Prince Of Persia: The Sands Of Time Tamil Dubbed Movie Free _TOP_ Download
Penny Dale
When filming began, the film's release date was postponed to May 28, 2010, with the studio seeking enough time for the post-production process in designing the film's special effects. The profit margin on the Pirates of the Caribbean films was compromised by overspending as special effects teams rushed to complete the films for their release dates.[12] Variety also ascribed the postponement to avoiding the potential 2008 Screen Actors Guild strike so the studio could ensure that the film leads to a "mega-franchise" similar to its successful Pirates of the Caribbean series.[13] Other reasons for the release date change were that the film was originally scheduled a week before Transformers: Revenge of the Fallen, and Disney needed more time to co-ordinate its marketing campaign.[14] Gyllenhaal claims he "over-prepared"[15] for the role, gaining five or six pounds of muscle.[15] Gemma Arterton was cast to play the role of protagonist Tamina,[14] and Arterton practiced horse back riding in Madrid before filming.[16] Ben Kingsley was cast to portray the film's antagonist, Nizam.[17] Alfred Molina was cast to portray a character named Sheik Amar, who becomes a mentor to the prince.[18] Toby Kebbell was cast to play Prince Garsiv, Dastan's brother and head of the Persian army.[19]
Prince of Persia: The Sands of Time tamil dubbed movie free download
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Amidst the scorched sands of ancient Persia, there is a legend spun in an ancient tongue. It speaks of a time borne by blood and ruled by deceit. Drawn to the dark powers of a magic dagger, a young Prince is led to unleash a deadly evil upon a beautiful kingdom. Aided by the wiles of a seductive princess and the absolute powers of the Sands of Time, the Prince stages a harrowing quest to reclaim the Palace's cursed chambers and restore peace to his land.
Prince of Persia: The Sands of Time is a third-person action-adventure puzzle-platforming video game developed by Ubisoft Montreal and released worldwide in November 2003 across most major platforms. It was published by Ubisoft in western territories and Sony Computer Entertainment in Japan. Prince of Persia: The Sands of Time is a re-imagining of the original Prince of Persia Trilogy that began with Jordan Mechner's 1989 game for the Apple II. The first in The Sands of Time Trilogy and follows the journey of an arrogant young prince whose father attacks the Maharajah's kingdom in India and discovers a mysterious artifact called the Dagger of Time that can control time. When he is fooled into opening the Hourglass of Time by the Vizier, he is accompanied by the princess of the conquered Indian kingdom to recapture the Sands of Time, enchanted sands that transforms anyone it touches into hideous Sand Creatures.
A pivotal gameplay element is the Prince's Dagger of Time. It contains "charges" of the Sands of Time from the hourglass that allow the Prince to control time. The Prince has the ability to "reverse" time and travel up to ten seconds into the past. While using this ability, all sounds and previous action play backwards, and the play environment accurately resets to its previous state. For example, if the Prince was struck by an enemy attack during the rewind period, the health he lost will be given back to him, or a bridge that was destroyed a few seconds ago will repair itself. The Dagger also allows the prince to slow down time, and freeze his enemies, using it as a main-gauche to attack them directly.
Anyway, Dastan climbs the city walls, pours flaming oil on its guards, etc., and then encounters the beautiful Princess Tamina (Gemma Arterton). She possesses the Dagger of Time, which is an honest-to-God WMD, since if it's switched on too long, all the sands of time will run out, and it's back to the Big Bang.
Ubisoft's Prince of Persia: The Sands of Time is a brand new adventure in Jordan Mechner's classic series. Now the prince has many new tools at his disposal. The prince can run along or up walls, swing from ropes and bars, perform a variety of fantastic combat maneuvers, and even reverse, slow, and speed up time with the use of an ancient dagger key to the game's engrossing storyline.
Move forward and run along the left wall. When you reach the switch, jump so you grab the bar switch. Farah grabs her own switch. Drop down and avoid the trap. Run to princes left and enter the passage. Pull the timer switch on the right wall.
As expected, the gameplay follows most of the 3D action-adventure rules, you have to jump and run around, crawl through ledges and slash at whatever comes your way. But Ubisoft added an innovative batch of gimmicks and refined the "classic" bits of the genre so as to make it an almost perfect game. The main flow of the game follows the classic design of the series, which has you sorting all sorts of traps and pitfalls through acrobatic stunts. These include jumping around, rolling, mantling, climbing ladders, bouncing off-walls, pole-swinging and in a cool Matrix-inspired addition, even running on walls! Combat uses a simple scheme of two-attack buttons plus a block one, which is easily one of the best combat systems ever implemented (so good in fact, that it became the focus of the sequel: Warrior Within) opponents are auto-locked as expected nowadays (meaning your movement automatically switches to circle-strafing around the closest enemy). As it often happens in these games however, you are easily surrounded by several opponents and anyone who's ever had a fight in these games is surely familiar with the uncomfortable feeling of having to maneuver what's essentially a giant cardboard box that can only strike in one direction and has to line up to every enemy accordingly... Well, not anymore thanks to Sands of Time! Since the game incorporates the ability to direct your attacks by just pressing the direction your desired opponent is in while you strike. This doesn't mean that your Prince jerks back and forth facing each direction you direct him to, but instead means that he actually twists his torso, kneels and leans towards each direction in a completely dynamic manner. If that alone sounds incredible just wait until you see the way the game works around it, as the added fluidity and adaptability of the combat scheme means your opponents can strike you faster and come in bigger numbers. The results are incredibly dynamic battles that for the first time make fighting in these kind of games a true joy, and that's without taking into account the pre-made yet varied and extremely well done animations that makes each blow and parry a different experience or the acrobatic stunts that allow you to vault over your opponents and bounce between them and strike from above, etc. Most impressive of all however, is how the folks at Ubisoft managed to keep it from getting a completely confusing frenzy by carefully judging the timing in the movements, animations and opponents. One can't help but feel that each fight has a distinct... I dunno... "tempo" as if it were music of some kind, with a rhythm of it's own. Just look at the way the prince holds it's stance after performing a strike as if waiting for the right cue for his next action, blocking and countering are even more obvious as you can distinctively feel the constant pauses between each movement. I don't know, maybe I've had too much of the funny smokes, but no other fighting scheme has ever made feel such things, (except for Virtua Fighter, of course).
Anyway, for as amazing as those gimmicks seem, they pale in comparison with the gimmick that initially sold the game, and which is the time-altering powers of the sands of time the Prince wields. Held in your dagger as a collection of sand tanks, you can use them in a variety of ways such as freezing your opponents in time, make you move at blinding speeds (by putting everything but yourself into slow-motion) and of course, reversing time. That's right, the game actually keeps a constant buffer of some kind of up to 10 seconds of playtime which you can always rewind back to should something go wrong. I cannot even begin to describe how much this revolutionizes the classic platformer gameplay, as it effectively kills the frustration of having to re-do entire game areas because you failed in a specific jump or trap or whatever, as you can cheat death by rewinding back to the point where you screwed up and try it again! Don't worry tough, as this feature is carefully managed and doesn't kill every surprise in the game as one might initially think. The level design alone makes sure the game always holds a nice surprise for you, and it's carefully designed layout makes them super-tight experiences which fail to fall to the classic pitfalls of the genre. This I believe, is thanks to the distinctive 2D logic behind them, which one can easily see whenever one activates the "landscape" view in the game which zooms the camera out to show the player the layout of the particular location he's in. This doesn't mean that the game is merely a 2D platformer done in a polygonal engine, but that the game follows the tight spacing rules and design basics that games like the original Prince of Persia pioneered, a concept more games of this ilk should keep in mind whenever they get lost in the pitfalls of their 3D gameworlds. The careful design means that even the few "puzzle-rooms" found in the game are intuitive and straight-forward, and the addition of "visions" that are just hints perfectly integrated into the context of the game help the player deal with the more challenging situations (and introduce story points every now and then).
On the opening level, just after the room in which you first see the sands of time / giant hourglass, you find a water-filled passage that has 6 murals on the walls. The contents of the murals seem to describe the legendary history of the sands of time :
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