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Bulah Landaker

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Aug 2, 2024, 6:15:02 AM8/2/24
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After scouring Netflix for the best thrillers, best action flicks, best romantic comedies, best horror movies, best family films, and more, it's finally time for us to narrow down our streaming suggestions to the best movies, period.

Five years ago we got what remains one of the best superhero movies of all time with Spider-Man: Into the Spider-Verse. That's an incredibly hard act to follow, and yet the sequel to Miles Morales' journey, Across the Spider-Verse, is absolutely fantastic.

The truth is, you haven't known joy until you've experienced Paddington, one of the most charming movies imaginable. It's well agreed upon that the titular Peruvian-British bear, voiced oh-so-sweetly by Ben Whishaw, is the epitome of cuteness. You could watch Paddington on mute and, by the laws of nature, melt into a puddle over his marmalade-smeared little face. This isn't just a movie about gushing over cute animals, though, but one that gently tells a story about British colonialism, immigration, and xenophobia through the wacky adventures of a bear on the run.

On its surface, the latest from Todd Haynes (Carol, Velvet Goldmine) may seem like a thinly veiled reexamination of a true crime tale that had '90s tabloids absolutely obsessed. Screenwriter Samy Burch uses this familiar framework to construct a story that not only delivers a dishy parody of a melodrama, down to a string-zinging score and comically banal dialogue about hot dogs. She's also built a keen device to evaluate our obsession with true crime, for better or for ghoulish.

If Daniel Day-Lewis is really and truly permanently retired from acting (and let's hope he's not, for acting's sake), then he went out on a darn high note with this profoundly romantic anti-romance from director Paul Thomas Anderson. DDL's persnickety couture bastard Reynolds Woodcock (a name the director and his star came up with as a gag, which stuck) and his right-hand sis Cyril (Lesley Manville, who will go right through you) have the disgustingly wealthy eating out of their satin-lined gloves when the film begins.

This 2016 adventure about bad egg Ricky Baker (Julian Dennison) and his curmudgeonly foster father Hec (Sam Neill) is the kind of eccentric delight that writer/director Taika Waititi specializes in (this time co-writing with Barry Crump, who wrote the book it's based on).

Take your typical family road trip comedy, toss in a robot apocalypse, and top it all off with a heavy smattering of meme-worthy filters, doodles, and GIFs, and you might end up with something like The Mitchells vs. The Machines: a truly fun-for-the-whole-family feature that hinges on whether an artsy teen (voiced by Abbi Jacobson) and her luddite dad (voiced by Danny McBride) can set aside their differences long enough to save all of humanity from being launched into space by Siri Pal.

Based on a real Palestinian girl's story, Darin J. Sallam's debut feature film follows 14-year-old Farha (Karam Taher), who dreams of moving from her Palestinian village into the city so she can go to school instead of getting married. But it's 1948 in Palestine, just as the first Nakba, or "catastrophe" in Arabic, was taking place, and far more horrifying things are about to interrupt Farha's hopes.

Emotional demolitions expert/filmmaker Charlie Kaufman destroys audiences once more in the mind-boggling I'm Thinking of Ending Things. Adapted from Iain Reid's novel of the same name, this cryptically titled psychological thriller follows a woman, played by Jessie Buckley, and her boyfriend, played by Jesse Plemons, on a disturbing visit to his parents' remote farmhouse. What follows? Well, that depends on who you ask.

Sometimes true crime can lead to some pitch-perfect dark comedy. This is the case for this outrageous offering, which stars Jack Black as infamous scammer/local celebrity Jan Lewan. Black brings all the rock star panache you need to understand how Lewan could be so beguiling to the Pennsylvanian retirees who surrendered their savings to the self-proclaimed Polka King.

Writer/director Rian Johnson follows up his critically heralded whodunnit with a sequel that's even more explosive than Knives Out. Southern gentleman/detective Benoit Blanc (Daniel Craig) is back, drawling deductions and whipping out witticisms, much to the chagrin of a group of wealthy and conniving friends.

Jason Adams is a freelance entertainment writer at Mashable. He lives in New York City and is a Rotten Tomatoes approved critic who also writes for Pajiba, The Film Experience, AwardsWatch, and his own personal site My New Plaid Pants. He's extensively covered several film festivals including Sundance, Toronto, New York, SXSW, Fantasia, and Tribeca. He's a member of the LGBTQ critics guild GALECA. He loves slasher movies and Fassbinder and you can follow him on Twitter at @JAMNPP.

We're six months in, but where are we at? Join Mashable as we look back at all the viral moments, movies, memes, dating trends, hyped up tech, scientific discoveries, and more that have delighted and amazed us so far in 2024.

What are the best new movies on Netflix? With the streaming service offering a wide array of comedies, action movies, thrillers, and more, it can be difficult to choose what to watch. Sure, Netflix aims to promote their latest releases to grab your attention. But just because it's new doesn't mean it's worth your time.

Fret not. We've done the hard part for you. Below, you'll find the very best Netflix original films of 2024, now streaming. Whether you want something heartwarming, mind-bending, pulse-racing, funny-bone-tickling, or gut-wrenching, we've got you covered with the top tier of Netflix's new dramas, docs, true crime, animated movies, action-adventures, and more.

Charlie Kaufman, the brilliant but twisted mind behind movies like Being John Malkovich, Eternal Sunshine of the Spotless Mind, and I'm Thinking of Ending Things, tried his hand at family-friendly in 2024 with Orion and the Dark.

When Adam Sandler teams up with Netflix, the results are often willfully stupid comedies like Hubie Halloween, The Do-Over, and the infamously repugnant Western The Ridiculous 6. But the Sandman's been on a roll recently, with the sweet coming-of-age comedy You Are So Not Invited to My Bat Mitzvah, which starred his real-life daughters; the charming animated musical Leo; and this bizarre and bittersweet sci-fi drama about a sad astronaut and a giant space spider voiced by Paul Dano.

She's a damsel. She's in distress. She can handle this. Have a nice day. Millie Bobby Brown gives one of her strongest performances to date in Damsel, Juan Carlos Fresnadillo's film about a princess named Elodie, who's yeeted into a dragon's lair by her extremely fresh prince husband (Nick Robinson) on their wedding day. But what seems like quite a flippant premise actually ends up being a kick-ass survival film.

Netflix's true crime section is so vast that it can be difficult to pluck the treasures from the trash. For every Amanda Knox, there's a bunch of unsavory options. Thankfully, Amanda Knox producer Stephen Robert Morse teamed with Class Action Park director Seth Porges for this curious bank robber bio-doc, How to Rob a Bank.

Kibwe Tavares and Daniel Kaluuya's film The Kitchen is more than a sci-fi drama set in near-future London; it's a sharp commentary on privatization and oppression, police brutality, and the power of community resistance. It's also Kaluuya's directorial debut, and a hell of a watch.

Kristy Puchko is the Film Editor at Mashable. Based in New York City, she's an established film critic and entertainment reporter, who has traveled the world on assignment, covered a variety of film festivals, co-hosted movie-focused podcasts, interviewed a wide array of performers and filmmakers, and had her work published on RogerEbert.com, Vanity Fair, and The Guardian. A member of the Critics Choice Association and GALECA as well as a Top Critic on Rotten Tomatoes, Kristy's primary focus is movies. However, she's also been known to gush over television, podcasts, and board games. You can follow her on Twitter.

Before Netflix was the home of some of the biggest and best shows on TV, Netflix was more associated with movies. It all started with its red envelopes, sending DVDs directly to people's homes. It soon became one of the most popular platforms to stream movies in the world (now streaming is the only option as the Netflix DVD service has ended). And it doesn't disappoint, as the amount of Netflix movies to stream is vast.

Of course, such a big library is a positive and a negative. It's a positive because there are seemingly endless options to choose from, but that amount of choice can lead to a lot of scrolling an in decision on what to settle on watching. Allow us to help with that by assembling on official ranking of the best Netflix movies to stream right now.

The list we've put together below (not ranked, just in alphabetical order) includes both the best of the ever expanding slate of Netflix original movies, which are always going to be available on Netflix, and movies that rotate in and out of the service each month; so be sure to check back with this post to see what's new on the service that you should be watching. (FYI, we're only doing feature length movies, so not including shorts, even the Oscar-winning The Wonderful Story of Henry Sugar.)

Netflix has plenty of amazing documentaries in its library that challenge and inform viewers, perhaps none more so than the Oscar-nominated 13th, directed by Ava DuVernay. The movie reexamines the 13th amendment to the US Constitution, which officially ended slavery but, as the movie posits, also may have led to the racial inequality of the current US prison system. Available: US/UK

Sam Mendes put viewers into the middle of World War One action with his movie 1917. Following two British soldiers (Dean-Charles Champman and George MacKay) as they attempt to deliver a message that could save the lives of 1,600 men is made to look like it is done in one take, which ratchets up the intensity as the audience (like its two main characters) get very little time to breathe. Available: US/UK

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