...
M: to kya...abhii kuch bhi nahin kamaata?
J: nahin-nahin..ye maine kab kahaa mausi, kamaata hain lekin...ab roz roz
to aadmi jeet nahin saktaana...kabhi..haar bhi jataa hai bichaara...
M: haar jaata hain....
J: haan mausi..ab yeh kambakht joowa chiz hi aisi ab main kya
kahoon..
M: (shocked) haaiiinnnn....to kya juwaari hai?
J: chi chichichi mausi..woh aur juwaari, na nah...woh to bahaut hi achchaa
aur nek ladkaa hai...lekin mausi..ek baar sharaab pili nah..phir achche
bure ka kahaan hosh rahtaa hain. Haath pakad ke bidha liya kisine juwaa
khelne, ab isme bechaare Veeru ka kya dosh hai.
M: thik kehte ho beta...juwaari ho, sharaabi ho, lekin uska koi dosh
nahin.
J: mausi aap to mere dost ko galat samajh rahi hain...woh to itnaa sidhaa
aur bholaa hai...aray Basanti se uski shaadi karke to dekhiye...yeh juwe
aur sharaab ki aadat to do din mein choot jayegi.
M: aray beta..mujh budhiya ko samjhaa rahe ho. Yeh saraab aur juwe ki
aadat kisiki chooti hai aaj tak..
J: mausi aap Veeru ko nahin jaanti...vishwas kijiye woh is taraah ka
insaan nahin hai. Ek baar shaadi ho gayi, to woh oos gaane waali ke ghar
jaana bundh kar degaa, bas sharaab apne aap choot jaayegi.
M: hai-hai...bas yahi ek kamee reh gai thi....to kya kisi gaane waali ke
ghar bhi aana jaana hai?
J: to isme kaunsi boori baat hai mausi...aray gaana sunne to
rajaa-maharaja, unche-unche khaandaan ke log jaate hain...haan...
M: achchaa....to beta yeh bhi bataate jao ke tumhaare yeh gunwaan dost kis
khaandaan ke hain?
J: bas mausi khaandaan ka pataa chalte hi hum aap ko khabar dedenge...
M: ek baat ki daad doongi beta...bhale saon burayiaan hai tumhaare dost
mein, phir bhi tumhaare moonhse uske liye taarifein hi nikalti hain...
J: (smiling) hahah....ab kya karoon mausi...mera to dil hi kooch aisaa
hain.....tooo....mein yeh rishtaa pakkaa samjhoo?
M: (irritated) PAKKAA!..bhale sari zindagi ladki kunwaari baithi rahe,
lekin mai aise aadmi se Basanti ko nahin byaahne waali. Sagee mausi
hoon, koi sauteli maa nahin!
J: ajeeb baat hai...mere itne samjhaane par bhi aap ne inkaar kar diyaa.
ch......Becharaa Veeru...najaane kya karegaa...
-------------------------------------------------------------------------------
OK People.....Hope U enjoy this as much as I do!!!
Later,
Kul
Bansie
Hi RAMLIs!
Reading the dialogues of Jay, Veeru and mausi i suddenly wondered if Sholay
couldn't be patched up like Hollywood did to the Star Wars trilogy. And maybe
they could change the ending. (Both Veeru and Jay die :) or Both survive :| or
Jay moves in with the widow (Jaya).
Man i'm seriously getting carried away.
What do you people think?
Bansie
Faez Nasrudin Kaiser
Bansie (r.ba...@minvws.nl) wrote:
: Hi RAMLIs!
: Reading the dialogues of Jay, Veeru and mausi i suddenly wondered if Sholay
: couldn't be patched up like Hollywood did to the Star Wars trilogy. And maybe
: they could change the ending. (Both Veeru and Jay die :) or Both survive :| or
: Jay moves in with the widow (Jaya).
: Man i'm seriously getting carried away.
There is a "director's cut" of Sholay in which Sanjeev Kumar kills Gabbar
in the final scene. Ramesh Sippy remarked that when he first showed this
cut to the censors, they strongly objected to the idea of Thakur taking
justice into his own hands. Hence, the ending was modified to show Om
Shivpuri and his police cohorts arriving just in time to cart Gabbar away
to prison. There is also a scene in a prison (with Asrani as the warden)
that is not always available in most releases of Sholay.
Regards,
Faez
--
Faez Kaiser nasr...@glue.umd.edu
Electrical Engineering http://www.ee.umd.edu/~nasrudin
University of Maryland at College Park
Meenakshi Abbi
KUL wrote:
>
> OK People.....Hope U enjoy this as much as I do!!!
>
> Later,
> Kul
Thanks for that it was funny.
I can imagine AB and Dharm in these scenes..
I feel like seeing this movie now.
So does the drunk scene come after this..
the whole suicide part. ( one of the only
things i remember about this movie)
Meenakshi
Meenakshi Abbi
Bansie wrote:
>
> Hi RAMLIs!
>
> Reading the dialogues of Jay, Veeru and mausi i suddenly wondered if Sholay
> couldn't be patched up like Hollywood did to the Star Wars trilogy. And maybe
> they could change the ending. (Both Veeru and Jay die :) or Both survive :| or
> Jay moves in with the widow (Jaya).
> Man i'm seriously getting carried away.
>
>
> Bansie
I don't think it should be changed.. I mean people loved it the way it was.
I dont remember much about this movie (saw it when i was very young) besides
the drunk-suicide scene, the coin and the ending..
When AB is about to die and Jaya in white walks out and
he knows finally that she does love him.. right before he dies..
how heart-wrenching.. would u really want it to end any other way?
(my memory is a bit hazy.. i think the scene ended like that)
Well I think those who have seen it more (like everyone else on thi
group) would have a more valid opinion.
Meenakshi
KUL
Thanks for your input, Meenakshi. It's good to get some feedback.
the drunk scene with Veeru does come afterwards, right after those
dialogues.
("yeh sooshat" (suicide) kya hota hai?.... angrej log jab marte
hain to oose sooshat kehte hai...magar yeh angrej log narte kyu hai....
uhhh...) :)
hey....lemme know if u want me to post any other dialogues from "SHOLAY".
Later,
Kul:another one of AB's fans!!!
> KUL wrote:
>
> >
> > OK People.....Hope U enjoy this as much as I do!!!
> >
> > Later,
> > Kul
>
>
Peeyush Ranjan
Meenakshi Abbi wrote:
>
> KUL wrote:
>
> >
> > OK People.....Hope U enjoy this as much as I do!!!
> >
> > Later,
> > Kul
>
> I can imagine AB and Dharm in these scenes..
> I feel like seeing this movie now.
> So does the drunk scene come after this..
> the whole suicide part. ( one of the only
> things i remember about this movie)
>
> Meenakshi
The best part about that suicide scene is that Amitabh is coolly sitting
in one corner, sipping tea from a saucer.. great concept.
Sometimes the direction was really good.. like the evening when Amitabh
is riding a buffalo, and feels very embarassed seeing Jaya bhaduri
watching her.
--
- Peeyush
Thought for the mail:
----------------------------------------------------------------------
Malek's Law:
Any simple idea will be worded in the most complicated way.
----------------------------------------------------------------------
Minaz Amarshi
In article <335D4F...@sdd.hp.com>, Peeyush Ranjan <pee...@sdd.hp.com> wrote:
>Meenakshi Abbi wrote:
>>
>> KUL wrote:
>>
>> >
>> >
>> > Later,
>> > Kul
>>
>> I can imagine AB and Dharm in these scenes..
>> I feel like seeing this movie now.
>> So does the drunk scene come after this..
>> the whole suicide part. ( one of the only
>> things i remember about this movie)
>>
>> Meenakshi
>
>The best part about that suicide scene is that Amitabh is coolly sitting
>in one corner, sipping tea from a saucer.. great concept.
>
>Sometimes the direction was really good.. like the evening when Amitabh
>is riding a buffalo, and feels very embarassed seeing Jaya bhaduri
>watching her.
vax2.concordia.ca
In article <5j8e9l$flf$1...@hecate.umd.edu>, nasr...@Glue.umd.edu (Faez Nasrudin Kaiser) writes...
>There is a "director's cut" of Sholay in which Sanjeev Kumar kills Gabbar
>in the final scene. Ramesh Sippy remarked that when he first showed this
>cut to the censors, they strongly objected to the idea of Thakur taking
>justice into his own hands. Hence, the ending was modified to show Om
>Shivpuri and his police cohorts arriving just in time to cart Gabbar away
>to prison. There is also a scene in a prison (with Asrani as the warden)
>that is not always available in most releases of Sholay.
>
> Regards,
> Faez
There is also a song that takes place in Asrani's jail that was edited
out. The song however, remains in most of the audios of SHOLAY. The song was
picturized on Dharmendra, Amitabh and other prisoners. Another scene that was
cut was the scene where Sachin was killed by Gabbar. The filmonly shows his
dead body. Perhaps the censors found the scene to be too violent.
Perhaps Ramesh Sippy should release his 'director's cut' of SHOLAY in cinemas
in re-mastered DTS sound in 2000. That would be the 30th anniversary of the
film. There were also rumours that a sequel to the film was being planned but
how could SHOLAY work without Amitabh, Sanjeev Kumar & Amjad Khan.
Ashok Singh
Avinash Ghirnikar
>>There is also a song that takes place in Asrani's jail that was edited
>>out. The song however, remains in most of the audios of SHOLAY. The song was
>>picturized on Dharmendra, Amitabh and other prisoners. Another scene that was
>>cut was the scene where Sachin was killed by Gabbar. The filmonly shows his
>>dead body. Perhaps the censors found the scene to be too violent.
>>Perhaps Ramesh Sippy should release his 'director's cut' of SHOLAY in cinemas
>>in re-mastered DTS sound in 2000. That would be the 30th anniversary of the
you mean 25th. sholay was released on aug 15th 1975.
>>film. There were also rumours that a sequel to the film was being planned but
>>how could SHOLAY work without Amitabh, Sanjeev Kumar & Amjad Khan.
you are absolutely right about that.
--
avinash
Vinod Arekar
Faez Nasrudin Kaiser wrote:
>
> There is a "director's cut" of Sholay in which Sanjeev Kumar kills Gabbar
> in the final scene. Ramesh Sippy remarked that when he first showed this
I've seen this one in the US... Only on video though.
No full-screen one I saw had the directors cut.
> cut to the censors, they strongly objected to the idea of Thakur taking
> justice into his own hands. Hence, the ending was modified to show Om
> Shivpuri and his police cohorts arriving just in time to cart Gabbar away
> to prison. There is also a scene in a prison (with Asrani as the warden)
> that is not always available in most releases of Sholay.
>
I don't think that scene was in the above-referred version.