On 2015-09-21 01:27:58 +0000, Agamemnon said:
> On 21/09/2015 01:09, Andrew M wrote:
>> On 2015-09-20 23:43:42 +0000, Agamemnon said:
>>
>>> On 20/09/2015 15:58, Andrew M wrote:
>>>> On 2015-09-19 22:56:28 +0000, Agamemnon said:
>>>>
>>>>> The Magician's Apprentice
>>>>>
>>>>> New title sequence... there wasn't one!
>>>>>
>>>>> After the prologue and the prequel everything is given away in the
>>>>> pre-title sequence. Then come the stupid clocks. When is Peter Capaldi
>>>>> going to be given a decent set of opening titles? These continue to be
>>>>> the worst titles in the series ever.
>>>>>
>>>>> Why was the episode called The Magician's Apprentice? Who was the
>>>>> Magician? Who the Apprentice? What did any of it have to do with the
>>>>> original story the title came from? Where were the animated broom
>>>>> sticks carrying buckets of water? What happened to the Peer Gynt
>>>>> Suite? Where was Mickey Mouse? There wasn't even any magic.
>>>>
>>>>
>>>> Comment dropped to beneath spoiler space
>>>>> The Master Mind of Skaro
>>>>
>>>> The Magician is the Doctor - the axe-wielding barbarian-cum-dalek uses
>>>> that term to describe him. It seems that the Doctor's decision not to
>>>> save the boy Davros taught him a lesson in callousness making Davros the
>>>
>>> And like the war didn't? And the Doctor hasn't actually chosen not to
>>> save him yet otherwise I might have come to the came conclusion.
>>
>> The fact that Davros still had the sonic screwdriver is a fair lead
>> there. That the Doctor muses on the question "Who made Davros?" is
>> another. That The Doctor had gone when the smoke cleared... I could go on
>>
>
> He came back with a Dalek weapon.
In the teaser for the next episode. Which, as you have already stated,
suggests that he attempts to kill Davros. Now I'm sure that's not the
case, but I'm not sure we should read any more into this
>
>>>
>>>> Apprentice. The reference is not to the traditional story, it is simply
>>>> a familiar title
>>>>
>>>
>>> It lost the episodes 2-4 million in the ratings since it didn't
>>> describe what was in the box.
>>
>> That's a nonsensical statement. Those ratings are those that watched the
>> show at time of airing. Those who didn't tune in couldn't have known
>> what the story did, or did not involve
>
> Of course they did. They could have either continued watching or left.
> It's seems that around 2-4 million of them left on average during the
> whole 50 minutes.
You seem to be assuming that those 2 - 4 million people started
watching. I'm not sure where you get your information from on that.
Were they watching BBC1 up to the point where Doctor Who came on?
>
>>
>>>
>>>>>
>>>>> So the Doctor encounters a child in the middle of a mine field and
>>>>> mistakenly attempts to save his life by tossing him his sonic
>>>>> screwdriver only to find out that this child is actually Davros the
>>>>> Dark Lord of Skaro. Who does Moffat think Davros is, Vodermort? Sauron?
>>>>>
>>>>> Stephen Moffat has obviously decided to go back to the original source
>>>>> material for the Daleks and their creator, namely The Chessmen of
>>>>> Mars, The Master Mind of Mars and Synthetic Men of Mars by Edgar Rice
>>>>> Burroughs, with this plot since it opens much like the start of The
>>>>> Mastermind of Mars.
>>>>>
>>>>> The so called "hand mines" basically hands with eyes in them that try
>>>>> to pull you into the ground are obviously an allusion to the Rykors
>>>>> from The Chessmen of Mars and probably don't have any heads. I presume
>>>>> that they were left there by the Kaleds since they were attacking a
>>>>> black soldier and since I doubt that Kaled society would be
>>>>> multiracial the soldiers must have been Thals.
>>>>>
>>>>> After the initial premise is set up Moffat proceeds to inflict on the
>>>>> viewer half an hour of pointless time wasting with Missy prancing
>>>>> around with Clara and the Doctor prancing around with a rock guitar in
>>>>> the middle ages which could have been completely edited out and not
>>>>> made any difference to the actual plot.
>>>>
>>>> The "prancing around" you refer to exists to create light and shade
>>>> within what would otherwise be a somewhat dreich plot. Even Shakespeare
>>>> included fools in his tragedies
>>>
>>> Shakespeare did not have fools prancing around playing rock guitars,
>>> making idiotic jokes about tanks or zapping innocent people to death
>>> will nilly. Those scenes especially the Doctors were a badly written
>>> comedy fest that ruined the entire episode.
>>
>> No. He had them playing lutes and singing songs and telling idiotic
>> jokes about the ability of men to have sex when they are drunk. That you
>
> Much better than the Doctor prancing around with a rock guitar and
> cracking idiotic jokes about tanks they couldn't possible understand.
>
>
>> didn't like the scene is fair enough - it didn't entirely wow me either:
>> I thought it too long. I did not, though, think it "ruined the episode"
>>
>
> It along with the Missy stuff wasted 30 minutes of the episode which
> could have been more wisely spent on exposition of the main theme. It
> ruined what could have been a good story with idiotic fooling around
> instead.
So what was the main theme? That The Doctor's decision not to save
Davros had in fact created the monster that Davros turned out to be?
Sure, there may be a twist to that, but in the context of of this
episode I really don't think that theme needed any more 'exposition'.
To some degree I take your point, but not for the same reasons. I think
that having both Missy and Davros in a single story risks misplacing
the focus of the story, but I think that has been avoided really quite
skilfully
>
>>>
>>>>
>>>>>
>>>>> Finally the Doctor, Missy and Clara are transported to Skaro along
>>>>> with the TARDIS and the latter two protagonists exterminated, the
>>>>> TARDIS destroyed, while the Doctor is trapped with Davros's who tells
>>>>> him he's dying and the Doctor hasn't long left to go either.
>>>>>
>>>>> So where is this all leading?
>>>>>
>>>>> The episode ends with the Doctor traveling back in time to seemingly
>>>>> exterminate the boy Davros.
>>>>>
>>>>> Going by today's infantile standard of cliffhangers I doubt Davros is
>>>>> the one the Doctor is pointing the Dalek weapon at.
>>>>
>>>> "Today's standards" have nothing to do with it. Doctor Who's
>>>> cliffhangers have often involved misdirection. A cliffhanger that, for
>>>> example, really did see the Doctor obliterated might be a little hard to
>>>> follow up
>>>
>>> No. Classic Doctor Who rarely involved misdirection on that obvious
>>> idiotic level. Davros is obviously still alive in the future therefore
>>> he can't have died in the past.
>>
>> Which would make the whole of "Genesis Of The Daleks" nonsense, wouldn't
>> it? The Timelords sent The Doctor back into the past to prevent the
>> creation of the Daleks. The Daleks clearly existed in their future so -
>> by your argument - they could not have been destroyed in the past.
>> Rather takes the dramatic edge out of that classic serial, doesn't it?
>>
>
> The Time Lords sent the Doctor back to either prevent their creation or
> alter their future development.
That doesn't negate the point.
>
>>>
>>>>
>>>>
>>>>>
>>>>> Is the Doctor trying to change the course of history by saving Davros
>>>>> instead of leaving him to save himself or by not saving him?
>>>>>
>>>>> So my predictions for The Witches Familiar.
>>>>>
>>>>> 1) There's not going to be any witch or any familiar either. Let's
>>>>> rename it Synthetic Men of Skaro
>>>>
>>>> No. Let's call it "The Witch's Familiar" trying to preguess where a
>>>> story is heading solely on the basis of perceived relationships with
>>>> earlier works is rarely fruitful, and I'm not at all I sure I find your
>>>> association of this story with Burroughs's work entirely persuasive
>>>>
>>>
>>> The premise of Genesis of the Dalkes with the Daleks turning on their
>>> creator and making them into their slave like he is now was obtained
>>> from around chapters 4 to 6 of Synthetic Men of Mars and Davros was
>>> based on Ras Thavas. The Daleks evolution into nothing more than heads
>>> with tentacles, their actual appearance and belief that they were the
>>> superior being in the universe and their infallibility was derived
>>> from the Kaldanes from The Chessmen of Mars.
>>
>> So you say, but give me leave to doubt
>>
>
> You can doubt all you like but that isn't going to change the fact that
> Kaldane rearranged is Dalekan and that Ras Thavas rearranged and
> phonetically shifted is ThavaRas or Davros and that ERB used the same
> technique or rearranging names in Synthetic Men of Mars itself.
Oh come on! Really? Do you really think that Moffatt sought out a
rather obscure pulp sci-fi novel to base his story on because its
protagonists had names that were anagrams of 'Dalek' (with an extra
syllable) and 'Davros' (not at all). Seriously? If a crossword setter
went for "rearranged and phonetically shifted" I'd want my money back.
And no - there is no amount of rearranging and phonetic shifting that
can turn Ras Thavas into Davros. Too many sibilants.
>
>>>
>>>>>
>>>>> 2) The Doctor goes back in time and saves the boy Davros and agrees to
>>>>> liberate Davros's island. In return Davros agrees to live out the rest
>>>>> of his life using his medical skills to help people in need in the
>>>>> same way Ras Thavas (the original basis for Davros) does at the end of
>>>>> The Mastermind of Mars.
>>>>>
>>>>> 3) Davros reveals that his original plan for the Daleks was to use
>>>>> them to take back his laboratory which was captured by the Thals so
>>>>> that he could carry out his work as a healer. Basically the same
>>>>> reason Ras Thavas had for creating the Synthetic Men of Mars before
>>>>> his experiment went out of control and he become their servant rather
>>>>> than their master.
>>>>>
>>>>> 4) Davros gets the Doctor to transplant his brain into a new body as
>>>>> Ras Thavas got Vad Varo to do in The Mastermind of Mars.
>>>>>
>>>>> 5) Departing from ERB, the whole plot is revealed to be a deception to
>>>>> get the Doctor to save Davros as a boy and bring about the creation of
>>>>> the Daleks. Basically a rewrite of Revelation of the Daleks.
>>>>>
>>>>> 6) The Daleks decide that with Skaro free of Thals it is now time to
>>>>> return to humanoid form.
>>>>
>>>> I don't expect any of that to happen, but it's an interesting storyline
>>>> in its own right
>>>>
>>>>>
>>>>> Finally the score
>>>>>
>>>>> 10/10 for entertainment.
>>>>>
>>>>> 72/100 for the quality of writing of the story which was ruined by the
>>>>> pointless prancing around by the Doctor with a rock guitar in the
>>>>> middle ages and Missy needlessly killing whoever took her fancy just
>>>>> for laughs and other time wasting. Why was Missy even written into it
>>>>> in the first place only to kill her off?
>>>>
>>>> Guessing - not really dead?
>>>>
>>>>> What additional purpose does she serve? It would have been better to
>>>>> have replaced all that with something more relevant to the themes
>>>>> raised by Tom Baker's speech in Genesis of the Daleks and concentrated
>>>>> on the story of the boy Davros and how he ended up in the middle of a
>>>>> battlefield. Also Moffat's perpetual writing of everything out of
>>>>> sequence is getting really annoying.
>>>>
>>>> I'm not sure it makes any difference why and how the boy Davros wound up
>>>> in the middle of a battlefield. The set-up would have to have preceded
>>>
>>> Of course it does. I would explain if he was a refugee or a child
>>> soldier and therefore his motivation.
>>
>> But that misses my point. The storyteller is telling you that this
>> encounter with The Doctor (may have) shaped his future development. The
>> storyteller is telling you the The Doctor (it seems) believes this may
>> have been the case. Insisting that the storyteller should have brought
>> in a whole extra set of threads to the narrative that might have made
>> this more complex is entirely a reasonable point for a novel, but in a
>> 45-minute television story I'm not sure it would have added anything
>> significant
>
> Going by the sharp drop in the ratings it's is evident that it would
> have added something more significant than the main protagonists
> idiotically prancing around and it would have got people who
> immediately switched off or to ITV the moment that the name Davros was
> mentioned to keep watching.
When did the ratings drop? Before the show started or at the point you
are unhappy about? When, exactly, did people switch away?
>
>>
>>>
>>>> his encounter with the Doctor - especially as you are keen on things
>>>> being 'in sequence' which would, I think have dulled the effect of the
>>>> revelation of his name.
>>>
>>> Which would have meant nothing other than to serious fans. Look at how
>>> badly this episode did in the ratings with only 4.58. That's the worst
>>> season opener of the new series and one of the lowest ratings ever.
>>
>> Again I remind you that those people - both those who watched and those
>> who didn't - HADN"T SEEN the episode. Judging the episode by the rating
>> is nonsensical. What it actually means is that what has gone before, and
>> the BBC's publicity, were not enough to get people to watch
>
> Do you understand statistics?
>
> The same 4.58 million people did not start watching at the start of the
> episode and continue watching until it ended. The 4.58 million is made
> up of only about 30 or 40% who did that. The rest who make up the
> majority came in at different points during the episode and watched for
> different lengths of time. The final figure is an average. It tells you
> that a substantial part of the people who had seen part of the episode,
> possibly 10 to 12 million (12-18 million being the entire viewing
> public at that time), decided it was not worth watching all the way
> through. If the story was any good it would have got 8-10 million
> viewers.
And you know that how, exactly? How do you measure how long people
watched for? I understand averages pretty well. I know that you can't
derive a maximum number (your 10-12 million) from the average without
some data on how long, on average, people watched for or without some
kind of information on how many people actually tuned in for any of the
episode. I would love to know, exactly, how you get your percentage
points of 30% or 40%. Key to the argument is, how do you know that
10-12 million people saw some of the episode?