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Legion: TV Review
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Ubiquitous
Jan 26, 2017, 10:16:20 PM1/26/17
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Noah Hawley from 'Fargo' brings an obscure Marvel property to
intriguing life with a visual masterpiece about mental illness and
mutant powers.
No one should be surprised that Noah Hawley, who masterfully imagined
two wildly different television seasons of Fargo, would approach a
relatively obscure Marvel X-Men character in a completely different way
than others, and that the end result would be on FX, meshing well with
its stable of ambitious dramas.
But maybe the surprise is that it all came out so triptastic?
Legion, based on the Marvel comics of Chris Claremont and Bill
Sienkiewicz, is less about superhero-esque fight scenes and more about
the mental mind-bleep of looking at schizophrenia as an untapped power
rather than an illness. Hawley has essentially found an intellectual
backdoor into the mutant X-Men concept and reimagines how to tell that
kind of story in a riveting, off-kilter visual way.
Jeph Loeb, head of Marvel's television division, has said that Legion
is "a kind of show Marvel has never done before" and it's evident in
Hawley's interpretation. While viewers will, by the second and third
episodes, get a sense of where Legion will be going and what it will be
trying to do in explaining the paranormal ability of David Haller (Dan
Stevens, Downton Abbey), the expanded pilot is one very different and
trippy approach, a boldly rewarding dissociated narrative that's both
weirdly compelling and deeply confusing while never being alienating.
Much of that cinematic roll of the dice can be credited to Hawley (who
directs in addition to writing and having created the show). His visual
stamp is essential to the success of Legion because its non-linear,
visually disorienting pilot redefines expectations. Meaning, the
audience isn't shown what David's "normal" life is like before it takes
a detour, as most stories like this do, with woozy cinematic flourishes
to clue viewers into when our main character is off his meds, etc. No,
Hawley has essentially decided to fully tell the narrative from the
mental interior of David's brain and build out from there what he sees,
imagines, suffers, dreams and acts out from that POV.
That choice makes the first episode of Legion a visual thrill-ride of
disconnected, juxtaposed narratives that are brain-bending and, at
times, purposefully confusing. Hawley wants the audience to be
disoriented as they wonder exactly how bad David's mental illness is
(exacerbated by drug use with another friend and fellow disturbed
mental patient, Lenny, played by Parks and Recreation alum Aubrey
Plaza). While the second and third episodes certainly continue this
pattern, Hawley is able to pivot at the end of the wonderfully weird
hour-plus pilot and set up a storyline where viewers can more clearly
understand what's going on, as a rogue group led by a therapist named
Melanie Bird (Jean Smart), helps show David that he's not schizophrenic
at all — he's one of the most powerful people alive, with gifts that go
beyond telepathy to telekinesis and who knows where in the outer limits
of imagination.
But even knowing that's the idea that drives Legion doesn't actually
mean the show settles into a rote visual pattern — viewers will
constantly be taken aback as Hawley aggressively keeps up the optical
hijinks and integrates myriad sound-tweaking options as well, from
dissonance to garbled or tinny vocals to white-noise whispers. By
framing David's mental freak-outs this way, stylized and absorbing,
Hawley is able to essentially replace what might otherwise be rote
action fight scenes. Keeping it away from preconceived comic book
flourishes allows Legion to maintain a more grounded and intellectual
storyline. It's a well-conceived and bold escape from X-Men or
superhero conceits.
David's time in a mental institute is shared with Lenny, who has been
driven there primarily by extreme drug and alcohol addiction. While at
the Clockworks mental institute, David also meets Sydney Barrett
(Rachel Keller, Fargo), a patient who doesn't like to be touched (for
reasons that become specific when she hits it off with David) and who
becomes an essential key to keeping David out of the hands of a shady
group known as Division 3. The fight for "control" of David's gifts
comes down to Melanie Bird and her group vs. Division 3.
Legion opens with a montage of David's early life, rife with drug use
and mental instability, set to The Who's "Happy Jack," which tips its
hat to Hawley's sense of fun around psychedelic songs (like "She's a
Rainbow" by The Rolling Stones or the weird agitation in Thomas Dolby's
"Hyperactive!"), not to mention that the Sydney "Syd" Barrett character
is no doubt named after the Pink Floyd founder who had his own bouts of
mental illness and drug use. (If there's not an introduction at some
point of a character named Roky Erickson, I'd be stunned — not only
because of his connection to psychedelic music in the 13th Floor
Elevators and his own mental illness, but also because he's from
Austin, Texas, Hawley's adopted home.)
With its stellar cast — featuring Bill Irwin and Jeremie Harris, who
work to help David at Melanie's hidden compound; Katie Aselton as his
beloved sister Amy; and the future emergence of Jemaine Clement as
Melanie's husband Oliver Bird — Legion has a lot of gifted people
around to bring life to Hawley's vision. (Smart and Keller worked with
him on Fargo.) Stevens, in particular, is asked to do a lot in this
series and pulls it off convincingly. Not only is he using an American
accent and sporting oddly cut short (and long, in flashbacks) hair, he
has to nail the schizophrenia/mutant mind-bending stuff and never lets
it get hokey or lose the well-earned harrowing part of it that Hawley
instills. The audience gets its sympathy for David through all he's
suffered as a child.
As it turns out, that's a lot. Where Legion works best is establishing
a whole lot of crazy in the early going, with little sense of how it
connects or where it came from — only that it's creepy as hell (an
oddly shaped "yellow-eyed devil" that scares the bejesus out of David
into his adult life; a moody, evil boy that starts off as the worst
bedtime storybook character ever and morphs into what looks like an
inflatable-headed Adolph Hitler). Toss in David's varied mental breaks
and the scary powers he doesn't understand and can't control and you've
got a story that virtually demands an array of jarring images.
Hawley's decision to disorient viewers by making David's unsettling and
confusing mental landscape the visual launching point for this world is
strategically smart — if challenging — and the skillful camera work has
a panache that stamps the early episodes. Stylistically, there's
nothing quite like Legion's smart take on mutant powers, which keeps
the series more dramatic and less light or flippantly Marvel-esque, a
welcome change from other projects out there.
It might seem weird to have a Marvel show on FX, or to have it star
that upper-crust Brit from Downton Abbey, filtered through the creator
of Fargo, but somehow it all works. Three episodes of Legion — in all
their cracked visual glory — were enough to want the rest of the season
immediately.
--
For the first time in 8 years, the presidential schedule is full and
doesn't start with "Private Lunch"
intriguing life with a visual masterpiece about mental illness and
mutant powers.
No one should be surprised that Noah Hawley, who masterfully imagined
two wildly different television seasons of Fargo, would approach a
relatively obscure Marvel X-Men character in a completely different way
than others, and that the end result would be on FX, meshing well with
its stable of ambitious dramas.
But maybe the surprise is that it all came out so triptastic?
Legion, based on the Marvel comics of Chris Claremont and Bill
Sienkiewicz, is less about superhero-esque fight scenes and more about
the mental mind-bleep of looking at schizophrenia as an untapped power
rather than an illness. Hawley has essentially found an intellectual
backdoor into the mutant X-Men concept and reimagines how to tell that
kind of story in a riveting, off-kilter visual way.
Jeph Loeb, head of Marvel's television division, has said that Legion
is "a kind of show Marvel has never done before" and it's evident in
Hawley's interpretation. While viewers will, by the second and third
episodes, get a sense of where Legion will be going and what it will be
trying to do in explaining the paranormal ability of David Haller (Dan
Stevens, Downton Abbey), the expanded pilot is one very different and
trippy approach, a boldly rewarding dissociated narrative that's both
weirdly compelling and deeply confusing while never being alienating.
Much of that cinematic roll of the dice can be credited to Hawley (who
directs in addition to writing and having created the show). His visual
stamp is essential to the success of Legion because its non-linear,
visually disorienting pilot redefines expectations. Meaning, the
audience isn't shown what David's "normal" life is like before it takes
a detour, as most stories like this do, with woozy cinematic flourishes
to clue viewers into when our main character is off his meds, etc. No,
Hawley has essentially decided to fully tell the narrative from the
mental interior of David's brain and build out from there what he sees,
imagines, suffers, dreams and acts out from that POV.
That choice makes the first episode of Legion a visual thrill-ride of
disconnected, juxtaposed narratives that are brain-bending and, at
times, purposefully confusing. Hawley wants the audience to be
disoriented as they wonder exactly how bad David's mental illness is
(exacerbated by drug use with another friend and fellow disturbed
mental patient, Lenny, played by Parks and Recreation alum Aubrey
Plaza). While the second and third episodes certainly continue this
pattern, Hawley is able to pivot at the end of the wonderfully weird
hour-plus pilot and set up a storyline where viewers can more clearly
understand what's going on, as a rogue group led by a therapist named
Melanie Bird (Jean Smart), helps show David that he's not schizophrenic
at all — he's one of the most powerful people alive, with gifts that go
beyond telepathy to telekinesis and who knows where in the outer limits
of imagination.
But even knowing that's the idea that drives Legion doesn't actually
mean the show settles into a rote visual pattern — viewers will
constantly be taken aback as Hawley aggressively keeps up the optical
hijinks and integrates myriad sound-tweaking options as well, from
dissonance to garbled or tinny vocals to white-noise whispers. By
framing David's mental freak-outs this way, stylized and absorbing,
Hawley is able to essentially replace what might otherwise be rote
action fight scenes. Keeping it away from preconceived comic book
flourishes allows Legion to maintain a more grounded and intellectual
storyline. It's a well-conceived and bold escape from X-Men or
superhero conceits.
David's time in a mental institute is shared with Lenny, who has been
driven there primarily by extreme drug and alcohol addiction. While at
the Clockworks mental institute, David also meets Sydney Barrett
(Rachel Keller, Fargo), a patient who doesn't like to be touched (for
reasons that become specific when she hits it off with David) and who
becomes an essential key to keeping David out of the hands of a shady
group known as Division 3. The fight for "control" of David's gifts
comes down to Melanie Bird and her group vs. Division 3.
Legion opens with a montage of David's early life, rife with drug use
and mental instability, set to The Who's "Happy Jack," which tips its
hat to Hawley's sense of fun around psychedelic songs (like "She's a
Rainbow" by The Rolling Stones or the weird agitation in Thomas Dolby's
"Hyperactive!"), not to mention that the Sydney "Syd" Barrett character
is no doubt named after the Pink Floyd founder who had his own bouts of
mental illness and drug use. (If there's not an introduction at some
point of a character named Roky Erickson, I'd be stunned — not only
because of his connection to psychedelic music in the 13th Floor
Elevators and his own mental illness, but also because he's from
Austin, Texas, Hawley's adopted home.)
With its stellar cast — featuring Bill Irwin and Jeremie Harris, who
work to help David at Melanie's hidden compound; Katie Aselton as his
beloved sister Amy; and the future emergence of Jemaine Clement as
Melanie's husband Oliver Bird — Legion has a lot of gifted people
around to bring life to Hawley's vision. (Smart and Keller worked with
him on Fargo.) Stevens, in particular, is asked to do a lot in this
series and pulls it off convincingly. Not only is he using an American
accent and sporting oddly cut short (and long, in flashbacks) hair, he
has to nail the schizophrenia/mutant mind-bending stuff and never lets
it get hokey or lose the well-earned harrowing part of it that Hawley
instills. The audience gets its sympathy for David through all he's
suffered as a child.
As it turns out, that's a lot. Where Legion works best is establishing
a whole lot of crazy in the early going, with little sense of how it
connects or where it came from — only that it's creepy as hell (an
oddly shaped "yellow-eyed devil" that scares the bejesus out of David
into his adult life; a moody, evil boy that starts off as the worst
bedtime storybook character ever and morphs into what looks like an
inflatable-headed Adolph Hitler). Toss in David's varied mental breaks
and the scary powers he doesn't understand and can't control and you've
got a story that virtually demands an array of jarring images.
Hawley's decision to disorient viewers by making David's unsettling and
confusing mental landscape the visual launching point for this world is
strategically smart — if challenging — and the skillful camera work has
a panache that stamps the early episodes. Stylistically, there's
nothing quite like Legion's smart take on mutant powers, which keeps
the series more dramatic and less light or flippantly Marvel-esque, a
welcome change from other projects out there.
It might seem weird to have a Marvel show on FX, or to have it star
that upper-crust Brit from Downton Abbey, filtered through the creator
of Fargo, but somehow it all works. Three episodes of Legion — in all
their cracked visual glory — were enough to want the rest of the season
immediately.
--
For the first time in 8 years, the presidential schedule is full and
doesn't start with "Private Lunch"
Kenneth M. Lin
Mar 8, 2017, 6:39:36 PM3/8/17
to
I stopped watching after two episodes. The show was just annoying and
tedious.
"Ubiquitous" wrote in message
news:1KSdnRzKOsXiJhfF...@giganews.com...
tedious.
"Ubiquitous" wrote in message
news:1KSdnRzKOsXiJhfF...@giganews.com...
Edward McArdle
Mar 9, 2017, 3:50:37 AM3/9/17
to
>"Ubiquitous" wrote in message
>news:1KSdnRzKOsXiJhfF...@giganews.com...
>
>Noah Hawley from 'Fargo' brings an obscure Marvel property to
>intriguing life with a visual masterpiece about mental illness and
>mutant powers.
>
Something that nobody seems to have noticed is that Sydney Barrett is
pretty much Rogue. She has all of her powers and problems. But nobody else
is a regular Marvel character.
--
Edward McArdle
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