From the descriptions I've heard it sounds kind of like
prom dancing (ugh), so I'm sure I'm missing something here...
Anyone? (and since I dance WCS, comparison and contrast may help me)
--
Asya Kamsky
webmaster, The Next Generation Swing Dance Club, http://www.tngsdc.org
never speaking in official capacity.
Paulette Brockington from Detroit taught a workshop at Norma Miller's
recent Swing by the Sea in Monterey and it is on our video notebook
tape. She also just produced some tapes of her own and my guess is one
of those is likely on "Blues Dancing". You can reach her at
313.869.9385 if you would like more info.
On 1 Aug 2000 21:21:06 GMT, as...@baygate.bayarea.net (Asya Kamsky)
wrote:
Bob Ford
Images In Motion
Prom dancing done by people who know how to dance :-) If you have a
floor full of couples balancing on each other and swaying, and one or
two couples actually dancing something interesting and interpretive to
the same music, the latter couples may be blues dancing.
Think slow dancing with variable amounts of sensuality, sleaze,
and/or schmooze depending on the participants' comfort levels. Great fun
with the right partner, and terribly uncomfortable otherwise.
>Anyone? (and since I dance WCS, comparison and contrast may help me)
If the local WCS venues were to play non-NC2S down at ~80 BPM, blues
dancing would probably emerge spontaneously. Um, musicwise some examples
might be "Every Minute, Every Hour, Every Day" (on the "Tin Cup"
Soundtrack), and the perhaps eponymously named "Blues In The Night" by
Joe Turner.
Jon
__@/
I have not seen "blues" as such described in 1910s dance mauals. But I
suspect that in the early 1910s the steps would have been a slow one-step
and after the mid 1910s (when the fox trot developed) a fox trot or
one-step.
Fran Grimble
---------------------------------------------
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Books on historic costume and vintage clothes
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> Think slow dancing with variable amounts of sensuality, sleaze,
> and/or schmooze depending on the participants' comfort levels. Great fun
> with the right partner, and terribly uncomfortable otherwise.
Gosh we need more Lindy Hoppers on this group.
This is how I'd describe it. Except that I'd say really sleazy, and
hopefully with someone you know well enough - or with someone who knows
it's just dancing.
Laurie Z. MST #65818
You do it, I'm bitter. -Crow
Funny, what Jon was describing sounded to me exactly like one of my
favorite WCS dances.
Lusty
Sounds like you've danced with Simon, then? :-)
>hopefully with someone you know well enough - or with someone who knows
>it's just dancing.
Jon
__@/
Lindy Hop does not always have to be danced to a slow music. For
example, you can lindy to songs like "Jump Jive and Wail" (Louie
Prima's), "Goody goody" and "Flat Foot Floogie" (several variations),
"Is You Is or Is You Ain't My Baby" and even "Sing Sing Sing" (Benny
Goodman's). I admit, at the speed of "Sing Sing Sing" there is not
much styling and footwork you can do but it's quite enjoyable to do it
once in a while, say twice out of twenty or so dances.
> This is how I'd describe it. Except that I'd say really sleazy, and
> hopefully with someone you know well enough - or with someone who knows
> it's just dancing.
>
> Laurie Z. MST #65818
> You do it, I'm bitter. -Crow
Regards,
- VP
--
Vlad Petersen | <vladimip at uniserve dot com>
Vancouver, BC | *Good pings come in small packets*
I don't think Laurie was saying that lindy *should* be slow. We are
talking blues dancing here, which is a term I've heard used to
describe the slow, close dancing lindy hoppers do when the music
is ballad-style, very slow, like 80 bpm.
but blues dancing isn't the same as lindy hop
here's a description of a workshop session I took on this,
with Steven Mitchell and Louise Thwaite:
http://www.halcyon.com/anitar/journal/122898.html
another entry -- a pre-dance class that I just observed:
http://www.halcyon.com/anitar/journal/1999/080699.html
when I was in Portland OR last summer, for the Portland
Lindy exchange, I danced a close one with a Seattle friend.
it does help the comfort level if you know your partner.
http://www.halcyon.com/anitar/journal/1999/072599.html
regarding lindy hop not *having* to be slow, I like a broad
range of tempos, from very moderate to as fast as I can handle!
--
Anita Rowland
Anita's BOD -> http://www.halcyon.com/anitar/journal/
Anita's LOL -> http://anitar.pitas.com/
I do some sleazy stuff often prefaced with "Is your husband watching?" A
not unusual license is "We know it's just dancing". So do I.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Icono Clast -- A San Franciscan posting from San Francisco.
Sent via Deja.com http://www.deja.com/
Before you buy.
> In article <zimm-03080...@fjerntal.humgen.upenn.edu>,
> Laurie Z. <zi...@hhmi.upenn.edu> wrote:
> >Gosh we need more Lindy Hoppers on this group.
> >
> >This is how I'd describe it. Except that I'd say really sleazy, and
>
> Sounds like you've danced with Simon, then? :-)
Simon Selmon? Yeah!
> "Laurie Z." wrote:
> >
> > In article <8m7r06$br8qo$1...@fido.engr.sgi.com>, nos...@oddhack.engr.sgi.com
> > (Jon Leech) wrote:
> >
> > > Think slow dancing with variable amounts of sensuality, sleaze,
> > > and/or schmooze depending on the participants' comfort levels. Great fun
> > > with the right partner, and terribly uncomfortable otherwise.
> >
> > Gosh we need more Lindy Hoppers on this group.
>
> Lindy Hop does not always have to be danced to a slow music. For
This is true but we are talking about blues dancing.
> In article <zimm-03080...@fjerntal.humgen.upenn.edu>,
> Laurie Z. <zi...@hhmi.upenn.edu> wrote:
> >
> >In article <8m7r06$br8qo$1...@fido.engr.sgi.com>, nos...@oddhack.engr.sgi.com
> >(Jon Leech) wrote:
> >
> >> Think slow dancing with variable amounts of sensuality, sleaze,
> >> and/or schmooze depending on the participants' comfort levels. Great fun
> >> with the right partner, and terribly uncomfortable otherwise.
> >
> >Gosh we need more Lindy Hoppers on this group.
>
> Funny, what Jon was describing sounded to me exactly like one of my
> favorite WCS dances.
Blues= hardly any patterns though, just a lot of body leads and improv.
Extremely close contact improv :-)
Jon
__@/
> Extremely close contact improv :-)
Now you're talkin'!!!!!
exactly... sounds to me like sumpin Spider an I have been doin fer years. Kinda
melting pot of WCS and Foxtrot and Niteclub done to Blues below 60 BPM...
L. Perez
"Let a rotten saying not proceed from your mouth, but whatever saying is good
for building up as the need may be..."-YHWH
> >what Jon was describing sounded to me exactly like one of my
> >favorite WCS dances.
> exactly... sounds to me like sumpin Spider an I have been doin fer
years. Kinda
> melting pot of WCS and Foxtrot and Niteclub done to Blues below 60
BPM...
Some years ago I was "dancing" with a non-dancer perhaps 20 years my
junior. We were as close as it's possible to be and a good fit, too.
Cheek to cheek: "This is wonderful," she wistfully sighed into my ear
and went on to lament ". . . what my generation missed!" Yes, she, and
her generation, will never know what it's like t'do that when you're
sixteen. I remember it well.