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[Su Strawderman]

Help. I'm running the Chrome browser and I don't want to change but I can't run Firefly on Chrome. I've heard that there is a change I need to make to Chrome so that it will run Firefly but I can't find that change info anywhere.

I'm a member of Adobe and when I call up Firefly it loads okay but when I try to use any of the functions it tells me to login, and when I login is where Firefly won't load. I'm attaching a screen shot of what comes up when I try to load Firefly. It loads, but then there is a screen asking me to "Accept" or "Cancel" but clicking on either does nothing. The strange this is I can see Firefly clearly loaded in the background but I can't get to it because of this little screen out in front that wants a response "Accept" ro "Cancel" but no amount of clicking does anything. The exact same thing happens in Microsoft Edge as well, so I'm stumped and it's a bummer because I really want to get more "AI' than I can with Photoshop (Beta). Thanks.

Sorry to hear about the trouble. Would you mind testing this in the incognito mode of Chrome once? To open an incognito mode you can click on the three dots on the right and select the incognito mode. Let us know how it goes.

Nope, not what is happening in my case. No white screen. I'm attaching a screen shot of where Firefly blocks me out. When I click on the "Accept" or the "Cancel" button nothing happens. But I can see Firefly running behind this, I can even scroll the Firefly screen but I can't make this "screen shot" go away so I can't interact with Flyfly.

Thank you for confirming. The dialog window in the screenshot is about accepting the User Guidelines. I understand that you're unable to agree to that, so would you mind clearing cookies and caches and then logging in again and seeing if that works?

Disclaimer: Clearing the Cache and cookies would also clear the favorites(more details on favorites) because this information is stored in the browser cache. Clearing your cache and cookies will remove stored data such as website preferences, login information, and browsing history.

In cases where an app loads quickly, you might find a placeholder UI instead of a traditional splash screen. If reinforcing brand identity is not a priority, the app might display its core structural elements without additional branding content like so:

Early integration: Incorporate the splash screen design early in the development process, starting from the low-fidelity wireframe stage. This ensures it aligns well with the overall product design.

While it may immediately appear so, this is another example of different takes on splash screen design. Booking.com makes an impact with its background color, while Airbnb keeps things light with nothing but its logo on the screen.

Another good example of different takes. 8Fit keeps things light and clean, including only their logo. VG-FIT goes in the opposite direction with a dramatic background and their name as well as their logo.

Spotify uses a simple black background with their green logo to make their website look modern and clean. This matches their brand well. On the other hand, SoundCloud uses a bright orange background with their white logo, which is eye-catching and reflects the lively music they offer. Both websites use their pictures well to show what kind of music they have and make you want to use their service.

The Vueling splash screen was created by Victor Lpez Gonzlez, resulting in a screen that points to the brand identity and culture of origin. Ryanair goes for something simpler, aiming to create a nice contrast between logo and background.

Once again, we have contrasting choices of splash screen design. Twitch offers a bright purple background that reflects its brand color, with a white logo. Youtube maintains a fully white background, making its red logo stand out visually.

Bear offers a bright red background that contrasts sharply with the white logo, and strikes an interesting disparity with Evernote. Although it used to have a splash screen that offered an illustrated green background, Evernote switched it up for a classic white background with a simple green logo.

In the splash screen examples of these social media giants, Pinterest keeps things simple with a bright red logo on a white background, reflecting their bold and friendly brand. X goes for a more modern vibe with a clean white logo on a sleek black background.

For a total psychopath, Tom Ripley is remarkably popular. As we near the 25th anniversary of the acclaimed Oscar-nominated big screen adaptation of Patricia Highsmith's most infamous creation, The Talented Mr. Ripley, Netflix has released a striking new reimagining, simply titled Ripley. Sinister and visually stunning, the series reminds us why the book continues to influence popular culture.

In the first Ripley novel, one childhood scene is especially vivid. When he was 12, and his parents long dead, Tom's reluctant guardian Aunt Dottie made him get out of her car and run an errand on foot while stuck in traffic. When the cars started moving again, Tom was forced into "running between huge, inching cars, always about to touch the door of Aunt Dottie's car and never being quite able to..." Instead of waiting, his aunt "had kept inching along as fast as she could go..." Worse, she taunted him, "yelling, 'Come on, come on, slowpoke!' out the window." The memory ends with Tom in teary frustration and his aunt hurling a slur at him: "Sissy! He's a sissy from the ground up. Just like his father!"

That window into Ripley's roots is one reason I loved re-reading the novel in the lead up to a new adaptation. Highsmith illuminates the inner life of what she recognized as her "psychopath hero" with identification rather than judgment (Highsmith was openly enamored of her creation). That intense interiority is one reason Highsmith is often credited with helping reinvent and popularize the psychological thriller, a genre with roots in the 19th century, and why her influence persists despite a deservedly controversial reputation. Her debut novel became Hitchcock's Strangers on a Train (1951) less than a year after publication, and her 1957 novel Deep Water appears on The Atlantic's list of 100 Great American novels.

With Ripley, the narration lives outside of Tom but close enough for dissection. We learn that he's a loner but not completely, that he gets antsy around people, only able to sustain a performance of normalcy for so long. He's caught between a need for independence born of his smothering yet loveless upbringing and an aching desire for other people's good regard.

Worse, when real violent thoughts finally result in action, Tom revels like a pig in mud in his stolen persona. Feeling "blameless and free," he likens his confidence in Dickie's shoes to how "a fine actor probably feels when he plays an important role on a stage with the conviction that the role he is playing could not be played better by anyone else." The great beauty of Highsmith's novel lies in moments like this, illuminating the dark recesses of a psyche spinning out of control.

Netflix's series has both the text and the sublimely entertaining 1999 movie with its constellation of Hollywood stars to live up to. Matt Damon and Jude Law were at the height of their powers as Tom Ripley and Dickie Greenleaf (Law earned a best supporting actor Oscar nomination), and Gwyneth Paltrow was incandescent and multidimensional as Dickie's girlfriend Marge. They're memorably supported by Cate Blanchette and Philip Seymour Hoffman as trust fund-babies abroad. Their production is gorgeously shot in the sun-drenched Amalfi coast and the Oscar nominated soundtrack beautifully amplifies the emotion and story. In Anthony Minghella's screenplay, when the nastiness and violence emerge from Dickie as well as Tom it's an arresting aberration against this deliberately effervescent, candy-colored backdrop.

The appeal of Minghella's acclaimed and popular film has more than endured, but it's not the only classic iteration of Ripley's debut. The first significant big screen rendering was the 1960 French thriller Purple Noon, starring Alain Delon as a Ripley with beauty that rivals Dickie's. There are three less celebrated adaptations of other Ripley novels. 2023's Saltburn wasn't a Ripley reimagining but its story of upper class ruin at the hands of an interloper seem to spring from a similar well. Plus, the film's most audacious interlude reads as an homage to Jude Law and Matt Damon's homoerotic bathtub scene, and the movie and discourse around added new heat to the Highsmith mystique.

Leaving the Hot Priest of Fleabag fame behind, Scott gives a harder, colder interpretation of the title role. Though significantly older than Highsmith's 25-year-old antihero, the 47-year-old BAFTA winner Scott (All of Us Strangers, Sherlock) fully embodies the brooding and seething Ripley. Rather than charming and boyish, Netflix's Tom Ripley is visibly creased and battered. Instead of Highsmith's peevish 25-year-old, who notices with pleasure and opportunism physical resemblances with his privileged friend, Ripley and Dickie's relationship is more clearly grifter and target. Ripley director Zaillan also advances the timeline to 1961, plunging Ripley into a more modern and edgy world.

Scott is well supported by Johnny Flynn (Emma) as a feckless Dickie, and Dakota Fanning, who delivers a mannered and pricklier Marge, the role that Gwyneth Paltrow made famous. If there's one flaw, it's that Ripley masters the style and techniques of Hitchcockian noir, without its momentum. This series' slow deliberate pace and eerie quiet can sometimes feel like a slog.

With these inspired creative choices, the Anthony Minghella film and the Netflix series stand on their own. But if you have the inclination, the two major screen productions and the novel form a phenomenal triple bill.

Political turmoil and humor can make for great television. From those based on real life, like The Crown, to those with a fictional premise like Anatomy of a Scandal, telling the stories of political figures is a balancing act. These political shows on Netflix can re-contextualize lived realities, and shine new light on stories that were always thought to be true. Shows like Designated Survivor and The West Wing paved the way for a genre of show that at best can inspire, and at worse, can repulse.

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