On 4/5/2012 11:26 AM, calvin wrote:
> On Wednesday, April 4, 2012 3:15:13 PM UTC-4, Bill Anderson wrote:
>> On 4/3/2012 6:35 PM, calvin wrote:
>>> On Tuesday, April 3, 2012 6:18:26 PM UTC-4, Bill Anderson wrote:
>>>> ... If you're interested in American politics, you really
>>>> ought to watch GAME CHANGE. Just be prepared for the possibility that
>>>> you won't look upon Sarah Palin in exactly the same way ever again.
>>>
>>> No thanks. I saw nothing new, pro or con, about Palin
>>> in what you posted, and definitely don't intend to pay
>>> to see another hit job on her.
>>>
>> The surprise (to me, anyway) is that it isn't a hit job.
>
> What is the point of making a movie about a person
> contemporary with the actors? (Julianne Moore may be
> older than Palin.) Palin, McCain, and everyone else
> involved are around and can be interviewed. A movie
> about Margaret Thatcher, for example, makes sense even
> though she is still alive because her politically active
> years were decades ago.
I'm not 100% sure, but I think I understand what you're getting at. I
just don't understand why you think it's important to make the point.
I mean, contemporary biographical movies are nothing new. I don't
remember complaints about Robert Redford and Dustin Hoffman being the
wrong age or otherwise inappropriate to play Woodward and Bernstein in
ALL THE PRESIDENT'S MEN. They were all contemporaries. In fact, I just
checked Wikipedia and both Robert Redford and Dustin Hoffman are older
than Woodward and Bernstein. Who cares? ALL THE PRESIDENT'S MEN came
out about four years after the events of the 1972 campaign; GAME CHANGE
has come out about four years after the 2008 campaign. And there's a
long list of biographical movies that have been released while their
subjects still lived, with varying degrees of contemporaniosityness,
e.g. (off the top of my head) ALI, SERGEANT YORK, ERIN BROCKOVICH,
RAGING BULL, THE SPIRIT OF ST. LOUIS ... it's a substantial list. So
what's the "point" of making them? They are all fascinating stories
that make good movies. Of course studios make movies from these
stories. People write books about the stories too, and magazine
articles and you name it. If it's a good story and if there's a good
script and you think there's an audience, you certainly don't wait
around politely for the principals to die off. You interview the
principals and the other key players and you write the book and you
adapt it to make the movie and those who feel they've been wronged can
show evidence to contradict any lies. (Something that seems not to be
happening in the case of GAME CHANGE.)
>
> Using actors portraying McCain and Palin can do nothing
> but muddle the issues, even if the movie is sympathetic
> or empathetic. At the certer we have McCain and Palin,
> alive and available for interviews. Over that is another
> layer represented by the book, including the author's
> prejudices, pro or con. Then there is another layer
> represented by the screenplay writer and director, with
> their prejudices, pro or con. And finally, on top of that
> is the layer of the actors' portrayals, with their
> prejudices, pro or con.
>
> Why on earth would anybody think such a process is useful
> when the principals are alive and available?
The movie was based on a book which was based on those interviews you
and I and everybody else value. Actually, GAME CHANGE the book by John
Heilemann and Mark Halperin covered lots more than just the McCain/Palin
campaign. Based on hundreds of those interviews, it's full of juicy
highly readable behind the scene embarrassing details about how Hillary
Clinton wasn't sure whether she could control Bill, and about the
egotistical John Edwards and his not-so-saintly wife Elizabeth, about
how different the calm, professorial, stage-managed Obama we see is from
the man in private. Authors write books like this because they know
people are eager to read this stuff. And like good capitalists, the
authors had better ensure that what they write can withstand scrutiny,
else they'll turn out disgraced and untrusted like that guy who spiced
up his one-man play with exaggerations and lies about Apple. (Actually,
he's supposed to bring his show back to the Woolly Mammoth Theater here
in DC. It's one block from my condo, but that liar won't get a dime
from me and now I'm totally off the subject -- never mind, you didn't
read this detour.)
So why doesn't GAME CHANGE include all those other stories? Why pick
one "plot" thread from the book and ignore the others? I'm pretty sure
the Palin story was the most compelling, the central character the most
complex among those to choose from. Sarah Palin's star outshone nearly
everybody else's in the campaign, certainly Biden's, and arguably even
McCain's. (OK, not Obama's.)
Why does the movie have to be "useful?" Useful for what? Persuasion?
Changing people's minds about Palin and the 2008 campaign? I didn't see
propaganda in the movie. OK, I suppose the movie won't go over very
well for anybody who holds an ironclad immutable opinion about Sarah
Palin that's way out there on either end of the love/hate spectrum.
Those who love her probably won't enjoy seeing her deficiencies exposed
and those who hate her will resent feeling empathy for a very decent
woman trying to cope as best as she can with what was for her an
impossible situation. I'm not one of those people, and I really enjoyed
the movie. Clearly YMMV.