But Jon Bog's art now is, IMO, horrible. It is ugly and distorted and
sketchy. What happened? I can't believe this is the same guy.
There are a lot of artists whose work has gone downhill, but I can't
believe that the Jon B that is drawing now is the same one who did such
great work on FF vs. X-Men. The inker can't have that much influence,
can he? (I know that Terry Austin is a great inker).
BC
I must disagree. I think Bog's Superman is the best of the 5 books. I
feel he does a more classic Supes (throwing in cartoony panels every now
and then) and I feel his is the definitive Superman. Many people do not
like him, but I don't know why. His Supes is neither ugly nor distorted
and I feel he is as good as he ever was, if not better. Bog is a great
artist and his Superman is excellent.
-Aaron!
Justin
>
> I would have to say Bogdanove's art is horrible. I've hated his art since
> X Factor. It's too cartoony and lacks everything. I do like him better
> than Stuart Immonen though. Let's hope Immonen isn't as bad a writer as
> he is an artist. My favorite art on Superman is in Man of Tomorrow, then
> Superman, especially when Jurgens does any of the art.
>
> Justin
Justin,
I couldn't disagree with you more! As a dedicated fan of Stuart
Immonen's artwork, I feel obligated to leap to his defence. While
different art styles appeal to different people, I wonder at your
failure to recognise his grace and his ability to show expression. A
recent example of his work in the form of a Thor illustration Stuart
did for Wizard showed how he was able to depict the majesty of the
Thunder-God. The Thor illustration was simple yet stunning in in its
majesty.
In addition, I'd like to mention that, while I have my own opinion
of the other artists whom you mentioned, I'm not going to tear them down
or insult them in a public forum. Regards from a DC fan Downunder!
Royd
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Justin
BTW, to address William Wendel: If you compare FF/X-Men with
other work of Bog's, especially other work that he did during roughly
the same period -- namely, Power Pack and X-Factor, you'll discover
that Terry Austin's inks saved FF/XM. Before and since FF/XM, Bog's
art has been, IMO, horrid.
DC should turn that vacation he's taking from MOS into a permanent
one.
-- Rob Jensen
==================================================
"Sleep? What's that?
Free time?! Never heard of it."
I must disagree. I think Bog's Superman is the best of the 5 books. I
feel he does a more classic Supes (throwing in cartoony panels every now
and then) and I feel his is the definitive Superman. Many people do not
like him, but I don't know why. His Supes is neither ugly nor distorted
and I feel he is as good as he ever was, if not better. Bog is a great
artist and his Superman is excellent.
Scott
On Tue, 3 Jun 1997 lir...@iinet.net.au wrote:
Richard
We're talking about *current* styles. Bog's art was *much* better back then.
There's a clear moment at which Bog and Janke's art on MAN OF STEEL changes.
It began when "The Reign of the Supermen" did. It seems that in the
few-month-long hiatus between "Funeral" and "Reign", one or both of them
decided they needed a style-change. I personally think that the problem
must be Dennis Janke, and not Bog -- there are too many things inside each
individual issue which are *really* good for the problem to be Bog. Quite
often, his poses and forms look very much like Joe Shuster's work, but the
overly-heavy inking tends to ruin and distort otherwise good ideas.
Scot Eaton recently took over on MOS as a fill-in for a few months, and I'm
noticing the exact same problems with the art now as I did when Bog was on
the title. Is it not the inker's fault when a new penciller comes aboard and
the same problems remain?
The exact same thing has been going on with ACTION for some time now. First
Jackson Guice, then Kieron Dwyer, then Tom Morgan -- all of these pencillers
had basically the same look because of heavy inking by Denis Rodier. He's
lightened up a bit working with Tom Grummett, but it's still not as good as
Grummett *can* look (as he does with say Doug Hazlewood or Scott Hanna).
In my opinion, the worst art problems on the Superman titles are inking ones.
Stuart Immonen and Ron Frenz have wonderful inkers in Jose Marzan and Josef
Rubinstein. Jon Bogdanove and Tom Grummett have not-so-great inkers.
Jeff
>ri...@aol.com (RI2d2) wrote:
>> As a long time Superman fan let me say this: Bogs is one of the best
>> artists to have drawn superman. Look at the cover of Superman: The Man
>> of Steel #1.
>We're talking about *current* styles. Bog's art was *much* better back then.
>There's a clear moment at which Bog and Janke's art on MAN OF STEEL changes.
>It began when "The Reign of the Supermen" did.
I dunno, while Bog's art was *always* too stylized for me (give me
Ordway or Grummet any day) I'd say it started getting much worse
sometime before the Death arc. I mean, in the memorial service
episode, if they hadn't said so in the text, I never would have
guessed that Clinton was supposed to be talking there...
>Scot Eaton recently took over on MOS as a fill-in for a few months, and I'm
>noticing the exact same problems with the art now as I did when Bog was on
>the title. Is it not the inker's fault when a new penciller comes aboard and
>the same problems remain?
Well, to argue otherwise, when Norm Felche (sp?) did a fill-in issue,
it had *none* of the problems that Bog did. Looked really good, IMHO.
- Don
>Scot Eaton recently took over on MOS as a fill-in for a few months, and
I'm
>noticing the exact same problems with the art now as I did when Bog was
on
>the title. Is it not the inker's fault when a new penciller comes aboard
and
>the same problems remain?
Normally, I'd say yes, except that Bog has had the same problems
under Al Milgrom, Hilary Barta and every other inker he's had. The
problem isn't Dennis Janke, it's Jon Bogdanove.
I'm tired of his junk.
>
>As a long time Superman fan let me say this: Bogs is one of the best
>artists to have drawn superman. Look at the cover of Superman: The Man
>of Steel #1.
The problem is that he does pretty good covers, but everything that's
in-between the covers is rushed and distorted and particularly wretched.
MOS's consistently lower ranking on sales charts than the other
super-titles is an indication that his IMO sloppy work is actually
turning off readers.
>dbri...@dont.spam.me.pobox.com wrote:
>> I wrote:
>> >Scot Eaton recently took over on MOS as a fill-in for a few months, and I'm
>> >noticing the exact same problems with the art now as I did when Bog was on
>> >the title. Is it not the inker's fault when a new penciller comes aboard and
>> >the same problems remain?
>>
>> Well, to argue otherwise, when Norm Felche (sp?) did a fill-in issue,
>> it had *none* of the problems that Bog did. Looked really good, IMHO.
>Can you remember when this was? The only work by Felchle that I can find
>on a Superman title in the past three years was on ACTION COMICS #699.
Y'know, that may have been the Felchle issue I was thinking of. Well,
that and confusing it with M.D. Bright's MOS issue (#31, for the
curious). This issue looks like vintage Bright, without any Bogisms.
- Don