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On Jun 3, 2024, at 7:12 AM, George Schick <bhi...@gmail.com> wrote:
Interesting, this interaction between Riv and Testors. I'm sure a color match could have been prepared especially for every Riv bike ever made...except ...that first batch of orange metal flake Rams. Since it was a two pass base coat/clear coat (which is the way ever automobile is painted nowadays), it would take two bottles of touch up paint to repair scratches. And it would be very difficult to apply them in such a way that they pretty much blend with the rest of the bike's paint. At least one poster on this blog some time ago had one of these Ram's that needed a repair of some sort. He took it to a shop where they repaired the frame damage then stripped down all the paint and repainted it in the original base/clear coat colors that Jim references from House of Kolor. But that must have cost a fortune. A single can of those paints, which only come in sizable containers - quarts, at least - which must be mixed with a reducer and then sprayed. Most painters would be reluctant to do this because they'd have to pay a lot just to get the paints and then they'd be stuck with a lot of leftovers.
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I find the conversation between Grant and Testors extremely curious, especially given the casual indifference (I'd say near defiance) Grant seems to have always shown towards touching up chips and scrapes with color-matching paint. It's weird to think there may have been a time before beausage was fully embraced as a tenet of Rivendell philosophy.
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This discussion reminded me of an article on the Japanese concept of "wabi sabi":
"But the quintessential artistic application of wabi sabi is kintsugi, a Japanese craft for repairing broken pottery. Rather than trying to hide the fractures and make the pottery look as good as new, kintsugi artisans use a tree sap lacquer dusted with powdered gold, silver, or platinum to accentuate the cracks and repairs. (Kintsugi literally translates to “golden joinery.”) Sometimes they even will take pieces from other broken ceramics and combine them to form a new aesthetic.
By making these imperfections conspicuous, kintsugi celebrates the history of the piece while creating something wholly individual. The damage is not only heightened to artistic beauty, but it can never be replicated as no ceramic will break in the same manner as another. This makes it more valuable in the eyes of the owner." https://awaken.com/2022/09/escape-the-perfectionist-trap-with-the-japanese-philosophy-of-wabi-sabi/
Erl Houston
Kensington, MD
On Jun 3, 2024, at 1:56 PM, John Rinker <jwri...@gmail.com> wrote:
Excellent article Erl; thanks for sharing! Leave it to the Japanese to elevate imperfection and entropy to an art form.
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