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AFI's 100 Years...100 Songs is a list of the top 100 songs in American cinema of the 20th century. The list was unveiled by the American Film Institute on June 22, 2004, in a CBS television special hosted by John Travolta, who appeared in two films honored by the list, Saturday Night Fever and Grease. The list was created by a panel of jurors selected by AFI, who voted from a list of 400 nominated songs.[1]
Singin' in the Rain, The Sound of Music, and West Side Story each have three songs on the list,[2] whileThe Wizard of Oz, A Star Is Born (#11 & #16) from the 1954 and 1976 film versions, Funny Girl, and Meet Me in St. Louis each have two entries.
Judy Garland (also listed in first place for "Over the Rainbow") and Gene Kelly are tied with five songs each; all of Garland's songs and two of Kelly's are solos. Julie Andrews, Fred Astaire, Marni Nixon, and Barbra Streisand follow Garland and Kelly with four songs each. All of the songs performed by Astaire and Streisand are ranked within the top half of the list. Astaire was co-credited for three out of his four songs listed, while Streisand performed all four of her songs by herself.
After her debut on the Suite Life series, Song became a regular on the Disney Channel, and had a voice role in Disney Channel's American Dragon: Jake Long series. In 2006, Song had a voice-over role in Holidaze: The Christmas That Almost Didn't Happen. She later starred in an online series called London Tipton's Yay Me!. Song was part of the Disney Channel Circle of Stars, a group of performers from several different Disney Channel television series. She was featured in the recording and music video of a version of "A Dream Is a Wish Your Heart Makes", which was included on the special edition Cinderella platinum edition DVD and on the DisneyMania 4 CD, released in April 2006. In the Suite Life High School Musical-themed episode, Song performed "Bop To The Top" and "Really Great". "Really Great" became the theme song for the online series, London Tipton's Yay Me!. She sang "Bling Is My Favourite Thing" on another Suite Life episode. In these episodes, Song purposefully sang poorly in character as London Tipton. In 2008, Ian Scott wrote and produced demo songs for her, credited to Mark Jackson Productions.[37]
If Cohen's music sounded increasingly sophisticated throughout the Seventies and Eighties, it was largely due to his refusal to be pinned down. Many of his best songs unfurl like authoritatively declaimed Zen koans (pun intended), and the title track of his great 1988 album was a one-size-fits-all come-on any Buddhist Casanova might envy. Which made it ideal for the slightly surreal parking-garage dance number performed by genderqueer Ivan Aycock (Kelly Lynch) for Kit Porter (Pam Grier) in the final episode of this groundbreaking series' first season. The steam builds as Ivan vamps around his car, lip-syncing Cohen's lyrics ("I sweated over that one," he said of the song) and making the receptive Kit an offer she can't refuse: "If you want a driver, climb inside/ Or if you want to take me for a ride/ You know you can/ I'm your man."
In 2001, a brand new generation of Cohen listeners was born, thanks to the most unlikely of sources: a ginat, flatulent green ogre. The DreamWorks animation hit became an unlikely vessel of Baby's First Leonard Cohen discovery when the film used John Cale's cover of "Hallelujah" to highlight a heartbreaking sense of melancholy within a mostly humorous, off-kilter kid's film. This is the sound that greats Shrek when returns to his swamp after suffering what he thought was a rejection from the princess he had fallen in love with. The film's official soundtrack features Rufus Wainwright's cover instead of Cale's version, but either way, you can't go wrong; if you have to listen to different versions of this most covered of Cohen's songs, these are two of the best.
Prince released a soundtrack album titled Batman for Tim Burton's film, starring Michael Keaton as the Caped Crusader. It featured original songs "The Future," "Vicki Waiting," "Electric Chair," "Partyman," "Trust," and "Scandalous" and stayed at the No. 1 spot on the Billboard chart for six consecutive weeks upon release.
Our site features books, movies, and musical compositions. There are also other creative works entering the public domain, including drawings, paintings, and photography. We have not listed them here because it was more difficult to track down complete copyright information for them.
The best uses of Taylor Swift songs in movies and TV shows have been used to highlight memorable moments for audiences. Ever since her self-titled debut album was released in 2006, Taylor Swift has been a prolific singer-songwriter, selling millions of records and amassing numerous Grammy Award nomination. Swift has long been lauded for her impressive songwriting skills and the way she's able to deftly craft stories through her music. It's no surprise that songs from her vast discography have been used as the soundtrack for scenes in a variety of television shows and movies.
Whether they're original songs written for a piece of media or album tracks picked to underscore a movie or TV scene, Taylor Swift has had a long history of song usage in pop culture. Her music has appeared in a variety of media, from kids' fare such as Hannah Montana: The Movie to adult dramas such as Grey's Anatomy and Where the Crawdads Sing. Music is often used to heighten a scene, and Taylor Swift's emotional tracks and great songwriting can make a good scene even better.
This Reputation track appears in the beginning of Killing Eve season 3, episode 7, when Villanelle is sitting in the weapons room, and continues into the opening credits. "Look What You Made Me Do" is darker and sounds more intense compared to other songs in Taylor's discography, and the song takes on a more sinister vibe thanks to a cover from Jack Leopards & The Dolphin Club, a fake band created by Taylor Swift, Jack Antonoff, and Swift's brother Austin, who provides vocals. The song makes for a perfect transition into Killing Eve's opening credits and is a great track for someone as intense and calculating as Villanelle.
Bridgerton is known for its usage of modern music, so it's no surprise to hear a Taylor Swift song as part of the period romance's soundtrack. This classical cover of Taylor Swift's dream pop song from 1989 plays in Bridgerton season 1, episode 6, during a montage where Daphne and Simon have sex in various locales on their honeymoon in Clyvedon Castle (including the library and outside in the rain). Bridgerton does a great job of arranging pop songs into classical covers, and this take on "Wildest Dreams" is no exception. It's a beautiful, cinematic cover that adds to the romance and passion of Daphne and Simon's sex scenes.
Taylor Swift songs have been featured prominently throughout The Summer I Turned Pretty. In an interview (via E! News), author and co-showrunner Jenny Han admitted that Fearless helped "get [her] to the finish line" while she was writing It's Not Summer Without You, and wanted to have Swift's music in the TV series not only because it meant a lot to her, but also because readers had been connecting the story of The Summer I Turned Pretty to Swift's songs.
Tiffany Beverley is a Movie/TV Feature Writer for Screen Rant. She graduated in 2017 from Georgia State University with a B.A. in Journalism and a minor in Spanish. Taking media studies and film history classes at GSU only increased her passion for movies, TV, and all things pop culture. Tiffany is based outside of Atlanta, Georgia, and is thrilled that her home has become "the Hollywood of the South." She has run her own pop culture blog and has previous experience writing, proofreading, and doing social media marketing for various non-profits but at Screen Rant she finally has opportunities to write about two of her passions for a wide audience. She was raised on a diet of classic sitcoms and teen dramas, and when she isn't writing, she enjoys constantly adding to her growing movie watchlist, watching plenty of comedic shows, and indulging in the glorious drama that is the UK version of Love Island.
It's very difficult to find a song that will fit in with the mood and context of a specific fight scene without sounding odd or out-of-place. Fortunately, there have been numerous movies that have found the perfect tunes to accompany their most famous fight scenes.
Most action movie fights that use a popular song will include something intense and fast-paced to match the intensity of the scene. However, Deadpool 2 is not like most action movies. As the film opens, the Merc with a Mouth is seen taking on various organized crime families across the globe. What better song to accompany this montage than Dolly Parton's "9 to 5"?
Out of the entire Marvel Cinematic Universe, no set of movies has a more iconic soundtrack than Guardians of the Galaxy. Across the three films, a few beloved 70s and 80s songs are seamlessly integrated into fight scenes, but the one that really stands out is the Beastie Boys' "No Sleep till Brooklyn."
The climax of Guardians of the Galaxy Vol. 3 features the Guardians battling the High Evolutionary's minions in an impressive one-shot fight sequence. In previous Guardians movies, fights were accompanied by more easy-going songs such as Fleetwood Mac's "The Chain," or Jay and the Americans' "Come a Little Bit Closer." This is the only fight where the song truly matches the chaos of what's on the screen.
The film's soundtrack is composed mainly of funk music, but the fight scene goes in a different direction by incorporating one of Michael Jackson's most famous songs. The fight scene, albeit a little silly, is surprisingly well-done, and having "Beat It," in the background adds a whole new level of excitement that turns it into the best moment of the entire movie.
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